Residence

Comitiva Esperança

An experimental ethnographic documentary that criticizes the colonizer view of anthropology.

Wild Honey

In 1968, the fury and violence of the Democratic National Convention in Chicago propelled us toward a tipping point in politics. Martin Luther King Jr. and Robert F. Kennedy were assassinated, America suffered its bloodiest year in Vietnam and drugs seduced us. Yet idealism--and hope--flourished. Explore the significance of that turbulent year and the way it continues to affect the American landscape. Tom Brokaw offers his perspective on the era and shares the rich personal odysseys of some of the people who lived through that chaotic time, along with the stories of younger people now experiencing its aftershocks. Includes archival footage and interviews with former Atlanta Mayor Andrew Young, who was talking to King when he was assassinated and rushed to his side to try to staunch the wound; Olympic gold medalist Rafer Johnson, who wrestled RFKs' assassin to the ground; and Arlo Guthrie, best known for his song "Alice's Restaurant.

The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.

Drawing on original footage from National Geographic, Etched in Bone explores the impact of one notorious bone theft by a member of the 1948 American-Australian Scientific Expedition to Arnhem Land. Hundred of bones were stolen and deposited in the Smithsonian Institution in Washington DC, until it became known to Arnhem elders in the late 1990s. The return of the sacred artefacts was called for, resulting in a tense standoff between indigenous tribespeople and the Department of Anthropology at the Smithsonian.

This film is a portrait of unique cultural space for Spirits, Gods and People. While permanent theatres are commonly built in most cosmopolitan modern cities, Hong Kong preserves a unique theatrical architecture, a Chinese tradition that has lasted more than a century - Bamboo Theatre.

The Amazon rain forest, 1979. The crew of Fitzcarraldo (1982), a film directed by German director Werner Herzog, soon finds itself with problems related to casting, tribal struggles and accidents, among many other setbacks; but nothing compared to dragging a huge steamboat up a mountain, while Herzog embraces the path of a certain madness to make his vision come true.

A young anthropologist reflects on her late grandmother's religious background.

"Sweet Osmanthus Flowering Late" is a feature-length ethnographic film that envisions social rejuvenation and collective convalescence in the aftermath of the pandemic. Filmed in Wuhan, the film follows the everyday lives of three middle-class households. It postulates the existence of a mass dreaming phenomenon that facilitated fatigued Chinese inhabitants to rejuvenate themselves following the secluded episode of lived experience and to coexist with the enduring imprints of "the event" on their social lives.

Haunted by uncanny similarities between Nazi stage techniques and the showmanship employed by modern entertainers, a filmmaker investigates the dangers of audience manipulation and leader worship.

March 2008. The renowned journal ‘Science’ publishes an article confirming that the human bones discovered in 2004 on the island of Flores in Indonesia are indeed those of a new species of man. These tiny men lived there just a few thousand years ago... Scientists have named this new cousin “Homo floresiensis”, the Man of Flores.

An exploration of the heavy metal scene in Los Angeles, with particular emphasis on glam metal. It features concert footage and interviews of legendary heavy metal and hard rock bands and artists such as Aerosmith, Alice Cooper, Kiss, Megadeth, Motörhead, Ozzy Osbourne and W.A.S.P..

A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century

Commissioned by the journal Présence Africaine, this short documentary examines how African art is devalued and alienated through colonial and museum contexts. Beginning with the question of why African works are confined to ethnographic displays while Greek or Egyptian art is celebrated, the film became a landmark of anti-colonial cinema and was banned in France for eight years.

Thanassakis, a 13-year-old boy, is staying with his grandparents in the Greek village of Ano Ravenia, while his parents stay with his younger brother in Zurich, Switzerland. It was filmed during three periods: winter in the village, summer in the village (while his parents, as most migrants, come back for the holidays), and Christmas in Zurich when the grandfather and the young boy visit their family. Who is most important to the young boy - his father or grandfather?

The city from the unique perspective of the many wild animals and plants that inhabit it. Seen through the eyes of the adventurous urban cat, Abatutu.

Bikes vs Cars depicts a global crisis that we all deep down know we need to talk about: Climate, earth's resources, cities where the entire surface is consumed by the car. An ever-growing, dirty, noisy traffic chaos. The bike is a great tool for change, but the powerful interests who gain from the private car invest billions each year on lobbying and advertising to protect their business. In the film we meet activists and thinkers who are fighting for better cities, who refuse to stop riding despite the increasing number killed in traffic.