House Owner

A couple works hard to renovate their dream house and become landlords to pay for it. Unfortunately one of their tenants has plans of his own.

Arlo accepts what seems to him to be a dream promotion to Idaho. He soon discovers, however, that moving has its own share of problems.

Based on the survival indie horror game, The Obsessive Shadow delivers a tense, atmospheric story of a mother and her next-door neighbor fighting to save her son after a chilling message on tv warns of something sinister lurking in the dark.

In December 1892, a silent mysterious and very private man, for whom a new house has just been built, arrives in the small town of Bridgewood to keep a promise.

Things have been strange ever since the new kid moved into Fever Swamp. A kid can't change into a werewolf, or can he?

A pool cleaner senses something amiss with his employer.

An advertising executive dreams of getting out of the city and building a perfect home in the country, only to find the transition fraught with problems.

After being evicted from their Manhattan apartment, a couple buy what looks like the home of their dreams—only to find themselves saddled with a bank-account-draining nightmare. Struggling to keep their relationship together as their rambling mansion falls to pieces around them, the two watch in hilarious horror as everything—including the kitchen sink—disappears into the Money Pit.

Mobile homes have long been an affordable option for people who struggle with the cost of other housing in the United States. But now the economy of mobile home parks is under threat as private equity firms are buying up properties and looking to squeeze more money out of mobile home owners. Filmmaker Sara Terry uses this backdrop to explore urgent class issues that resonate across America, and especially in the high-priced rental market of New York City.

A young, newlywed couple learns to make their marriage work—on a budget.

FaZe Rug moves into a new home, unaware of the creepy clowns who live next door.

On a gang-controlled dead end street, Sheree Farmer is raising her six children alone. With the help of Mary Abernathy, a former fashion industry executive turned community activist, Sheree struggles to buy her first home and escape her violent and drug-infested Newark neighborhood. In HOME, director Jeffrey Togman follows these two exceptional women in an intimate story that speaks to the future of America's cities.

In spite of blood ties to both Haifa's Jewish and Arab populations, Moshe leads a rootless existence. Grown weary of his impatient wife Didi and ambivalent about his needy young mistress Grisha, the only relationships Moshe doesn't complicate are with his devoted parents, Jewish Hanna and Arab Yussuf, and with Jules, Moshe's ne'er-do-well childhood friend. But when Jules' real estate developer brother moves to buy a prized piece of property from the Arab side of the family, Moshe's divided ancestry is put to the test.

How to find your way in a suburb of the mega-city of Seoul, that is just one of the things this North Korean refugee hasn't learnt on his citizenship course. He gets lost as soon as he is on his own. At least he speaks Korean.

Tae-il lives a fast life as low level thug. He then learns that he has a terminal illness and not much time left to live. Then, for the first time in his life, he falls in love.

Antônio is an astrophysicist who has just found out he has an inoperable brain tumor. After decades living in the United States, he returns to Brazil and tries to learn more about his biological mother. His quest sends him off into the slums of Rio de Janeiro.

A dying widow plays matchmaker to her 32-year-old unmarried son and sets him up with a nurse that she meets.

Three NYC stories at a climax. Stories about breaking up, losing, leaving, giving away... the things or people you love, you live with, you depend on, which formed your past... The stories are about how difficult this is, how terrifying and how frightening. Yet, you HAVE to do what you have to do. The three girls are met at the turning point of their lives. The film is wonderful written, with few words and a great, exciting pace (though it takes its time and lot of it). Stop: there may be a lot of words, sometimes, but what's important is between-the-lines. The performances are marvellous. Style and location (all shot "on location") remind of this specific independent NYC style of Jarmusch, Poe, Seidelman, Silver, etc.

Mario is the son of a rich couple, but he lives in constant conflict with his family. In a beauty salon, he meets the beautiful Glória and the hairdresser Gustavo, with whom he becomes friends and gets closer and closer. However, the guys' relationship can be more than just friendship.