The Kugitan Tragedy

Based on the play of the same name by Aleksandr Volodin "Five Evenings". The end of the 1950s. Aleksandr Petrovich Ilyin travels to the city where he lived before the war. Visiting the telephone operator Zoya, he sees a familiar house through the window and decides to go there for only fifteen minutes. So Aleksandr gets into a communal apartment, where the love of his youth Tamara Vasilyevna lives. They met twenty years ago and fell in love, but the war separated them. Now Ilyin and Tamara Vasilyevna met again, and love broke out with renewed vigor...

An unusual love-hate relationship between a 75-year-old son and his 102-year-old father, who wants to break the oldest-man-alive record.

Rose spends her days fishing near the beautiful lake house she’s called home for 50 years. She’s not getting any younger and her daughter Patti worries about Rose being all alone, but the stubborn matriarch will not sell. There are memories here that she doesn’t want to leave. These come flooding back one weekend during a visit from Patti and granddaughter Allison, when a long-forgotten roll of film reminds Rose of the summer she met and fell in love with the bold and beautiful Louise.

An unscruplous politician enlists the help of a supposedly illiterate and simple-minded man to win an election

Four friends and three girls spend a summer on a desolated beach, living in an abandoned hut.

Two trains uncontrollably move towards each other within temporal boundaries of a human life. One of them is taking a genial young man to his unforeseen future; he would marry his beloved; have a son; become a brilliant doctor; do his duty and save the live of enemies of the communist regime; get a 20-years sentence for that. Prison would turn out to be an unbearable nightmare; his wife would eventually give in to the tortures of the authorities and seek divorce; this would mean no one to visit him in prison. 15 years without any news about his child, only a snapshot of his family on which the tree of them are smiling and happy.

Austin (Aaron Mees) is a rising high school football star, who has his life all mapped out, until his coach (Mike Setzer) makes a decision that forces him to change the course of his life. Austin finds himself in a new home, a new school, with a new set of friends and a whole bunch of problems. Just when it seems the world has Austin down for the count, he gets up, shakes off the world, and forever changes his destiny.

Michiru is a troubled schoolboy who concocts fantasies to escape reality. He is morbid and fears death, but ponders and acts out suicides. His classmates bully and harass him and he has no hopes left. Things change when he meets Sayaka. The cute girl, he things, is his saviour. The girl, however, has a different streak.

1809-1810: mientras llega el día is a 2004 Ecuadorian historical-dramatic film, directed by Camilo Luzuriaga and starring Marilú Vaca, Aristides Vargas and Gonzalo Gonzalo. The plot is based on the book by Juan Valdano, and revolves around the events that took place in the city of Quito between August 10, 1809, when the First Cry of Independence took place in the Spanish colony of the Presidency of Quito, and on August 2, 1810, when the Massacre of the Próceres occurred in the hands of the peninsular authorities.

Two Chileans, Daniela and Tomas, meet in Philadelphia. Daniela is the daughter of a former political prisoner, tortured during Pinochet's dictatorship. Tomas is the son of the physician that tortured her father. Both have been forced to deal with a past that doesn't belong to them, and together they will find a space to question their roles and their heritage.

Tales about the consequences of pornography and the damage it does to society

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Salvadoran born Amanda Reyes lost her father to murder in 1929. She was three. She was taken away from her family and lived her entire life not knowing who they were. In 2009 her son, Marcos Reyes Villatoro, searched the entire country for the family. His search for the Reyes family is more than curiosity; it's his obsession. Like many Latinos in the U.S., Marcos has the need to know on a deeper level, What does it mean to be Latino? He searches for his roots. And what he finds is not pleasant. His family was involved in the Salvadoran struggles in a way he'd never dreamed.

In spite of blood ties to both Haifa's Jewish and Arab populations, Moshe leads a rootless existence. Grown weary of his impatient wife Didi and ambivalent about his needy young mistress Grisha, the only relationships Moshe doesn't complicate are with his devoted parents, Jewish Hanna and Arab Yussuf, and with Jules, Moshe's ne'er-do-well childhood friend. But when Jules' real estate developer brother moves to buy a prized piece of property from the Arab side of the family, Moshe's divided ancestry is put to the test.

Sinan is sent to Capadocia by his boss, Isfendiyar to write a screenplay. As he waits for inspiration, Sinan finds himself running first into Eylul, the daughter of Izzet, who owns the hotel where he's booked to stay, and then into soap opera star Faruk, his former good friend and present enemy. It isn't long before cabdriver Lokman, who declares himself Sinan's 'chauffeur' and Arif, a local farmer and horse breeder, are part of both Sinan's life and his screenplay. Although plentiful adventures among the magical fairy chimneys, colorful balloons and at the annual grape festival become like a movie for all involved, the happy ending awaited by the boss, Isfendiyar never happens. But the boss insists on his happy ending. And Sinan has to write that ending!

How to find your way in a suburb of the mega-city of Seoul, that is just one of the things this North Korean refugee hasn't learnt on his citizenship course. He gets lost as soon as he is on his own. At least he speaks Korean.

Tae-il lives a fast life as low level thug. He then learns that he has a terminal illness and not much time left to live. Then, for the first time in his life, he falls in love.

Antônio is an astrophysicist who has just found out he has an inoperable brain tumor. After decades living in the United States, he returns to Brazil and tries to learn more about his biological mother. His quest sends him off into the slums of Rio de Janeiro.

A dying widow plays matchmaker to her 32-year-old unmarried son and sets him up with a nurse that she meets.

Three NYC stories at a climax. Stories about breaking up, losing, leaving, giving away... the things or people you love, you live with, you depend on, which formed your past... The stories are about how difficult this is, how terrifying and how frightening. Yet, you HAVE to do what you have to do. The three girls are met at the turning point of their lives. The film is wonderful written, with few words and a great, exciting pace (though it takes its time and lot of it). Stop: there may be a lot of words, sometimes, but what's important is between-the-lines. The performances are marvellous. Style and location (all shot "on location") remind of this specific independent NYC style of Jarmusch, Poe, Seidelman, Silver, etc.