A Gang of Five

Ogami Itto battles a group of female ninja in the employ of the Yagyu clan and must eliminate a traitor who plans to sell his clan's secrets to the Shogunate.

The fate of Tokugawa’s world hangs in the balance as Yagyu Jubei is sent on a mission to discover what happened to 10 of the shogun’s spies that never returned. Matsukata Hiroki, one of the last surviving members of the Golden Age of Japanese Cinema proves that he has not lost a step as he portrays an older and wiser Yagyu Jubei in a movie that brings the best of samurai filmmaking into the 21st century. Summoned from semi-retirement by Shogun Iemitsu, Jubei is asked to take to the road and investigate a clan rumored to be preparing explosives for a rebellion. With help from a beautiful female ninja they head into the Shirakawa domain where the fighting skills of both are tested time and again as they strive to destroy a conspiracy that could bring a new Warring States Era. In the 1960's Yagyu Jubei was the signature role of the great Konoe Jushiro, father of Matsukata Hiroki. This brings the character full circle.

When an artist dies, the official cause of death is judged to be a stroke, but his daughter suspects foul play. She recruits the services of an assassin, who by chance encounters an old friend...

Ichi travels to the village of Itakura to pay his respects at the grave of Kichizo, a man he killed two years ago. When some tax money is stolen while in transit to the governor he is accused and sets out to find the money and clear his name.

Older, wiser but still a wandering loner, the blind, peace-loving masseur Ichi seeks a peaceful life in a rural village. When he's caught in the middle of a power struggle between two rival Yakuza clans, his reputation as a deadly defender of the innocent is put to the ultimate test in a series of sword-slashing showdowns.

The one-eyed swordsman Tange Samanosuke receives a secret order from his lord, Daizen no suke: to steal the cursed twin blades, Kenunmaru and Konryumaru. He risks his life to seize Kenunmaru, losing his right arm in the process. Saved by the fugitive Ofuji, he is reborn as the one-eyed, one-armed warrior-Tange Sazen. Soon, the turmoil reaches Town Magistrate Ooka Tadasuke.

He was married to his lover's butterfly and started a new residence. But good things do not last. In his uncle, Uzaemon in Kawashima, Yoshiji Akaji, Yoshimoto's lender, and Kanehira Akagi, the older brother of the former loan of Mishima, played a challenge. It is said to open the ladies' room to the settlement of Wada island. Although Jiro headed to Shigetsugu for arbitration, he was forced to surrender. In such a case, Jiro became chased by Kinpei and others.

Can a sinful man change and find peace? It's unlikely in gang-plagued Japan. Jokichi of Mikogami, a drifter (and hired sword), goes straight after protecting a woman in distress: they marry, have a son, and Jokichi pursues his father's craft. After three years, the gangs he embarrassed when he saved his wife find the family and leave Jokichi in grief, vowing revenge. To parry his terrible swift sword, rival gangs join forces, hiring a prostitute to pose as a woman needing help and breaking the code of honor to double cross the drifter. He finds unlikely allies: a thief who aids him for fun and a one-eyed swordsman who may be Jokichi's equal in skill and honor.

In the Sengoku period, a woman and her daughter are raped and murdered by soldiers during a time of civil war. Afterwards, a series of samurai returning from the war through that area are found mysteriously dead with their throats torn out. The governor calls in a wild and fierce young hero to quell what is evidently an Onryō ghost.

"Tsubaki Sanjuro" is a remake of Sanjuro (1962) by Akira Kurosawa. Sanjuro returns with sharper, faster, subtler sword, talking and perception. He uses them to settle the trouble and uses them good!

In 1908, Director/Producer Shozo Makino (father of Japanese cinema) directed and produced the first dramatic film in Kyoto. “Honnô-ji Gassen” was shot at Shinnyo-Do Temple. Considered a lost film.

Set during Japan's Shogun era, this film looks at life in a samurai compound where young warriors are trained in swordfighting. A number of interpersonal conflicts are brewing in the training room, all centering around a handsome young samurai named Sozaburo Kano. The school's stern master can choose to intervene, or to let Kano decide his own path.

The film tells about the life of the former vassal of the Ako clan - Fuwa Katsuemon Masatane.

The story of Ryoma Sakamoto, considered to be the architect behind the downfall of the Tokugawa shogunate. He was considered an outlaw by his own clan, hunted by his government, and was despised by supporters of the Shogun as well as the Loyalists for desiring the opening of Japan to the West in order to learn its technology, in the hopes of one day defeating the West with a modern army and navy.

In this film, Hibari plays a dual role as brother and sister. The story involves a journey to Hanagasa for an incognito Lord (Kotaro Satomi) to overthrow an attempted usurpation of his domain, while being harassed by vassals of the usurper (Kensaku Hara). There's also a mysterious ronin played by Jushiro Konoe. The songs are seamlessly woven into the narrative and don't overwhelm the action. While the plot is derivative it is good example of its type and quite enjoyable. Note that there are some flashback sequences in black and white.

Japan, 1159. Moritō, a brave samurai, performs a heroic act by rescuing the lovely Kesa during a violent uprising. Moritō falls in love with her, but becomes distraught when he finds out that she is married.

From birth Hideyoshi was a restless, defiant spirit--a child of the poorest of the poor. Cast out of his peasant cottage, he would live by his wits, driven by his burning ambition to become a samurai and to find a warlord worth pledging his sword to. This is the story of his rise, and the thunderous battle he pinned his hopes on. The challenge that had already ruined and bloodied the armies of higher-ranking samurai than Hiyoshi. The battle that brought him rank, fame and fortune and transformed him into Hashiba Hideyoshi, right-hand man to the ruthless Lord Oda Nobunaga, and would drive him on to conquer Japan.

When master swordsman Mikogami Genshiro of the Ono fencing school returns to find that his ailing sensei has been murdered in the dead of night, he must find the culprit and exact revenge. His return sets off a series of violent incidents and incites a high ranked female skilled in sword to test his mettle after he unwittingly offends her. The ever delightful Misora Hibari co-stars with the great Tsuruta Koji in this exciting tale set in the earliest days of the Tokugawa shogunate. Lots of exciting swordfights highlight this entertaining motion picture!

At Sakurada Gate in 1860, the shogun’s chief minister and his retinue of bodyguards are ambushed and annihilated. Bearing the responsibility and shame for this failure is Shimura Kingo, master swordsman and chief of the guard. Forbidden to take his own life in atonement, he is instead tasked with hunting down the remaining assassins; however, fate intervenes and now only one is left. Devoted to his late lord and his duty, he relentlessly pursues the sole remaining assassin for the next thirteen years. But times are changing in Japan and the way of the sword has become outlawed. What does this mean for Kingo?

At the end of the Heian period, Musashibo Benkei, a warrior monk who hated the Heike clan, was humiliated by his fellow monks and left the mountain monastery. Soon, Benkei competes with the Heike warriors on the Gojo Bridge in Kyoto and takes away their swords. One night he tried to stop a young man who had a beautiful sword on his belt and fought him, but he could not win. Knowing that this young man Ushiwakamaru (Minamoto no Yoshitsune) is looking for an opportunity to overthrow the Heike clan, Benkei asks him to let him join him.