An uninterrupted rehearsal of Chekhov's 'Uncle Vanya' plays out by a company of actors. The setting: their run-down theater with an unusable stage and crumbling ceiling. The play is shown act by act with the briefest of breaks to move props or for refreshments. The lack of costumes, real props and scenery is soon forgotten.
Kairat, a teacher of mathematics, accidentally meets Aslar, along with whom he studied in university. Askar invites him to his home, where Kairat becomes acquainted with Togzhan, the wife of Askar. And he falls in love with her. Though this love was mutual, they couldn't step over the obstacles already made by their lives. Their emotions delayed. The script is based on the novel by Chekhov's About Love, Gooseberry.
A group of friends and relations gather at a country estate to see the first performance of an experimental play written and staged by the young man of the house, Konstantin, an aspiring writer who dreams of bringing new forms to the theatre.
A country doctor (Franchot Tone) loves but cannot have a professor's wife (Clarence Derwent) in Chekhov's play set in czarist Russia.
An old man tries to play backgammon with friends while babysitting his granddaughter, who's terrified of the young suicide in their building.
Sonia, the daughter of a prominent publisher, is about to fulfill her lifelong dream of marrying Rosendo, a promising writer with homosexual tendencies, who pines for his fiancee far less than he does for the brand new literary award launched by his future father-in-law. The wedding shindig will bring its share of unexpected surprises. This is a film is part of the DOGME 95 Movement, described as follows: 'the goal of the Dogme collective is to purify film-making by refusing expensive and spectacular special effects, post-production modifications and other gimmicks. The emphasis on purity forces the filmmakers to focus on the actual story and on the actors' performances. Given these restrictions the story and the action of DIAS DE BODA ('WEDDING DAYS') seem much more immediate and the lapses in fluidity of the story can be forgiven - to a point.
Inspired by true events is the story of Priya (Sonali Kulkarni - Bride & Prejudice), a beautiful, affluent young woman suddenly widowed and left to fate. Alone in a land of extreme contrasts, she seeks peace in the "City of Widows", but instead of finding solace, Priya finds a cruel world filled with brutality. Despondent, she meets three remarkable women and together they embark on a journey of empowerment as they fight for the rights of the widows of India in this ultimately hopeful and uplifting story.
The story about deception and lies of 2 men to become rich.They will do whatever they can to achieve their goal. Starring Mr. Os and Eman Manan
Idrissa is a rebellious little boy who drops out of school and joins a gang of hooligans that live on the beaches of Dakar. He gradually becomes detached from his family and adopted by his new friends who initiate him into the art of theft and the pleasures of yamba, marijuana.
The TGV? No, it is not the famous French high-speed train, but instead the rickety and colourful bus operated, driven, repaired and, if need be, pushed by the intrepid "Rambo". This time, the trip between Dakar, the capital of Senegal, and Conakry, the capital of Guinea, is outright dangerous: the road crosses the territory of the Bijagos, who have launched an unexpected and violent insurrection. Rambo finds several odd passengers (with a handful of sheep) who are ready, for various legitimate or untold reasons, to take every risk to reach Conakry. And the TGV sets off on an eventful journey...
Soriba Samb is a Senegalese who has just received a much sought after internship to study filmmaking in Paris. Soriba heads to Paris, accompanied by the five-year old son of a friend who he believes to be still living in Paris. On arrival he struggles to find the boy’s father. In addition to coping with his new internship, Soriba has to also spend time tracking down the boy’s father ‘Issa’.
A submerged self wakes up in a laboratory. Gradually we understand that it's the subjective experience of Ypsilon, a human brain being kept alive artificially.
This film presents a harsh critique of the Koranic teaching through the tragic story of a small talibé, student of a beggar.
Follows the story of two young boys and their adventure through the streets of Africa.
Five students are brought together in a "special detention class" and are forced to face their greatest struggles: teen pregnancy, drugs, violence, education, careers, family, life.