Septet: The Story of Hong Kong

A four-story omnibus depicting different Czech slices-of-life from the titular city.

A fragmented view of contemporary Spain, drawing conclusions about the persistence of the human condition, strangeness, and the chaos within relationships.

Pak coek gung's family rents the third floor of a tenement building. Due to the water shortage, Pak's porridge stall is difficult to operate. At that time, Ah Seng, the son of Pak, owed money to Cheung, the fat man downstairs. Cheung saw that the porridge stall could not operate, so he took away the license of the porridge stall. In order to get the license back, Pak's daughter Miuying had to work as a dancer to pay off the debt. Then Pak's neighbors helped the porridge stall reopen and even reported Cheung for wasting water.

In 1962 Hong Kong, neighbors Su Li-zhen (Mrs. Chan) and Chow Mo-wan (Mr. Chow) discover their spouses are having an affair. As they spend time together, they develop feelings for each other, but their relationship remains chaste and unspoken, reflecting societal constraints and their own moral compass.

Women enter and exit a science fiction author's life over the course of a few years after the author loses the woman he considers his one true love.

Babae...Ngayon at Kailanman is a film adaptation of three Filipino short story masterpieces: Nick Joaquin's "May Day Eve", Amador Daguio's "Wedding Dance" and Wilfrido Nollega's "Juego de Prenda.

Four eminent Indian directors explore sex, desire and love through short films in this sequel to 2018's Emmy-nominated 'Lust Stories'.

Three tales of love, ambition, and neurosis unfold in the city that never sleeps. In "Life Lessons" (Martin Scorsese), a tormented painter channels heartbreak into his art. In "Life Without Zoë" (Francis Ford Coppola), a precocious 12-year-old navigates privilege and loneliness in a Manhattan hotel. And in "Oedipus Wrecks" (Woody Allen), a man’s domineering mother literally becomes a looming presence over New York.

An anthology of four stories that sheds light on modern relationships from the viewpoint of the Indian woman.

An anthology film of seven short films made during the Training Camp of FIRST Film Festival 2021.

Three different love-related stories -all starring María Vaner as different "Anas". In "The Earth," Ana is a young and idealistic woman on the verge of adulthood when her first relationship with a clerk shatters her dreams of a romantic life. In "The Air," Ana is a rebellious, easy-living type among some beach bums whose sexual leanings tend to tip the scale at active promiscuity. In "The Cloud," Ana only exists in the imagination of an introverted man, who dreams of his ideal woman.

A celebration of the culture of the Pomors who live around the White Sea.

Yan Chi Yung (Chin Siu Ho) joins his fellow triad member Chu Chi Ang (Norman Tsui) in ripping off millions in gambling profits from their underworld boss Tai (Chen Kuan Tai), returning most of it after taking some for themselves. Meanwhile, a sexy gambler named Ice Chan (Ellen Chan), whose father was murdered by Tai several years before, arrives from America looking for revenge. She tries to infiltrate Tai's organization by seducing Yan, but really falls for him and fails in her attempt to assassinate Tai behind his back. More trickery and double-crosses follow as Tai tries to get Yan and Chu to help him rip off another gambler, only to have his plans thwarted by a turncoat within his own gang.

Featuring five short stories of the reflections, interpretations and perspectives as our Singaporean filmmakers go on a journey in search of their cultural roots and how they make Singapore home, the omnibus seamlessly weaves the past and present as generations seek to understand, appreciate, preserve and pass on our heritage.

The godfather of the triad Jing Hing and his senior bosses need to select a new boss to run the daily operations of the five gangs under their control. Chuck, a lifelong member of the triad, dreams of being the elected one, but his wife wants him to leave the criminal life and spend time with their child. Wulf, a former cop, also wants take over the seat. Both will try to achieve their goal by any means necessary.

What are the rules that determine how attraction and desire are set free? Glances, unexpected smiles, confiding in unknown women. Long cherished fantasies, intimate friendships and unexpected meetings. In Volume 2 of the Sexual Tension diptych, Marco Berger and Marcelo Mónaco take us on a journey through the twists and turns of female seduction: two guests of a hostel become roommates (and more); a keen shop assistant helps a woman uncertain about what dress to buy; the outset of a great passion between two girls during a picnic, even though one of them has a boyfriend. In the film we also find a conversation about Woody Allen between a waitress and a woman, which goes too far; and two high-class escorts who discover that they are attracted to each other, when they are in bed with a client. The film finally shows what could happen, but never did happen, and will probably never happen, to two thirty-year-old women. Maybe it would be better not to have sex with people we love. Sex ...

First, the tale of a doctor who hides the accidental death of his son. Second, the story of a sculptress who kills and makes a sculpture out of a habitual sex offender who breaks into her home. Third, the story of a detective who administers euthanasia to satisfy the wishes of a terminally ill younger brother. Last, the tale of a young girl who develops psychological problems after her mother is killed by her abusive father

Seven episodes, each taking place on a different day of the week, on the theme of suicide and violent death.

When a Chinese-Canadian college student returns home to Toronto, she visits a Hong Kong cafe she frequented during her childhood. Through eating the food, she is suddenly able to relive suppressed memories of her deceased grandmother. Now she must confront their multifaceted relationship and her own identity to find her peace.

Madly explores love in all its permutations in six short films from a vibrant group of filmmakers representing Japan, Argentina, the UK, the US, India, and Australia. All forms of love are on display in this anthology. And all manners of feelings expressed from jubilance to depression are done so strongly.