A couple works hard to renovate their dream house and become landlords to pay for it. Unfortunately one of their tenants has plans of his own.
Arlo accepts what seems to him to be a dream promotion to Idaho. He soon discovers, however, that moving has its own share of problems.
In December 1892, a silent mysterious and very private man, for whom a new house has just been built, arrives in the small town of Bridgewood to keep a promise.
A pool cleaner senses something amiss with his employer.
Things have been strange ever since the new kid moved into Fever Swamp. A kid can't change into a werewolf, or can he?
After being evicted from their Manhattan apartment, a couple buy what looks like the home of their dreams—only to find themselves saddled with a bank-account-draining nightmare. Struggling to keep their relationship together as their rambling mansion falls to pieces around them, the two watch in hilarious horror as everything—including the kitchen sink—disappears into the Money Pit.
An advertising executive dreams of getting out of the city and building a perfect home in the country, only to find the transition fraught with problems.
A young, newlywed couple learns to make their marriage work—on a budget.
Mobile homes have long been an affordable option for people who struggle with the cost of other housing in the United States. But now the economy of mobile home parks is under threat as private equity firms are buying up properties and looking to squeeze more money out of mobile home owners. Filmmaker Sara Terry uses this backdrop to explore urgent class issues that resonate across America, and especially in the high-priced rental market of New York City.
While driving to his new house, Leo gets into a car crash and begins experiencing hallucinations.
FaZe Rug moves into a new home, unaware of the creepy clowns who live next door.
On a gang-controlled dead end street, Sheree Farmer is raising her six children alone. With the help of Mary Abernathy, a former fashion industry executive turned community activist, Sheree struggles to buy her first home and escape her violent and drug-infested Newark neighborhood. In HOME, director Jeffrey Togman follows these two exceptional women in an intimate story that speaks to the future of America's cities.
A young Southern débutante temporarily abandons her posh lifestyle and upcoming, semi-arranged marriage to have a lustful and erotic fling with a rugged drifter who works at a local carnival.
Kenneth Blake is joined by his soon-to-be wife Sally Stephens as he takes a well-earned vacation in Goa, a beautiful town on the western coast of India. While in Goa, Kenneth meets Leela, a beautiful woman, and he finds himself drawn into an affair. As Kenneth tries to decide if he should throw away his relationship with Sally in favor of Leela, Leela confronts him with some surprising news -- she is convinced they are the reincarnation of two lovers who died together in a double suicide five centuries before.
The film follows randy college boys Zack and Brian on a trip to Malibu for a party where there's a shortage of boys but a bevy of buxom girls. Beset on the way by car trouble, and various other distractions, the film also follows the journey of Zack and Brian's girlfriends, who follow the boys to Malibu but end up having their own lusty adventures.
Detective Catherine Palmer is on the trail of an elusive serial killer. During her investigation she meets Vickie Kittrie, who belongs to an exclusive club of women who engage in secret sessions of bondage and S&M. Matters become even more complicated when Palmer finds herself attracted to Kittrie, leading to a brief lesbian encounter. Palmer soon learns that each victim belonged to this club of prominent, sexually experimental women. In order to catch the killer, Catherine must trust Vickie to guide her through the dangerous and illicit underground.
A frustrated teenage girl creates her perfect man in a virtual reality machine and in a freak accident, gives him life.
Room 10 focuses on the life of a nurse who finds deeper meaning in her life after looking after a patient who is dying.
Director İsmet Elçi tells the semi-autobiographical story of Kemal (played by Elçi himself), who negotiates his identity between two cultures (Turkey and Germany), struggling to find a future as a director in the German film industry.