Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.
Mikami, an ex-yakuza of middle age with most of his life in prison, gets released after serving 13 years of sentence for murder. Hoping to find his long lost mother, from whom he was separated as a child, he applies for a TV show and meets a young TV director Tsunoda. Meanwhile, he struggles to get a proper job and fit into society. His impulsive, adamant nature and ingrained beliefs cause friction in his relationship with Tsunoda and those who want to help him.
A Japanese Yakuza gangster's deadly existence in his homeland gets him exiled to Los Angeles, where he is taken in by his little brother and his brother's gang.
The film is inspired by Miyamoto Musashi who was one of the most famous Japanese ronin and warrior philosophers. This very alternate and visual interpretation of the fate of Miyamoto is brought into a mixture of contemporary Yakuza underworld and a hypnotic Samurai after-life. We flow seamlessly between through life, death, rebirth and the afterlife and challenge our traditional definition of the past, present and future. The film explores the agonizing and painful processes that go through the shattered mind of Miyamoto, as he desperately tries to hold on to the only thing he has left - The rapidly fading memories of his undying love for a woman named, Otsu. A love that for a Yakuza-Samurai is strictly forbidden and which will prove to have catastrophic consequences.
Follows the struggles of a yakuza wife after his husband gets hurt in a knife fight.
Seijiro and Shizue meet in Niigata and fall in love. Seijiro has to go back to Tokyo soon after, and they promise each other to meet again a year later. However, Seijiro gets jailed for five years. Unable to find him, Shizue gets married to a yakuza boss who can help her family business.
Starting in 1970s Hokkaido, the film charts the moral descent of Detective Moroboshi over three decades, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza.
Hubert is a French policeman with very sharp methods. After being forced to take 2 months off by his boss, who doesn't share his view on working methods, he goes back to Japan, where he used to work 19 years ago, to settle the probate of his girlfriend who left him shortly after marriage without a trace.
A member of the jieitai ("Self-Defense Force"; i.e. Japanese military) is on leave and finds a woman giving birth in a graveyard in the former Yoshiwara district. He takes her to an inn to gove birth, and stays on a few days as she recovers, but becomes fascinated with the strange people he meets there, particularly the owner, who visits a house in his courtyard every day to talk and give food to his mother. He says she is very sick and can't leave bed, but no one else has ever been inside or seen her.
Detective Nishi is relieved from a stakeout to visit his sick wife in hospital. He is informed that she is terminally ill, and is advised to take her home. During his visit, a suspect shoots one detective dead and leaves Nishi's partner, Horibe, paralyzed. Nishi leaves the police force to spend time with his wife at home, and must find a way to pay off his debts to the yakuza.
Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. However, in Japan he manages to escape, and as they try to track him down, they get deeper and deeper into the Japanese Mafia scene and they have to learn that they can only win by playing the game—the Japanese way.
The yakuza have their best days behind them and are only a shadow of themselves. The old rituals seem out of date and their tattoos make them outcasts of society. The inexperienced student Ryō stumbles into their ranks by chance, and before he knows it, he becomes entangled in dark machinations. He quickly succumbs to the fascination of omnipotence fantasies and hedonistic decadence and sinks deeper and deeper into a parallel world of prostitution, blackmail and violence. However, there is one thing that Ryō has not considered in his naivety: once yakuza, always yakuza!
“Gunro no keifu” is known as “Tale of a Scarface.” It follows the life of Kumoro, a yakuza member, who recently is released from prison after serving 14 years for his Family. Upon his return he finds the various yakuza syndicates on the brink of war. Kumoro is, at first, removed from the dealings of the families by his Boss, but slowly he is drawn back into his old ways.
Coal miner Isamu Oba is forced to quit his village and leave his mother and siblings behind. Mining buddy Ichiro accompanies him to Tokyo, and the pair enjoy several "fish-out-of-water" sequences before finding employment at a boxing gym with trainer Sawada and his spunky sister Tomoko. The boys also find part time night jobs as roving minstrels in the club district courtesy of benevolent gang boss Asakawa. Of course, they run afoul of boss Karasawa's cruel gang. Karasawa also has it in for Asakawa, and this indirectly throws a spanner into the works as far as Isamu's burgeoning success as a kickboxer. When Asakawa 's HQ is burned to the ground by Karasawa's men, Asakawa tries to kill Karasawa - which, of course, leads to his own gruesome death. Isamu goes on the rampage with his sword, wiping out Karasawa and men.
In an alternate Japan, territorial street gangs form opposing factions collectively known as the Tokyo Tribes. The simmering tension between them is about to boil over into all-out war.
Satomi Oka is worried about his final choir competition but is accosted by a shadowy gangster, Kyouji Narita, who demands karaoke sessions with him.
Shimamura is a violent street thug who joins the yakuza & is merciless & unscrupulous on his rise, lacking any sense of either duty or chivalry. When imprisoned, he is repeatedly transferred from one prison to another, because no one can handle him.
Bungo is released from prison to find his son Kenichi in the care of strangers. Teruko, the woman originally looking after the boy, was forced to leave town and sell herself into prostitution. Bungo and Kenichi, in their search for Teruko, arrive in a new place and find work running a peddling stall for the upright Tatsumaki family. However, the drifting father and son soon find themselves caught up in a struggle for territory. Boss Negishi, the head of the yakuza family responsible for the death of the former Tatsumaki leader, will stop at nothing to take over the marketplace. Sickened by the injustice, Bungo takes on the rival boss knowing it might cost him his newly acquired freedom..
Adventures of famous yakuza boss Jirocho and his disciples who settle in Kofu.
Tanaka is a yakuza who collects 'protection money' from establishments. He has just been released from jail, where he had spent eight years, and finds out that his boss wants to get rid of him. Tanaka is not an archetypal yakuza; he travels by public transport. But he does have two mistresses: Ayumi, who runs a nightclub, and Yoshie, a brothel-keeper. When Tanaka's boss ends up in hospital, second man Kurauchi exerts increasing pressure on Tanaka. Tanaka deliberately has himself wounded by a fighter to dodge several of Kurauchi's demands.