The Men Who Made the Movies: King Vidor

Focussing on his early career, this profile looks at director Alfred Hitchcock’s breakthrough in silent films, acclaimed thrillers such as “The 39 Steps” (1935) and the influences which prompted his departure for a new life in America in 1939. Featuring Hugh Stewart, editor of “The Man Who Knew Too Much” (1934).

Richly illustrated with film clips and interviews, OUR TIME, OUR STORY tells the still-evolving story of the Taiwanese "new wave," from its rise in the early 1980s, as the island was democratizing after decades under martial law, through growing international recognition and domestic debate in the 1990s. Spearheaded in its early years by such filmmakers as Edward Yang, Ko I-cheng, Hou Hsiao-hsien and Wan Jen, the movement revitalized Taiwan cinema through low-budget experiments that emphasized personal stories, political reflection and stylistic invention. Said filmmakers, writers and actors like Wu Nien-jen and Sylvia Chang, even "second wave" directors Tsai Ming-liang and Lin Cheng-sheng provide fond reminiscences and retrospective insights in this compelling account of one of the most distinctive national cinemas of the last quarter-century.

A comprehensive reminisce at each chapter of former NFL quarterback Michael Vick’s saga–the incredible rise, shocking fall and polarizing return.

Highlighting one of the most innovative American directors, this film reveals the path traveled by the auteur from his small-town Texas roots to his warm reception on the awards circuit. Long before he directed Boyhood, Richard Linklater’s intense desire to create fueled his work outside the Hollywood system. Rather than leave Texas, he chose to collaborate with like-minded artists crafting modest, low-budget films in a DIY style. His ability to showcase realistic characters and tell honest stories was evident from his films, and others soon took notice of his raw talent.

Karel Reisz, Ten filmový život

Les Clippeurs

In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.

Fulton and Pepe's 2000 documentary captures Terry Gilliam's attempt to get The Man Who Killed Don Quixote off the ground. Back injuries, freakish storms, and more zoom in to sabotage the project.

This Pixar documentary short follows Sarah Vowell, who plays herself as the title character, on why she is a superhero in her own way. (This short piece is included on the 2-Disc DVD for "The Incredibles", which was released in 2005.

An introspective insight into the life and artistic journey of William Friedkin, an extraordinary and offbeat director of cult films such as The French Connection, The Exorcist, Sorcerer, Cruising, To Live and Die in L.A. and Killer Joe. For the first time Friedkin opens up, guiding the audience on a fascinating journey through the themes and the stories that have influenced his life and his artistic career.

Kevin Smith interacts in Q&A sessions throughout various college stops in the USA.

Interviews and archival footage weave together to tell the story of the Master of Suspense, one of the most influential and studied filmmakers in the history of cinema.

The Name of this Film is Dogme95 is an irreverent documentary exploring the origins of Dogme95, the most influential movement in world cinema for a generation. The film tells how a 'brotherhood' of four Danish directors armed with a radical Manifesto, has inspired, outraged and provoked filmmakers and filmgoers the world over. The rules of Dogme95 take filmmaking back to its brass-tacks - stories must be set in the here and now; the films must be shot on location, with a handheld camera, using natural light, and direct sound; the rules forbid murders and weapons (staples of the much-loved action-movie genre); and, most amusingly, the director must not be credited (that holds also for the director of The Name of this Film is Dogme95...).

A testament of the greta B-movie director Lucio Fulci, whose films inspired great director like Quentin Tarantino. Lucio Fulci gift a long meditation about moviemaking fascinating for his sincerity, irony e clearness, about his filmmaking and his particular career.

A biography of the Portuguese-born Brazilian singer Carmen Miranda, whose most distinctive feature was her tutti-frutti hat. From her arrival in the US as the "Brazilian Bombshell" to her Broadway career and Hollywood stardom in the 1940s.

A critique of liquid love through sarcasm and crude humor. With the desire that the viewer empathize with the protagonists and reflect on the ephemerality of sexual-affective relationships in modern society. At the end of the short film, the transformation of people into mere consumer goods will be clear, which, once they have been used, are discarded

Piirainen's documentary on the last years of Peter von Bagh.

The tale of one of modern football’s great icons, Junior Seau, whose tragic end still reverberates through the sports world today.

The remarkable coming-of-age story of Stephen Curry—one of the most influential, dynamic, and unexpected players in basketball history—and his rise from an undersized college player to a four-time NBA champion.

At 6:00 in the morning on the 1st day of January in 2013 80-year-old film-maker IM Kwon-taek started shooting his 102nd film, after his unintentional 5 years’ break. I visited the shooting scene with my camera and had stayed there until the end of that year. I’ve always wanted to record IM’s shooting scene, as I believed that there we could find his secret manual which reflects the master’s large experience. I’ve been through heavy snow to witness funeral scene. I’ve also been to the west coast to follow funeral cortege in the film. It was an experience to put the life in the frame alongside with the death. When the next spring came, the shooting finally ended.