Asuraguru

Noir thriller about a criminal seeking redemption by tracking down the daughter of the woman he killed. Along the way he is haunted by his guilt in the guise of the woman's ghost.

Selvam, a criminal, goes to Hyderabad to start a new life and falls in love with a dancer. When they decide to get married, events from his past starts to haunt him.

Two men kidnap the daughter of a rich man, and the latter approaches a retired cop to track the missing woman.

Priya , a rich girl, is in love with Sundar, a poor youth. Priya tries to elope with him but she fails and her father and her mother lock her in her bedroom. From there, Priya witnesses the murder of Shanthi by her husband Sabapathy in the opposite building. She takes photos of this murder and Sabapathy notices this act. Gopi, Shanthi's brother, only knows that his brother-in-law tortured his sister for a long time. He is the only one who suspects Sabapathy whereas their relatives considers him as a perfect gentleman. Gopi files a complaint secretly against Sabapathy. However, Sarath, an honest police officer, gives up the case due to the lack of evidence. What transpires later forms the crux of the story.

The murder of a youngster creates confusion among a few cops when they find out that the one accused in the crime has a look-alike!

Three strangers, who were cheated by a three-member fraud gang, hatch plan to take revenge on their leader, and go to his home around same time. All of them get the shock of their life when they find someone murdered at the home.

Ustanička ulica is a Serbian political thriller. Dušan Ilić (Gordan Kičić), employed at the Serbian state prosecutor's office, gets a top secret case to investigate a war crime committed by a disbanded paramilitary unit. He manages to find Mićun (Uliks Fehmiu) who's the only surviving witness.

An ex-con trying to find work in a new Depression is lured back to a life of crime, but his gang passes the point of no return once they become fugitives.

A first of its kind crime based thriller in Gujarati

Young, ace assistant DA, Shelby Cook, works with driven cop, Mike Holland, to catch Daedalus, a serial killer infamous for luring his victims to their deaths through labyrinth traps. Three innocent men have already taken the fall for Daedalus and when Daedalus strikes again, Shelby finds herself defending the latest man accused, a retired and respected judge--who also happens to be her own father.

In spite of blood ties to both Haifa's Jewish and Arab populations, Moshe leads a rootless existence. Grown weary of his impatient wife Didi and ambivalent about his needy young mistress Grisha, the only relationships Moshe doesn't complicate are with his devoted parents, Jewish Hanna and Arab Yussuf, and with Jules, Moshe's ne'er-do-well childhood friend. But when Jules' real estate developer brother moves to buy a prized piece of property from the Arab side of the family, Moshe's divided ancestry is put to the test.

A sealed ancient Mayan cave would be blown open unleashing Xtabai to wreak havoc on the world and destroy civilization. She begins by infecting the inhabitants of a nearby village with a terrible and deadly fever. The government responds by placing the village under quarantine. A team of students along with their teacher escape into the jungle to find a cure, guided only by a dream. They go deep into the bowels of the Mayan underworld, hunted by Xtabai herself. Will they ultimately succeed in defeating the evil Xtabai and saving mankind from her curse? How many will live to tell the tale?

How to find your way in a suburb of the mega-city of Seoul, that is just one of the things this North Korean refugee hasn't learnt on his citizenship course. He gets lost as soon as he is on his own. At least he speaks Korean.

Tae-il lives a fast life as low level thug. He then learns that he has a terminal illness and not much time left to live. Then, for the first time in his life, he falls in love.

Antônio is an astrophysicist who has just found out he has an inoperable brain tumor. After decades living in the United States, he returns to Brazil and tries to learn more about his biological mother. His quest sends him off into the slums of Rio de Janeiro.

A dying widow plays matchmaker to her 32-year-old unmarried son and sets him up with a nurse that she meets.

Three NYC stories at a climax. Stories about breaking up, losing, leaving, giving away... the things or people you love, you live with, you depend on, which formed your past... The stories are about how difficult this is, how terrifying and how frightening. Yet, you HAVE to do what you have to do. The three girls are met at the turning point of their lives. The film is wonderful written, with few words and a great, exciting pace (though it takes its time and lot of it). Stop: there may be a lot of words, sometimes, but what's important is between-the-lines. The performances are marvellous. Style and location (all shot "on location") remind of this specific independent NYC style of Jarmusch, Poe, Seidelman, Silver, etc.

Mario is the son of a rich couple, but he lives in constant conflict with his family. In a beauty salon, he meets the beautiful Glória and the hairdresser Gustavo, with whom he becomes friends and gets closer and closer. However, the guys' relationship can be more than just friendship.

Elena and Antonio seem not to be made for each other. They are too different in terms of character, life choices, worldview, and the way they relate to others. They are total opposites. However, they are overwhelmed by a mutual attraction they're trying hard to avoid; but to which they succumb to.