Shiner

Love triangle in Chile

July 1997. The height of summer. England. Oasis reach number one with 'D'you Know What I Mean'. Tony Blair has moved his stuff in to Downing Street. Meanwhile Danny is trying to tell a girl named Pippa that he likes her. On this Friday we follow Danny through miscommunication, gossip, Chinese whispers and a love triangle between Danny, Pippa and his best friend Greg.

Three friends discover a mysterious machine that takes pictures 24 hours into the future and conspire to use it for personal gain, until disturbing and dangerous images begin to develop.

Toxic masculinity has come to a head and this story explores the consequences not just for women, but for men. The phrase "toxic masculinity" is thrown around flippantly, and its potential root causes are very rarely explored. When a person is plagued with jealousy, they are willing to do almost anything in order to acquire what they desire. Our protagonist, August, internalizes the relationship that his best friend Wren shares with his girlfriend Julia as a direct, personal attack on him and his identity. Due to the fact August is not getting the same amount of attention and affection that he is used to from Wren, he goes behind Wren's back to manipulate Julia. August's internalized turmoil triggers an out-of-body experience that then drives him to make intimidating, coerced advances toward the people he loves.

Rewi Rapana returns to the small country town of Te Mata after his family has left the district. His arrival rekindles old tensions as well as renewing family ties. He is seeking an identity and a permanent place to call home yet desperately hiding a secret from his past. Oddly enough there is one person with whom he finds peace of mind. She is an old woman known as Kara. A special relationship develops between Rewi, Kara and Kara’s great granddaughter Awatea.

A husband, a wife and another woman. Only three are in the frame.

An attractive woman detective, expert in cases of conjugal infidelity is hired by a mysterious millionaire, unaware that she will get involved in a feverish love triangle to gather all the evidence she needs to finish the case.

A jealous husband uses a college reunion to gauge whether or not his wife is still in love with her old flame.

Two boys from rival colleges, one rich and the other poor, become good friends after an incident. A new girl in college makes both their hearts melt but neither realises that they love the same girl.

Retired wealthy sea captain Jim McKay arrives in the Old West, where he becomes embroiled in a feud between his future father-in-law, Major Terrill, and the rough and lawless Hannasseys over a valuable patch of land.

Marie-Jo and Her Two Lovers (French: Marie-Jo et ses deux amours) is a 2002 French drama film directed by Robert Guédiguian. It was entered into the 2002 Cannes Film Festival.

New Year's Eve 1999 finds college-bound Clark and Trevor concerned about the future of their friendship, and a request for Clark to be Trevor's wingman ensures things will never be the same again.

Harvard graduate James Averill is the sheriff of prosperous Jackson County, Wyo., when a battle erupts between the area's poverty-stricken immigrants and its wealthy cattle farmers. The politically connected ranch owners fight the immigrants with the help of Nathan Champion, a mercenary competing with Averill for the love of local madam Ella Watson. As the struggle escalates, Averill and Champion begin to question their decisions.

Kurt and Lydia are planning a relaxed vacation at the Gripsholm castle in Sweden . What Lydia does not know is that for Kurt, a well-known publicist, the journey is actually a flight from encroaching fascism and a direct threat from the Nazis.

Mavka, a water nymph, loves Lukash, a country youth. Their brief happiness ends when Lukash is forced to marry the shrewish Kilina. The Spirit of the Forest turns Lukash into a wolf as punishment for his infidelity. The strength of Mavka's love breaks the spell, but Kilina curses the nymph, transforming her into a weeping willow. This beautiful and tragic story is based on a play written in 1912 by Lesya Ukrainka, a Ukrainian poet, writer and political, civil and female activist, and includes mythological characters taken from Ukrainian folklore.

A plot of love, lust, lies and revenge intertwine in one hot summer where multiple fates collide: Janine, a rich socialite returning home to the Philippines with her parents after the death of the family matriarch; Marco, her coy boyfriend harboring a secret connected to both their pasts; Loida, her mother, still haunted by the memory of a baby forcibly taken away from her 18 years ago; Leni, a simple girl and housemaid with big ambitions, silently jealous of Janine's looks, money, and man; and Robert, Marco's best friend simply longing for Leni's heart, if she could only take her eyes off of Marco.

A mute Scottish woman arrives in colonial New Zealand for an arranged marriage. Her husband refuses to move her beloved piano, giving it to neighbor George Baines, who agrees to return the piano in exchange for lessons. As desire swirls around the duo, the wilderness consumes the European enclave.

Angel, an exterminator recently released from a mental hospital, comes to rid a small Spanish town of tiny grubs in the soil. The local wine-making industry has found these pests responsible for giving their product an "earthy" taste that has divided local opinion. While in town, Angel becomes involved with two beautiful and very different women, and impacts their lives on a grand scale. Can either of these women accept the fact that Angel travels with a "ghost" of himself, or that he routinely speaks with the deseased townspeople?

In 1916, a Chicago steel worker accidentally kills his supervisor and flees to the Texas panhandle with his girlfriend and little sister to work harvesting wheat in the fields of a stoic farmer.

Deemed "the D.W. Griffith of Turkish Cinema," Omer Lutfi Akad directs this 1952 film based upon real events that took place in İstanbul, in the following years of World war II. It is about a love triangle that led to homicide. It was a stylistic departure of what otherwise had been typical of Turkish melodramas of the time.