A French documentary on Superman actor Christopher Reeve as told by his French voice dubbing actor, Pierre Arditi.
Fame driven Ken Dean becomes the subject of a documentary when he attempts to start a pornography company. Following the failure of the company, Ken uses his father's religious music to start a Christian rock band but finds himself trapped in a gay conversion cult.
A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.
The life of internationally renowned artist and activist Nan Goldin is told through her slideshows, intimate interviews, ground-breaking photography, and rare footage of her personal fight to hold the Sackler family accountable for the overdose crisis.
A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.
A French documentary or, one might say more accurately, a mockumentary, by director William Karel which originally aired on Arte in 2002 with the title Opération Lune. The basic premise for the film is the theory that the television footage from the Apollo 11 Moon landing was faked and actually recorded in a studio by the CIA with help from director Stanley Kubrick.
Paranormal investigators Sam and Colby have hunted ghosts at the world's most iconic haunted locations. Now they set out to investigate a mysterious desert ranch famous for ghosts, UFOs, and terrifying monsters lurking in the dark.
Recently discovered footage reveals the secret history of NASA's first landing on the moon, and using this brand-new evidence, former astronauts and experts challenge everything known about the Apollo missions.
An alien narrates the story of his dying planet, his and his people's visitations to Earth and Earth's self-made demise, while human astronauts in space are attempting to find an alternate planet for surviving humans to live on.
Brief scenes of death related material: mortuaries, accidents and police work are filmed by TV crews and home video cameras. Some of it is most likely fake, some not as much.
The third installment of the infamous "is it real or fake?" mondo series sets its sights primarily on serial killers, with lengthy reenactments of police investigations of bodies being found in dumpsters, and a staged courtroom sequence.
A direct-to-video compilation of the highlights of the earlier films in the Faces of Death series.
Atlantic Ocean, off the coast of Iceland, July 9, 2016. The surprising discovery of a canister —containing four reels of The Village Detective (Деревенский детектив), a 1969 Soviet film—, caught in the nets of an Icelandic trawler, is the first step in a fascinating journey through the artistic life of film and stage actor Mikhail Ivanovich Zharov (1899-1981), icon and star of an entire era of Russian cinema.
Director Peter Judson's semifictitious tale opens a revealing window into the indie filmmaking process, capturing the trivialities, aggravations and enthusiasm that go into completing a picture. Using footage from an indie movie set, e-mails constructing a plotline about distributor difficulties and interviews with indie mainstays such as Steve Buscemi and Sam Rockwell, the film provides a riveting look at one producer's rejections and rewards.
A fame-hungry businessman stages a fake movie to propose to his girlfriend but the plan goes awry when she becomes convinced the movie will be a multi-million dollar success.
In this spoof of "March of the Penguins," nature footage of penguins near the South Pole gets a soundtrack of human voices. Carl and Jimmy, best friends, walk 70 miles to the mating grounds where the female penguins wait. The huddled masses of females - especially Melissa and Vicki - talk about males, mating, and what might happen this year. Carl, Jimmy, and the other males make the long trek talking about food, fornication and flatulence. Until this year, Carl's sex life has been dismal, but he falls hard for Melissa. She seems to like him. A crisis develops when Jimmy comes upon something soft in the dark. Can friends forgive? Does parenthood await Carl and Melissa?
Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.
Two generations dialogue through the images they filmed of their children, a reflection of the emotional bond that arises from their involvement with what was shot.
A mysterious natural phenomenon sets an end to the party night of a group of young adults. The morning after begins with far more than just a hangover.