The Man and His Bottle

In Midnight Madness millionaire diamond miner Michael Bream (Clive Brook) discovers that the woman he’s marrying — funfair shooting-gallery hostess Norma Forbes — is a gold digger. So Bream decides to teach her a lesson, and forces her to live with him in the remote African outback where, eventually, she realizes her true affections.

A film projectionist longs to be a detective, and puts his meager skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.

Comic hijinks on a pirate ship with British comedian Lupino Lane.

A tramp enters a cabaret and orders a drink, but then is thrown out when he cannot pay for it. After trying again, he is told by the manager that if he wants to avoid being charged and sent to jail, he will have to work.

A young man gets engaged to a business competitor's daughter.

The Tenant continuously fails to escape his deadly apartment within a 5 minute time limit as his blood-thirsty neighbor threatens him from behind the front door.

The mysterious Count Orlok summons a happily married real estate agent to his castle, located up in the Transylvanian mountains, to finalise a terrifying deal.

In this silent film, now considered lost, Doug Caswell falls for Irene, his wealthy father's mistress. It's up to Doug's stepmother Helen to put things right.

So This is Love? was another early Frank Capra production for fledgling Columbia Pictures. The hero, dress designer Jerry McGuire (William Collier Jr.), is tired of being considered a wimp. After business hours, Jerry secretly takes boxing lessons, enabling him to knock the stuffings out of his burly rival Spike Mullins (Johnnie Walker). Jerry's newfound pugilistic skills wins him the affections of store clerk Hilda Jensen (Shirley Mason), who's just car-razy about "cave men." Filmed in a fast three weeks, So This is Love? was completed before Frank Capra's Matinee Idol but released afterward. Leading lady Shirley Mason was the sister of Viola Dana, who starred in Capra's initial Columbia effort, That Certain Thing.

When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.

A green-skinned demon places a woman and two courtiers into a flaming cauldron.

The timid youngest son of the most important family in town must use his wits to win the respect of his strong father and the love of a beautiful new woman in town.

A divorced couple try to pretend they are still happily married in order to get $100,000 from the woman's divorce-disapproving aunt.

Two old tars, retired from service, live alone in a cottage by the sea. They sail along on an even keel, until a buxom and comely widow projects herself on the scene when one old tar breaks one of their unwritten laws and falls in love with her. The other old fellow objects strenuously.

A dying professor leaves his great-nephew a collection of documents pertaining to the Cthulhu Cult. The nephew begins to learn why the study of the cult so fascinated his grandfather. Bit-by-bit he begins piecing together the dread implications of his grandfather's inquiries, and soon he takes on investigating the Cthulhu cult as a crusade of his own.

An opportunistic umbrella salesman attempts to save a musician and his daughter from blackmail.

The just-out-of-college, effete son of a no-nonsense steamboat captain comes to visit his father whom he's not seen since he was a child.

A butterfly collector unwittingly wanders into an Indian encampment while chasing a butterfly, but the tribe has resolved to kill the first white man who enters their encampment because white oil tycoons are trying to force them from their land.

As a practical joke, an actor impersonates the screen monster he made famous. A lost film.