Wanderers

A cheerful road movie all about Belgian films at Cannes over the past 70 years. Filmmakers from the past converse with those from the present to paint the portrait of a cinema that is both diverse and free. An account of Belgium’s participation in the greatest film festival in the world.

Ghost Rider goes nuts on the busy street of Stockholm, terrorizing the local traffic and authorities. WARNING: Some scenes in this clip entail the reckless endangerment of the lives of people other than the driver. Ifilm neither condones nor encourages the sort of dangerous, illegal behavior presented in this video.

With a hybrid style blending political essay and road movie, this documentary by Santiago Bertolino takes us into the heart of the Amazonian reality. Following Marie-Josée Béliveau, an ecologist and ethnogeographer, they journey together along the 4000 km from the mouth of the Amazon River in Brazil to one of its sources in Ecuador where they meet with the guardians of the forest. As a result, we witness powerful and spontaneous testimonies from local communities who are doing everything to preserve what remains of their lands, which are disappearing due to the inexorable advance of Western modernity.

Sports enthusiast Ernest is to cover 6,000 kilometers on his motorcycle in 15 days, crossing Austria, Italy, Switzerland, the Balkans and Czechoslovakia.

Germany's first Open Source movie. A gonzo style documentary.

Ghost Rider dons the uniform of Sweden's finest, capturing more high-speed mayhem on his 1000cc Yamaha R1. When pursued by the real police, he dodges roadblocks and disappears with a flick of the wrist and a trail of burning rubber. Includes full audio from the bike and hair-raising near-misses!

David Bond lives in one of the most intrusive surveillance states in the world. He decides to find out how much private companies and the government know about him by putting himself under surveillance and attempting to disappear, a decision that changes his life forever. Leaving his pregnant wife and young child behind, he is tracked across the database state on a chilling journey that forces him to contemplate the meaning of privacy and the loss of it.

In the summer of 2004, on a car journey in Eastern Europe, Pavla Fleischer met and fell in love with Eugene Hutz, lead singer of New York's Gypsy Punk band Gogol Bordello. Captivated by his energy and his musical verve, and desperate to get to know him better, she decided to make a film about him. The Pied Piper of Hutzovina follows Eugene and Pavla on their subsequent road trip through Eugene's home country, Ukraine. It is the story of two people traveling together on two very different courses. Her aim is to rediscover a forgotten romance; his is to rediscover his roots. She hopes to find love on the road; he hopes to find musical inspiration from the gypsy culture he is determined to preserve. This is an intimate portrait of a filmmaker with a passion for her subject, and a punk musician with a longing to revisit his past. Theirs is a journey which tests their relationship and challenges their perceptions of the music they both love

Atsushi Sakahara, a victim of the 1995 sarin gas attack in Tokyo's subway system, travels with Hiroshi Araki, an executive of Aleph (formerly Aum Shinrikyo), the attack's perpetrators, visiting their respective hometowns and the university they both attended. Conversations unfold, building intimacy: we learn why Araki joined the infamous organization led by Shoko Asahara and why, still, Araki remains an executive member of the cult, even though he was not directly involved in any of the crimes.The beginning of a friendship, a trip for redemption, or the confirmation that each human has to go their own way.

An unfinished film is passed along from one friend to another. The dialog between them is a journey crossed by the swarming of the Great Eastern Brood X of periodical cicadas that prophetically emerge every 17 years in the United States, invoking a reflection of a post-pandemic present and our shared futures. A road movie composed of a chorus of voices (both human and non-human), the warnings of history, the power of nature and rebirth.

Artist, showman, and robe-clad raconteur Marc Rebillet embarks on one of the first live music tours after COVID-19 lockdown.

An experimental coming-of-age odyssey through someone's troubled mind, going from country to country, landscape to landscape, growing up in the process. A documentary, travelogue, vlog, dream and self-portrait. A reflection on life, death and history.

Despite their children's reluctance, Radi and Mounira, a 65-year-old puppeteer couple, set off on tour between Israel and Palestine in their outdated van. They are exhausted from having to set up and take down the stage, from performing three shows in a row in front of hundreds of wild children under a burning sky. Lost in Jericho, frightened by the bombs falling near Majd Al Shams, destabilized by the Bedouin children of the Negev unable to determine their own identity, they no longer know if their mission is still relevant. Safeguarding the identity of their people through their shows, but at what cost? A quest for Palestinian identity.

Jeremy Clarkson and James May travel to the North of England to name and shame some of the worst cars in history, from manufacturers who "should have known better".

"Journey to the West" is an embedded documentary film into a bus full of Chinese tourists visiting Europe (6 countries in 10 days!) for the very first time. This road movie captures with humor, poetry and spirit the cultural differences between China and Europe in a play of mirrors and contrasts. It also destroys the stereotypes about the emerging Chinese middle class and reveals what they think about the "others" who are "us", the Westerners.

A filmmaker embarks on a journey to his ancestral homeland, seeking to reconcile his present reality with the depths of his ancestral past.

Diesel is a road-movie documentary on Punk Rock music

Three bands and crew (a combined total of 13 individuals), 2 Dodge Ram extended cab vans, one equipment truck, one PA system traverse the continental US for six months. A road documentary shot from the inside of the last Black Flag tour ever (the 1986 “In My Head” US tour.) Featuring behind the scenes proceedings and live performances from Black Flag, Painted Willie, and Gone. David Markey was along for the entire trip as the drummer / singer for Painted Willie, documenting the six month tour with his Super-8 camera as it happened. Also features roadie Joe (“Planet Joe”) Cole, soundmen Davo Claasen and Dave “Ratman” Levine, and the tour manager who kept it all together, Mitch Bury. A crucial turning point in American underground rock. The end of the line for a trail blazing American band. Shot in 1986 and completed by director David Markey in 1991 for We Got Power. (futuristika.org)

At 18, right after the Second World War, Birgitta Stenberg bought a one-way ticket to Europe. Far from Sweden, she plunges into a wild life with bohemians from around the world. She falls in love, gets exploited, takes drugs, and exploits others. Her life is forever shaped by these years and these people. A life on the fringe. In The Wild Ones she travels to places like New York, Paris and Rome, returning to former lovers of both sexes. They face their choices and the consequences. Was it truly free to live like that? Was it worth it?

Guided by his doctor (or is it voices in his head?), a young director is given a mission: to go to Texas to make an abstract roadmovie (“Unfocused film! Focus is repressed!”) about the Housecore Horror Festival of Film and Music, a festival that brings together cinema and extreme music.