La Flor de La Lengua de Vaca

The North of Cauca is the region of Colombia most affected by the internal armed conflict since 1940. There is an orchestra of ancestral music composed of young indigenous people of the Nasa ethnic group who, with their instruments, their voice and their poetry, remember Maryi Vanessa Coicue, Sebastian Ul and Ingrid Guejia, three of the hundreds of indigenous children who have died because of this eternal and useless war between leftist guerrillas, armed groups of the extreme right, drug traffickers and the Colombian State.

La Gorgona Historias Fugadas

Ingrid Betancourt was the world’s most famous hostage. On February 23rd 2002, Ingrid, a presidential candidate in Columbia’s elections, was kidnapped by the left-wing FARC rebel group along with her assistant and friend Clara Rojas. She was held for over six years in the jungle. This is the first documentary account of what happened in the jungle in her words and those of fellow hostages. In a truly remarkable interview Ingrid relives stories of escape and betrayal, love and hate, terror and extraodinary courage.

From the land of narco-violence to the land of displaced persons. The documentary Guerras Ajenas ('Wars of Others') explores the consequences of the war on drugs in Colombia, and one of its main tools: aerial spraying.

A Matter of Land recounts the first year of application of Colombian's Land Restitution Act from the perspective of a community who decide to engage with the process. The film explores the tensions that arise when such communities come face to face with the complex institutions responsible for enforcing the law. The result of these tensions is a narrative worthy of Kafka, in which a doorway to justice is opened for the sole purpose of demonstrating that no one can pass through it.

Drivers of urban public transport in Bogotá do not receive a fixed salary¸ only a percentage per passenger picked up. Through the testimony of two champions of this daily war¸ an unpleasant daily life is shown¸ distressing and dangerous¸ both for the users and for the drivers themselves los and from which the only ones who benefit are the great transport entrepreneurs¸ true architects of a bloody war in which the State is hardly an indolent spectator.

Women workers stand up to the toxic flower industry in Colombia.

La Negociación

It is with an old bus an about thirty snakes that Franz Florez struggles for the preservation of nature in Colombia, one of the most environmentally diverse country in the world. His snakes are his pass to enter the deep jungle, where guerrillas fight the regular army and where narco-traffickers meet coca growers. Facing the threat of the industrial exploitation of these preserved areas, he tries to gather support among the population, including the armed actors.

Sumercé follows veteran activist Don Eduardo, rising political leader César Pachón and agricultural educator Rosita as they fight their government’s decision to allow companies to carve up the campesinos birthright in rural Colombia and the country's access to fresh water.

Urbílogo, Sumercé

Tomorrow’s Power is a feature length documentary that showcases three communities around the world and their responses to economic and environmental emergencies they are facing. In the war-torn, oil-rich Arauca province in Colombia, communities have been building a peace process from the bottom up. In Germany activists are pushing the country to fully divest from fossil-fuel extraction and complete its transition to renewable energy. In Gaza health practitioners are harnessing solar power to battle daily life-threatening energy blackouts in hospitals.

In autumn 2016, demonstrations sprang up all over Europe against the CETA free-trade agreement between the European Union and Canada. The reason? An obscure clause which allows multinationals to sue nation states if they feel their profits may be damaged by government decisions. An investigation into the hidden world of international arbitration.

The film highlights legendary Colombian birdwatching guide Diego Calderon-Franco and National Geographic photographer/videographer Keith Ladzinski as they travel through Columbia, a nation that boasts one of the most diverse populations of birds in the world, to capture footage of rare and unique birds, some of which have never been filmed before.

Simon Reeve visits Colombia in the year of the pacification, at least on paper, between the government, 'aided' by right-wing death squads, and the Marxist FARC guerrilla, which was turning into an armed super-drug cartel and champion of ransom kidnappings. He speaks with people about the horror that hopefully nears its end and the prospects if both sides disarm.

What happened to painter Beatriz González, who made us laugh with the irony of her works, to get to the point of making a self-portrait that shows her crying naked? The path of the artist is intimately linked with the history of Colombia during the past fifty years.

A documentary on the massacre of Planas in the Colombian east plains in 1970. An Indigenous community formed a cooperative to defend their rights from settlers and colonists, but the government organized a military operation to protect the latter and foreign companies.

The "Falsos Positivos" scandal that exploded on October 2008 revealed how and why ranks of the Colombian Army started to kill innocent people. Lured by money prizes given by the President Uribe's policy called "Seguridad Democratica", the Colombian Army dressed the bodies in military fatigues to claim the rewards for the fight against the FARC guerrilla. "Falsos Positivos" follows the trip of two families to retrieve the rests of their beloved, along with shocking interviews to activists, a former General, political analysts and witnesses of this huge scandal.

As a child, Jairo William Gutiérrez traded a few onions for a ticket to the circus and from then on he only wanted to be an actor and playwright. Today Jairo is 50 years old and farms the land, milks his cow and writes theater. His passion for the stage is so great that he set up a theater company, which is made up of his wife, two daughters and a few neighbors.

María is an Amorúa girl; an indigenous group that traveled the savannas of Orinoquía as nomads. She lives with her grandmother Matilde, her sister diana and her cousins in Puerto Carreño, in the Colombia-Venezuela border. The amorúa are considered wild and are not literate. Matilde wants her granddaughters to learn to write and read to live better in this town of "rational whites" as they call us. The director follows María's life for 8 years from her childhood to her adolescence and invites her to travel the places her grandma did as a nomad.