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Cecilia Bartoli stars in this ebullient Zurich Opera House production of Rossini’s first French-language comedy opera described by the international press as “pure, unadulterated fun” and reminds us of her comic gifts and her naturalness as a stage actor — as well as her total sympathy with the music of Rossini.

Anna's marriage is on the rocks after her husband John discovered she was having an affair with a much younger man. Confronted by her other half in the honeymoon suite of a Stratford-Upon-Avon hotel, Anna must try to save their marriage, deal with hapless hotel staff and come up with a plan to get through the experience. Unknown to either John or Anna, the suite’s bathroom is occupied by a semi-naked and comatose 21-year-old, who’s trying to sleep off a stag do.

Leon Errol invites Lord Epping for dinner, then impersonates him when he expects his Lordship is otherwise engaged.

Leon Errol disguises himself as a mystic, in order to fool repo men.

A wildcat escapes from the zoo, disguises herself as a skunk to fool her pursuers, but that only attracts lovestruck Pepe le Pew.

Olive invites Popeye over for a hamburger dinner. His roommate Wimpy hears this and disguises himself as Popeye in order to be who enjoys the feast.

Circumstances arise that result in a man impersonating his uncle. As the "uncle", he finds himself pursued by his girlfriend's aunt, who does not approve of their relationship.

When Nanna and Tim go to bed, a discussion arises about who should initiate sex. A night when gender norms and expectations take control of the bedroom.

For centuries, the Murgatroyd family, the Baronets of Ruddigore, have been under a witch's curse — commit a crime every day, or die in agony. Sir Ruthven Murgatroyd, the rightful heir, has run away to live as innocent peasant Robin Oakapple in the Cornish village of Rederring, sticking his brother Despard with the curse. But on the very day that "Robin" is to marry sweet, beautiful Rose Maybud, it all falls apart. Can Sir Ruthven outwit a picture gallery full of his ancestors' ghosts to save the day?

14 years after making a film about his journey across the USA, Borat risks life and limb when he returns to the United States with his young daughter, and reveals more about the culture, the COVID-19 pandemic, and the political elections.

When Penelope gets married to banker James Elcott, she finds him too preoccupied with work to pay much attention to her, so she robs his bank in disguise. After she confesses to her psychiatrist, Greg Mannix, he offers to return the money for her, as he is secretly in love with her. However, he abandons the money when the police approach. Penelope becomes determined to admit to the crime, but neither James nor the police believe her story.

Due to a broken getaway car, three Russian jewel thieves are forced to take shelter in an empty Viennese coffee house. They knock out the waiter and call their fourth accomplice. Ten minutes until the new car arrives! Unfortunately two policemen enter the cafe and take a seat. As the only people present, the villains are mistaken for waiters - with fatal consequences.

Because Ernst feels oppressed by his wife and her mother, he fakes his suicide and hires in his own household disguised as a servant.

An American posing as a Russian prince woos a visiting Ohio heiress.

The Professor will not allow his daughter to marry a non-musician, but Billy, her would-be suitor, cannot play a single note. When he is about to give up, Billy’s roommate suggests bluffing his way into the Professor’s favor with the aid of a suitably musical disguise and a well-hidden phonograph player.

The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.

Gender-bender comedy directed by Omiros Efstratiadis.

Fantômas is a man of many disguises. He uses maquillage as a weapon. He can impersonate anyone using an array of masks and can create endless confusion by constantly changing his appearance.

Sethu, an unemployed youth, struggles to find a job. When a spate of robberies takes place in his friend's neighborhood, he poses as a Gurkha to get a job as a security guard.

Molly is a wife of wealthy Britisher Sam Thornhill. Though devoutly loyal to her husband, the capricious Molly can't seem to avoid getting herself into compromising situations. The limit comes when a pair of Molly's stockings find their way into the boudoir of another man.