Ran and Leela are passionately in love with each other. The only problem is that their respective clans have been enemies for 500 years.
The D'Souza and the Chaddha families are neighbors and have been good friends for as long as they can remember, and despite their diverse religion and cultural beliefs, celebrate Diwali and...
MAYA is a coming of age story set against an outlawed brutal practice of ritual rape still occurring in some parts of India.
A widow raises two sons, one of whom is not her biological child (unbeknownst to him). Her biological child leaves India to work in Dubai, but eventually finds himself in the criminal underworld.
Childhood friends became enemies when one Mahendra Ashwini Kumar grows up to be Additional Police Commissioner and the other Raj Pratap Singhal becomes a smuggler.
A grieving policeman and a rickshaw driver are brought together by a dark, tragic secret that will change their lives forever.
A penniless musician is unwittingly forced to trade places with a look-alike diamond merchant/thief causing a comedy of errors by everyone involved.
After her fiance, Vijay, is killed in a crash, a pregnant Pooja agrees to marry Amar, her childhood friend who has always loved her. But her life takes yet another turn when Vijay returns to her life.
Don Muthu Swami is one of Bombay's most fearsome gangsters. On his deathbed, his father forces him to make a promise: that from now on he will lead a decent life. From that moment onwards, the don has a new purpose in life: to become Sir Muthu Swami instead. On of his new goals is to become fluent in Urdu, for which purpose he hires the young Jaikishan as a teacher. Don Muthu Swami has a beautiful daughter, Sanjana, whom he wants to get married to Pradhan, the son of his close friend. However, the don's right hand man, Preetam, asks for her hand as well. To impress Don Muthu Swami, he claims to be very rich by stealing millions from his employer. Sanjana herself, on the other hand, is desperate to get married to Jaikishan, and to scare off Pradhan, she fakes to be pregnant. The Don believe Preetam must be the culprit, but as it turns out, the girl Preetam loves is not Sanjana, but another girl who claims to be Don Muthu Swami's daughter, Ranjana.
A convict studies law in prison and becomes a lawyer to seek revenge against the corrupt police officer who framed him on the very day of his marriage.
Early-1940s, rural British India. When a woman decides to fight against the village's despotic subedar and is supported by the guard of the local spice factory, more women join to defy the prevailing oppression.
Near India and Pakistan's border-town of Fatehpur, lives Ranjit Singh Choudhary who has been labeled as a rebel by his schoolmaster and his dad, Makhan's employer, Bade Thakur, as he could not stand the injustice that was meted to farmers like his dad, and his ancestors who had become economic slaves to the upper-caste Thakurs, who loaned them some money, ...
Welcome to sixteen's world. A world where growing up has speeded up multifold times from the time you and me were kids.
In Calcutta at the turn of the century, two families (one wealthier than the other but both belonging to the same caste) live in adjoining properties. Their respective patriarchs fall out over the repayment of a loan and the intervention of a member of a lower caste in the families' financial arrangements. The rift causes much heartache to the younger members of the families, two of whom have secretly plighted their troth to each other.
Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthan—where aristocratic women were long kept secluded and veiled—of hiring professional women mourners on the death of a male relative, a rudaali (pronounced “roo-dah-lee”—literally, a female “weeper”) to publicly express the grief that family members, constrained by their high social status, were not permitted to display—or at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Devi—whose tales often focus on the travails of low-caste women.
Yogi Joshi (Kamal Sadanah) is the hardworking middle class student who goes to college with the traditional Pooja (Ayesha Julka), who is the daughter of a single-father. Pooja has been in love with Yogi for quite some time, but Yogi seems to see her as a good friend. Yogi's father (Bharat Kapoor) works at the factory owned by the successful Indu Singh (Amrita Singh). Indu admits her daughter into the same college as Yogi and Pooja. She is a trustee of the college and is assured by the Principal that Kajal is in good hands. Kajal (Divya Bharti) goes to college and tries to park in Pooja's spot, but Pooja cuts her off. The two get in an altercation and to show Pooja how much power Kajal has, she drives her jeep into the corridors of the college and stops right in front of Pooja and her friends, including Yogi.
The Sharma family re-locate to a semi-urban locality in a house that has a "reputation". The Sharma family consists of Mr. Sharma, his wife Shalini Sharma, only daughter Manisha Sharma or "Mini" as they affectionately call her; and their grandchild Bunty, as his parents had been killed in an accident. Strange things start happening, with a return of a dead kitten, and the brutal murder of Manisha's friend, Reshmi; an attempt to kill Mr. Sharma and Manisha's boyfriend, Deepak. What is the force behind these brutalities? Is it natural or supernatural?
Disowned by his father as a boy, Surya is taken in by a crime boss. When his brother Shiv is wrongly imprisoned, his father pleads for Surya's help.
Surjit finds out that his sister is in love with Manjit Singh . Surjit goes to Thakurs house in order to get Manjit to marry his sister. The Thakur humiliates him; making him, a vegetarian, eat dog food and beg on his knees. Surjit does so and is told to go home and make wedding preparations. The next day, Thakur visits Surjit and kills him and his wife in broad daylight.
After accidentally shooting a 12-year-old boy, a dedicated cop is removed from his position. Forced to take work at a local cinema and beginning to lose his eyesight, he struggles to provide for his son.