Love Me, Fear Me

Two characters finding hope and coming together in the bleakest of moments. One marooned on a desolate planet and the other crash landing on the same planet. Both have benefits to helping each other find solace in this barren world.

The plot of this Action/Romance short-film starts with the duel of Carl (Robot-Gladiator-Champion) and Space Jesus. Before the finishing blow could land, rescue comes in the form of a Techno-Angel, who turns out to be Carl’s long lost love. So he changes sides and goes head to head against Drill-Raptors, EggBeater-Scorpions and a mighty BBQ-Octopus.

Run Wrake's iconic meathead character - first established in 1994's "Jukebox" bobs his head to PIL through the streets of NYC.

Study No. 1

Montage of crazy stream of consciousness imagery from Run Wrake - mixing animation and live action.

Directed and animated by Run Wrake, a one minute illustration of Paul Merton's words on Sudoku commissioned by the BBC for the Radio 4 website.

Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.

The sixth and last animation by Stefan Schabenbeck before emigrating to Germany in the early seventies. Alien life form seen from the other side of the telescope. A robot arrives on an unknown planet, whose task is to get to know and try to colonize a new world.

Benjamin is distracted by women around him thanks to his libido.

The story is a celebration of the cleverness and wit of the simple peasant Čupera, who triumphs not only over the demon of alcohol, but also over the bureaucratically persistent and thorough devil. The hell that the farmer goes through during the withdrawal process is stylized as a shantytown, a galley with a prison and a dehumanized night club.

The harvest season recalls past time, gives rise to reflections, memories. The logic of the aftermath of events is replaced here by the logic of memory.

An adventurous letter that wandered around the world instead of rushing to a summer camp to see its little recipient.

In his dressing room, a young actor is making up as an old man. But behind the young man’s mask, what is his real face like ?

A lovely fairytale for all tells the story of a doll that is lost, and with the help of other toys is looking for a way to her friend

Prezhde my byli ptitsami

Flipbook-style animated short film of the history of time - from the big bang to the big end - on lined. yellow paper.

Comedic avant-garde animation of The Simpsons. Third part of a 4 piece series of short films.

Comedic avant-garde animation of The Simpsons. Fourth part of a 4 piece series of short films.

Comedic avant-garde animation of The Simpsons.

In Adieu bipède (1987), Hébert turned to performance, using the scratching technique for the scenes with dancing and music. He used the same technique in La Lettre d'amour (1988).