A concert inspired by the Coen Brothers' film, 'Inside Llewyn Davis,' which is set in the 1960s Greenwich Village folk music scene, featuring live performances of the film's music, as well as songs from the early 1960s. Performers include the Avett Brothers, Joan Baez, Dave Rawlings Machine, Rhiannon Giddens, Lake Street Dive, Colin Meloy, The Milk Carton Kids, Marcus Mumford, Punch Brothers, Patti Smith, Willie Watson, Gillian Welch, and Jack White, as well as the star of the film Oscar Isaac.
A documentary film by Peter I. Chang which traces the life of the Japanese musician Hisao Shinagawa through his early years as a folk singer in Tokyo to his current occupation as a street performer in Los Angeles.
The Neiger family was living a peaceful life in the Jewish community in Krakow when the arrival of World War II changed their lives forever. When Nazi soldiers forced the family from their home into the harsh life of the Ghetto, they made a vow to escape as a family. But when circumstances forced the family to separate from older brother Ben, their will to survive was put to the test. They Survived Together" is the incredible, true story of one family as they desperately tried to stay alive... and together as a family with four small children, attempted to escape certain death at the hands of the Nazis. They are believed to be one of the only families to escape and survive as a family.
Blues and folk singer Karen Dalton was a prominent figure in 1960s New York. Idolized by Bob Dylan and Nick Cave, Karen discarded the traditional trappings of success and led an unconventional life until her early death. Since most images of Karen have been lost or destroyed, the film uses Karen's dulcet melodies and interviews with loved ones to build a rich portrait of this singular woman and her hauntingly beautiful voice.
Set in the North Carolina Appalachians, Sprout Wings and Fly honors the fiddle playing of 82-year-old Tommy Jarrell of Toast, NC. Tommy was quirky, gregarious and generous, and this film shows him at his best, in fine fiddling form.
In the summer of 1989 tens of thousands of tourists from communist East Germany came to Hungary. They were deeply disillusioned because they felt they had no future in East Germany. There was no freedom, no choice in the shops, salaries were low and they could not travel except to Eastern Europe. They wanted to go to a prosperous and free West Germany but they could not get passports, so they hoped that by travelling through Hungary, the least suppressed country of the Soviet Block, they could cross the Iron Curtain into Austria and then travel on into West Germany. For them the Hungary of twenty years ago was the new east-west passage. Written by Czes
Scenes from holiday life at Lake Balaton in Hungary during the communism.
Wirklich alles?!
Reconstructions of unrealized Hungarian films in cooperation with the greatest Hungarian film directors.
A surreal journey into singer José González’s inner world of thoughts and shadows. Staged with dark humour in the picturesque Swedish countryside around his home with Ruben Östlund’s regular creative partners behind the camera.
Two storytellers put forth their versions of the story of Shravan Kumar. The art for the film uses painted images from a wooden portable shrine called a Kaavad. The film is a collaborative work between traditional Kaavad storytellers and Kaavad artists from Rajasthan, together with the filmmaker. Combining lush animation with live-action, the film is an interpretation of two stories which are forever fused in the act of telling and retelling.
Folk music of the Sahara is an intoxicating experience of sight and sound captured among the Tuareg and Libyan people of North Central Africa. Filmed from the perspective of actually being one of the performers, this mind-blowing IN YOUR FACE document captures the spirit of Libyan folklore and the essence of emotion armed with pounding rhythms and wailing vocal choruses. Both men and women are featured here equally as overseers of the hybrid forms of expression where central African traditions collide with the tones and colors of the Arab world creating one of the most unique overviews of Saharan folk music ensemble and dance the outside world has ever witnessed. The diversity of faces is extraordinary, every costume is stunning, and the women are among the most beautiful on earth.
Appalachian Journey is one of five films made from footage that Alan Lomax shot between 1978 and 1985 for the PBS American Patchwork series (1991). It offers songs, dances, stories, and religious rituals of the Southern Appalachians. Preachers, singers, fiddlers, banjo pickers, moonshiners, cloggers, and square dancers recount the good times and the hard times of rural life there. Performers include Tommy Jarrell, Janette Carter, Ray and Stanley Hicks, Frank Proffitt Jr., Sheila Kay Adams, Nimrod Workman and Phyllis Boyens, Raymond Fairchild, and others, with a bonus of a few African-Americans from the North Carolina Piedmont.
A short film about Pete Seeger and the birth of banjo music throughout the Southern United States.
From the camera of celebrated French documentarians Jean-Pierre Bruneau and Jose Reynes, and in the tradition of The Buena Vista Social Club, comes the exhilarating musical documentary Louisiana Blues. From the backwoods of Baton Rouge to the heart the Big Easy, creole and Cajun music have endured despite years of tumult. This film explores not only the musicians who continue to produce this music, but the climate, culture, and way of life that have shaped them. Innumerable zydeco superstars appear onscreen and deliver legendary performances, including Beau Jocque, D.L. Menard, and Zydeco Joe.
The Angelmakers is a 2005 documentary that provides insight into the epidemic of arsenic murders by women, known as The Angel Makers of Nagyrév, in 1929. The film is shot on location in the rural Hungarian village of Nagyrév, alternating between portraits of the surrounding landscape and first-hand narrations by the elderly inhabitants.
HAIYU interweaves Mariem Hassan’s music and her personal quest for her country’s independence with larger historical events dating back to the region’s Spanish colonisation, and subsequent occupation by Morocco.
Latcho Drom is a vista of the music, culture, and journey of the Romani people—from their homeland of India, to Europe and Southwest Asia.
A group of young journalists takes on the state propaganda.
Thirty years, three eras: they have been trying to save the Hungarian film industry again and again over the decades. Among these attempts were highs, lows, countless deals and compromises. And now some say that we are living in the saddest period of Hungarian filmmaking.