From the French Period

Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.

Doctors say that Veronika, a woman in her 20s, is schizophrenic. She is compliant, which makes her an easy target for men. She's religious, believing she is God's favorite child; she searches for Jesus. She has sent a letter to a filmmaker suggesting her life as the subject for a movie. We see her raped then take up with a series of men she believes are Jesus, each willing or insistent on sex. A young man with his own crisis of faith invites her to join a cult. We see her involuntarily committed to an asylum from time to time where medication and constraints await. Her wealthy parents are helpless. Will a medical professional ever talk to her? If one did, would it help?

Emily, a child, stays with her bourgeois grandparents during frequent periods when her mother makes films. Isabelle wraps a picture, flies to her childhood home to pick up Emily, and plans to leave for her place in France. Old wounds between Isabelle and her parents open around Isabelle's life style. It's also apparent that Isabelle's mother, Paula, is unhappy - with her husband and with her youthful hopes dashed when she became pregnant with Isabelle. Unbeknownst to Isabelle, the co-star of the film she's just made has followed her, checked into a nearby hotel, and wants to begin an affair, even though he's married. Can Isabelle sort it out? What's best for Emily?

Jesper is a soldier in the German army, who reports for a new tour of duty in Afghanistan. His unit is to protect a village from the Taliban.

Noor wants to be a man. He doesn't belong anymore to the Khusras, Pakistan's transgender community. And he is definitely done with the love story he had with one of them, that had drastically changed his life. Now, he is doing a man's job in a Truck Decoration Center and he made up his mind: he will find a girl who will accept him as he is.

Based on a true story, Yoshiko and Yuriko relates the journey and great love affair of Yoshiko, who was a renowned translator of Russian literature and drama, and Yuriko, who was a feminist novelist and great activist of the post-war democratic literature movement. Both have left huge marks on Japanese literary history. The two women shared a strong attraction to each other from their first meeting and enjoyed a powerful love affair. Yoshiko reveals that she's an out lesbian, whilst Yuriko is married (not altogether happily) to a well-known scholar - a situation she can't walk away from with ease.

An exceptionally beautiful Chinese woman falls prey to violence and social control. After remembering how her previous reincarnation followed a similar path, she tries to break free of the mould.

The Story of Woo Viet, seven years before they traded wistful looks in An Autumn's Tale. Chow, in one of his earliest and meatiest film roles, plays the title role of Woo Viet, a Vietnamese refugee who hopes to immigrate to the United States.

Hong Kong student Ben Lee becomes friends with his mainland Chinese classmate Chang Chih while studying abroad in Japan. Ben is unmotivated to study and only cares about money and on the other hand, whenever Chih encounters a Chinese person, he would ask whereabouts of his childhood sweetheart. Ming is also from Hong Kong and in order to elevate his social status, he becomes involved with a bar hostess and owner Yuriko, hoping to become Yakuza leader Yamada Ishikawa's brother in-law.

A 12-year-old boy from America experiences the clash of cultures and the generation gap when he visits his grandfather in Shanghai.

Film adaptation by Straub and Huillet of Hölderlin’s 1798 tragedy on the symbolic death of Empedocles, the legislator in Ancient Greece.

After Xiao Yu's mother died in an accident, she moved back to live with her birth father who she knows little about. Gradually, they grew to know each other and to accept each other for who they are.

Ma Lei which sounds like "Mary" is a Chinese citizen, living in Hong Kong as the kept woman of a jeweler. She wishes for two things: to get her Hong Kong Identity Card, which will enable her to get work as a legal immigrant; and to marry her boyfriend.

Three flatmates share a luxury flat. A philandering hairdresser meets his match. A young stockbroker meets his boss's soon-to-be-ex-wife. A pregnant lady unsure over the identity of the baby's father.

Clara Law's debut feature deals with her common theme of emigration as two people, man and woman, from separate couples, have to room together while their spouses are in America to finalize the Canadian citizenship process.

Jorge, bastard child of the infamous Red Light Bandit, decides himself to pursuit a life of crime after meeting with his father, who has been incarcerated for the last 30 years.

Roy is a Taoist priest but also a drag queen performer. He meets and falls for Sunny but when Sunny disappears without saying goodbye, Roy begins to suspect that something terrible has happened.

Saiko travels to Thailand but she jumps out of the cab after knowing the driver's intentions. However, her life changes after she meets Greg.

Sylvia and Cora Miao play two widowed mothers, best friends and confidants who spend their days reminiscing about times past. Over the course of a lazy weekend afternoon, the two women conjure memories of Cora's husband, his life, his death, and his passionate affair with Sylvia. A series of wistful flashbacks reveal the sometimes touching, sometimes painful circumstances around the women's deep friendship with one another, and their love for the same man.

Required to retire from his job as a utility man at a Peking Opera theater, Old Han is at loose ends, wandering the backstreets of Beijing looking for something to correct.