Honnold 3.0
The UK climbing scene is known for its strict traditional ethic, yielding dangerous routes and a competitive machismo among the driven young climbers risking it all to prove their boldness. It is the last place you would expect to find a nice little blonde girl putting all the lads to shame, but Hazel Findlay is doing just that. The first woman to climb the British grade of E9 (super hard, super sketchy), Hazel is a connoisseur of loose rock, dodgy gear, and big run-outs. Having mastered the scrappy sea cliffs at home she teams up with Emily Harrington to tackle the massive, untamed big walls of Taghia Gorge, Morocco.
La Dura Dura
Conrad Anker, Jimmy Chin and Renan Ozturk ascend Northern India's Meru Shark Fin, one of the last great unclimbed alpine rock walls in the world.
Through a collage of spaces and times, the interventions and interferences of nature and human beings in the south of Brazil reveals themselves... or try to hide.
Documentary about the killer of Trotsky
Sur le fil des 4000 is a documentary film by Gilles Chapaz, which traces the last rope of the mountaineering duo Patrick Berhault and Philippe Magnin. The objective of the roped party was to climb the 82 peaks over 4000 meters in the Alps, by carrying out the connecting routes on foot, on skis or by bike. All at the end of winter and the beginning of spring. They left on March 1, 2004, from Saint Christophe en Oisans. The film shows us in images this alpine adventure, from which the spirit of competition is excluded, to make way for the simple pleasure of being in the mountains. This posthumous film was edited after the disappearance of Patrick Berhault, which occurred during the expedition on April 28, 2004.
Linea Continua
Torre del Vento
Verso L'Ignoto
In September of 2017 German writer and director Daniel Raboldt accompanied a group of German and Polish scientists and students into the woods of Masuria, Poland. The expedition aimed to find traces of the so-called "lost villages", left by the Masurians around 1945 by the end of the Second World War. Today only some of the old graveyards can be found deep in the woods of the beautiful Masurian landscape. The documentary "In the back of history - The lost villages of Masuria" shows the students at their work in the historic archives and in the woods. How conclusive can this kind of historic research be? How much can we really learn by looking through old files or other sources? And what can we learn from the vanishing of the Masurians? Do we face similar problems today? The film dives deep into themes like the rise of nationalism and identity and uncovers the tragic end of a population that was asked one simple question in the early 20th century: Stay or Leave?
Bus Stories follows filmmaker Simeon Costello as he travels from John O'Groats in Scotland to Land's End in Cornwall using only local buses investigating why public transport is crucial to the UK.
During its nine-month-long season, the Venice Simplon-Orient-Express makes over 60 journeys, covering 150,000 kilometres, with the majority of trips between London and Venice. The train is comprised of 17 unique 1920s carriages that have transported a host of elite individuals across Italy, Switzerland, and Turkey for more than a century. This documentary follows the stories of the staff and passengers as the train makes its way across Europe, with some customers having paid more than £2,000 for the privilege.
Borrowed From Nature explores the rich and complex history of Japanese gardens in western Canada. Through the principles and design philosophy of famed Japanese Canadian designer Roy Tomomichi Sumi, we visit Japanese gardens in Lethbridge, AB, Vancouver, BC, and New Denver, BC, revealing hidden testaments to an enduring Japanese influence in our country
Don't Bring A Dog shows a part of the New York underground music scene - rooted in the early eighties - existing apart from MTV and billboard charts. Music, interviews, sounds and pictures of the city blend into a collage. Don't Bring A Dog works like a time capsule of people and music in NY at a particular moment
Looking for paradise lost, the "Last Temptation in Thailand" is a mesmerizing odyssey through ancient temples, idyllic islands & enticing dark-eyed ladies of eve in a very sexy, off the beaten track road movie.
Francois the Tree Man is far from his wife and three small children in Quebec, selling Christmas trees and living in a van on the streets of New York City. He does it for them. But this is home, too. Like the hundreds of Christmas tree sellers who descend upon the city from Canada, New England and even Europe, Francois delivers the magic of the season over a grueling month in his adopted neighborhood. He's a star, a storyteller, a Santa Claus in a sap-stained coat, a confidant, a friend, and a father figure to the local characters who are his New York family. They also need him. TREE MAN is the story of Francois's journey, how he arrived here, what holds him, and the conflict that will cause him to leave. As one of Francois' long-time customers says: "This has nothing to do with the trees anymore."
Dash Snow rejected a life of privilege to make his own way as an artist on the streets of downtown New York City in the late 1990s. Developing from a notorious graffiti tagger into an international art star, he documented his drug- and alcohol-fueled nights with the surrogate family he formed with friends and fellow artists Ryan McGinley and Dan Colen before his death by heroin overdose in 2009. Drawing from Snow’s unforgettable body of work and involving archival footage, Cheryl Dunn’s exceptional portrait captures his all-too-brief life of reckless excess and creativity.
As the largest living terrestrial mammals, elephants are usually considered as survivors under even the most dire climatic conditions. But all too often, these majestic giants are killed illegally for their ivory tusks. So, every dead full-grown elephant, whose carcass or skeleton is found with the tusks still in it, is a symbol of paradise – an elephant allowed to die of natural causes instead of bullets, snares or poison.
Simon Reeve visits Colombia in the year of the pacification, at least on paper, between the government, 'aided' by right-wing death squads, and the Marxist FARC guerrilla, which was turning into an armed super-drug cartel and champion of ransom kidnappings. He speaks with people about the horror that hopefully nears its end and the prospects if both sides disarm.