Old Man Bennett

A short making of feature about the 1966 John Frankenheimer movie Grande Prix

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Young Hearts

An indie filmmaker announces his retirement at his own screening and drinks himself into stupor. When he wakes up with a hangover, characters from his films rush into his home.

Jorge asks Noah for a special favor that questions the limits of friendship and his identity.

Short docudrama exploring the history of sex in the homosexual community from the 1970s to the present day, and how the internet has changed the way gay men meet forever.

Documentary on industrial lubrification.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Josh, a gawky camp counselor who puts the bi in Bible Camp, teeters on the edge of coming out to the entire camp.

The hilarious downward spiral of a frustrated woman's night as she tries to relax at home after a hard day. The short is elevated by surreal animation, cringe worthy what if scenarios and good fashioned T and A.

A disabled comedian performs a make-or-break gig on the night his first child is born.

A portrait of Jamaican-born artistic polymath Barbara Samuels. Featuring an account of her first generation, diasporic experience in Southend and London, and her discovery of hippiedom and the personal freedoms offered by entry into creative life.

A man claiming to be a spiritual medium is hired by a woman concerned that her party-loving daughter is under the influence of black magic, however, things soon go awry.

Taking the form of a conversation between a young teacher at a French school in Moncton and her students, the film shows how hard it is for francophones to preserve their language in a society where English is everywhere and has been for centuries.

A documentary about the possible ties between H.P.LOVECRAFT and the Polesine region (Italy), stimulated by the casual discovery of a mysterious manuscript attributed to the great American horror writer died in 1937.

In a fancy restaurant, Ben plans to propose to his long time girlfriend only to find out that his ring was mistakenly sent to the wrong table.

Short film about the Manzanar Japanese American internment camp. Preserved by the Academy Film Archive in 2011.

A short documentary about a homeless couple who face the ban on being on the street during 2020 quarantine. Just through their eyes, the two protagonists show us a different Milan, silent and suspended.

A short tale of two 'Matts' - one an accomplished architect who has been around the block, the other a nursing student who is fresh out of the closet. Matt invites Matt over for drinks, a movie, and a night that will mean much more for one of them than the other.