After Spring

On the afternoon of the day before her school trip, Se-mi wakes up from her strange dream and heads to her Ha-eun. It was because she felt like she had to convey the feelings she had been holding back for a long time today. However, unlike her overflowing heart, the two keep falling apart.

Pamir

Na Kyung-soo, a diver, is angered to learn that the Coast Guard is assigning responsibility for the death of a fellow diver during the Sewol ferry disaster recovery to Ryu Chang-dae, the representative of civilian divers, and charging him with manslaughter.

An old man living on the island of Mireukdo lives a self-sufficient life, adhering to ascetic principles typical of a monk. Now and then the phone rings and shortly thereafter a visitor arrives; the old man dutifully prepares rice cakes for them. The cakes are the last meal these visitors will eat before embarking on the seemingly long journey to the next world. The first to arrive is an angler, then a rat, and the last a teacher and two students.

Two semi-studious students living in 'Korea-Town' are interrupted & intrigued by the actions of a girl in a nearby building, witnessed via CCTV, whilst each trying to come to terms with important subjects in their university projects [one Korean related: the Sewol ferry tragedy, and one British: the Grenfell tower incident], as well as their own life challenges in this claustrophobic tragicomedy of alienation, helping hands & secretive students. Is all really what it seems?

Sejun and Song-i went on a school trip and couldn't return with the sunken ship. Leftover Seolhee and Seong-cheol wander under the weight of a hard life. Also, the remaining Sejun's mom and Song-i's dad remember and endure the children they sent first. The story of them living in a time that can't be cured.

Returning from eight years abroad at work and in prison, Jeong-il struggles to reconnect with his wife and their young daughter, Ye-sol, whom he barely knows.

On the run from a dogged internal affairs agent, a corrupt cop reluctantly teams up with a defiant teen to unravel a conspiracy before it's too late.

A grieving father who lost his daughter in the Sewol ferry incident looks back on his long journey to piece together his lost memory and pick up the pieces of his life in this commemorative film marking the 10th anniversary of the tragedy.

세월X

We remember: Trauma

The film traces PARK Geun-hye's life back to the 1970s, when the leader-follower relationship began between PARK, who became the first lady of the Yushin regime, and CHOI Taemin, the leader of a pseudo-religion. It then examines the Sewol ferry incident, CHOI Soonsil Gate, candlelight rallies, and finally the impeachment.

Yellow Ribbon

On April 16th, 2014, the Sewol Ferry sank in South Korea, taking with it the lives of 304 of its 476 passengers. South Korea's worst maritime disaster traumatized a nation while simultaneously sinking the country's emotional spirit. The film asks why the rescue of Korea's children and people was neglected on the fateful day the Sewol sank.

A letter from the sea

304 people drowned as the car ferry sank. Four fathers recall their memories of their children; high school students who were on their field trip. Professors, lawyers, journalists, an activist, a diver, and a politician explain why the system ultimately allowed the tragedy to occur. What is stopping the next tragedy? The world has turned upside down.

Middle-aged women start acting and launch a drama club. However, nothing big or small goes right. But they never give up the play.

Yoo Kyung-geun, who lost her daughter Ye-eun in the Sewol Ferry Disaster, sits down at the podcast production studio. It is to meet with the bereaved families of numerous social disasters before and after the Sewol Ferry Disaster. They are Hwang Myung-ae, the mother of Han Sang-im who died in the 2003 Daegu Subway Fire, Ko Seok, the father of Gahyun and Nahyun who died in the 1999 Sealand Youth Training Center Fire, and Bae Eunsim, the mother of Lee Hanyeol who died in 1987's June Struggle. The bereaved families talk about "the life after" and their daily lives, and Yoo Kyung-geun learns to live without Ye-eun.

In her first feature-length documentary, filmmaker Nam Arum turns her camera on her parents, two members of South Korea’s 386 Generation. The political activism of this generation came to a head in June 1987 with major protests that forced the authoritarian government to hold universal suffrage elections and implement key democratic reforms. Over 35 years later, the filmmaker reflects on the state of this democracy through a warm-hearted family portrait set against the backdrop of the country’s recent history. Using a personal and intimate cinematic style, Arum examines her father's adherence to conventionality as a high-ranking civil servant and her mother's fervent enthusiasm as a feminist activist. In the midst of these two contrasting dynamics, Arum seeks to discover her own role and how she can contribute to social change.

A documentary on the South Korean ferry disaster that claimed the lives of more than 300 passengers in April, 2014.