ISHI

Image analysis in slow motion. Distortion and reversed reality perspective.

In the film we find some scrap of slow motion they see a Monica Vitti trying to cry, a meeting between Antonioni and Grifi, a film shot in the concentration camp of Auschwitz with a survivor who recounts those awful moments, a glimpse of Palestine today, Grifi's reflections on the prison.

A visual barrage of nature, colors, and scenery combining into a montage that overwhelms the senses, playing with Wesendock Lieder's Richard Wagner piece.

A waitress agrees to accompany an exotic dancer, her put-upon boyfriend, and her mysterious and domineering roommate on a road trip to Florida to seek their fortune at a high-end strip club.

Guillaume has made it: A machine that can clean dirty air by simply sucking all dirt into air balloons and then shipping them far far away so his explanation. Some Japanese business guys, after dinner with a lot of alcohol, order 5,000 pieces. His only problem: His production capacity is way to small so he gets to produce the machines in his private house. His wife Bernadette is far from being happy about it. Her private life goes down the line so she decides to leave Guillaume and to finally have revenge she candidates for major against her husband...

Simon Cable wakes up in a hospital bed, confused and disoriented. He soon discovers from doctors that he has amnesia and is unable to remember the last two years of his life. Cable investigates what has happened to him and slowly pieces together his enigmatic past.

Chen Chen returns to his former school in Shanghai when he learns that his beloved instructor has been murdered. While investigating the man's death, Chen discovers that a rival Japanese school is operating a drug smuggling ring. To avenge his master’s death, Chen takes on both Chinese and Japanese assassins… and even a towering Russian.

All day of St. Petersburg bohemia in 4 minutes of the film.

A mix up on her first day of work sends Shane to the Dead Letter Office, where a group of quirky characters led by Oliver try to deliver the undeliverable. Though Shane wants out of this strange detail, she can't help but get caught up in the story of one misdirected letter mailed by a dying young woman to the man she was falling in love with. As circumstances around the letter get more complicated, Shane and the group break all the rules to see the letter delivered and justice done.

Based on the Edgar A. Guest poem of the same name, this is photographic ode to the American South, featuring representative scenery. Mendelsohn's "Spring Song" is the musical theme throughout, and Al Shayne sings an original song based on Guest's poem.

Another entry in the Edgar A. Guest's Poetic Gems Series.

A poetic Gem from Edgar A. Guest. This film features Al Shayne singing A Real True Pal by Frank Loesser and Lou Herscher.

An Edgar A. Guest Poetic Gem featuring the song Down the Lane to Yesterday with a vocal by Al Shayne.

An Edgar A. Guest Poetic Gem featuring vocalist Al Shayne. This film features the original song Back Seat Drivers by Loesser & Herscher.

An Edgar A. Guest Poetic Gem. Al Shayne sings the Loesser & Hersher song Don't Grow Any Older.

An Edgar A. Guest Poetic Gem. It features the original song Take Me Home to the Mountain by Loesser & Herscher.

An Edgar A. Guest Poetic Gem featuring vocals by Al Shayne.

Watchmaker controls the time, but the mouse living in the watchmaker's workshop controls the clocks... This is a film about time and its ephemeral nature.

William Thatcher, a knight's peasant apprentice, gets a chance at glory when the knight dies suddenly mid-tournament. Posing as a knight himself, William won't stop until he's crowned tournament champion—assuming matters of the heart don't get in the way.

A man blinded in a childhood accident fights crime using his superhumanly-elevated remaining senses.