In his Lost Coast home, Alexander Cockburn recounts a personal history of Beat the Devil, the John Huston movie. When Lennard first read Beat the Devil – the book – she was amazed to discover James Helvick was the pseudonym for journalist Claud Cockburn, father of her friend Alexander. 2014, Elizabeth Lennard and CounterPunch.
A look at the confluence of the Red Scare, McCarthyism, and blacklists with the post-war activism by African Americans seeking more and better roles on radio, television, and stage. It begins in Harlem, measures the impact of Paul Robeson and the campaign to bring him down, looks at the role of HUAC, J. Edgar Hoover and of journalists such as Ed Sullivan, and ends with a tribute to Canada Lee. Throughout are interviews with men and women who were there, including Dick Campbell of the Rose McLendon Players and Fredrick O'Neal of the American Negro Theatre. In the 1940s and 1950s, anti-Communism was one more tool to maintain Jim Crow and to keep down African-Americans.
For over 100 years, Hollywood cinema has crafted the ultimate "villain"- the Indian, as they were labeled in early Westerns. Confined almost exclusively to this genre, the Western became a vehicle for American racism, obscuring the genocide upon which the United States was built. In this documentary, only Native Americans are given a voice to share their story, one that has been overshadowed by Hollywood's portrayal. Their narrative, part of the larger American story, highlights how cinema has long been used as a powerful propaganda tool, distorting history and perpetuating harmful stereotypes.
Bobbing around on Mediterranean waters aboard the Ocean Viking, aid workers from the French relief service SOS Méditerranée gaze at the horizon. Is that a rubber dinghy in the distance, or is it garbage? The organization sails up and down the Libyan coast looking to pick up refugees in boats. On board is a 30-strong team ready to offer help and support refugees with their asylum applications.
32 contestant hunt down a single targert in a manhunt across Glasgow.
In a journey from the mountains of southeastern Mexico to the northern border with the United States, Subcommander Marcos and the people of Mexico trace the forgotten face of a country. A celebration of the struggle for land and dignity.
Camelamos naquerar (We Want to Speak) is an adaptation of the theatre play of the same name which was born out of a collaboration between Romani poet and university professor José Heredia Maya and Romani flamenco dancer and choreographer Mario Maya; the latter also performs in the piece, along with other artists. The title in Caló, the language used by Gitanos, translates as ‘we want to speak’, a revolutionary message that illustrates the efforts to reclaim a place in Spanish history for the Roma people and denounce the institutional injustice suffered by the community. It takes as its starting point the Pragmatic decrees signed by the Catholic Monarchs at the end of the fifteenth century, which heralded the long persecution of the Roma people, and continues right up to the twentieth-century Francoist laws.
21-year-old Sam Carton, after amputating her leg due to untreatable CRPS, embarks on a journey to surf and pursue her dream of becoming a photographer.
While Hans Jurgen Höss enjoyed a happy childhood in the family villa at Auschwitz, Jewish prisoner Anita Lasker-Wallfisch was trying to survive the notorious concentration camp. At the heart of this film is the historic and inspiring moment – eight decades later – when the two come face-to-face. This is the first time the descendant of a major war criminal meets a survivor in such a private and intimate setting, Anita’s London living room. Together with their children, Kai Höss and Maya Lasker-Wallfisch, the four protagonists explore their very different hereditary burdens.
video report of the 2nd Asian international trade fair ran from 5 to 24 October 1969 in Tehran-Iran.
Four episodes on the theme of human hope and survival set in Santambrogio, Italy; Fermathe, Haiti; British Columbia and Kjeller in Norway.
Spectacular documentary about Venezuela.
Post-Partum
Willy Johansson – Der Glasmeister aus Norwegen
A debut short film which contains footage of the city of Paris. It is a trip through Paris in day and night and mostly contains clips from Galleries such as the Musée d'Orsay and the The Centre Pompidou.
The recent democratic revolutions throughout Eastern Europe—Serbia in 2000, Georgia in 2003, and the Ukraine in 2004—all seemed to follow a quick and easy pattern: the exposure of rigged elections, followed by massive street protests, and a regime that collapsed without a fight. But THE DEMOCRATIC REVOLUTIONARY HANDBOOK reveals the lengthy and meticulous preparations behind these seemingly spontaneous demonstrations, showing how modern marketing techniques have combined with revolutionary politics to transform the region's governments.
This is the story of an optimistic and amnesiac people who, at the slightest glimmer of light, are prone to forget the pain caused by repeating their mistakes at the polls or by knocking on the doors of the barracks, and rush into hopeful celebration: a dubious World Cup, a war with England, the coming of democracy, etc. And so, between pain and celebration, they await that promised future of abundance.
WWE fans, you have waited long enough! His glistening wardrobe, often-imitated cadence and grandiose style was outshined only by his virtuoso performances in the ring. Macho Man, with his gorgeous leading lady Miss Elizabeth, embodied the raging 80s in WWE and later, compounded his success in WCW. Now, the complete story of his incredible life can finally be told in Macho Man: The Randy Savage Story.
Gamble on Super Bowl? Here's the riveting inside story of the world's top pro sports bettors in Las Vegas, during the biggest betting event of the year. They bet with their heads - smart & methodical - while the weekend "squares" bet dumb and lose big!
Glasnevin Cemetery is the final resting place of 1.5 million souls; it is Ireland's national necropolis. ONE MILLION DUBLINERS reveals the often unspoken stories of ritual, loss, redemption, emotion, history - and the business of death.