“He was born, he suffered, he died.”

This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastovers refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

Chick Strand's first film, made while living in the Bay Area, features her young son Eric as a little boy traipsing through a mysterious landscape, perhaps pursued by the titular monsters. Preserved by the Academy Film Archive in partnership with the National Film Preservation Foundation and Pacific Film Archive in 2009.

An experimental film poem in celebration of life and visions. Techniques include live action, animation, montage and found images. Preserved by the Academy Film Archive in 2011.

An abstract compilation of found footage. Preserved by the Academy Film Archive in partnership with National Film Preservation Foundation and Pacific Film Archive in 2009.

A wet hot dream about sensuality. Preserved by the Academy Film Archive in partnership with the National Film Preservation Foundation and the Pacific Film Archive in 2009.

Aztec romance and the dream of love. The anthropologist’s most human desire, the ultimate contact with the informant. The denial of intellectualism and the acceptance of the romantic heart, and a soul without innocence. Preserved by the Academy Film Archive in 2011.

While filing for a divorce, beautiful ex-stripper Roslyn Taber ends up meeting aging cowboy-turned-gambler Gay Langland and former World War II aviator Guido Racanelli. The two men instantly become infatuated with Roslyn and, on a whim, the three decide to move into Guido's half-finished desert home together. When grizzled ex-rodeo rider Perce Howland arrives, the unlikely foursome strike up a business capturing wild horses.

The heroine, Peggy Cameron, is a high-society debutante with a mind of her own. After making a public spectacle of herself once too often, Peggy is bundled off to Scotland, where she is to be looked after by her no-nonsense uncle Andrew Cameron (William H. Thompson). If Peggy's family had hoped that she would straighten up and behave herself in Scotland, they were sorely mistaken. Restored in 2018 by the Academy Film Archive with restoration funding provided by the Louis B. Mayer Foundation.

A static close-up of a clock. Preserved by the Academy Film Archive in 2007.

Retired wealthy sea captain Jim McKay arrives in the Old West, where he becomes embroiled in a feud between his future father-in-law, Major Terrill, and the rough and lawless Hannasseys over a valuable patch of land.

A short film about a mother and her son, she teaches him life skills later on the son gets niked by a man so the young donkey can be his work slave and his mother saves him. Preserved by the Academy Film Archive in partnership with the UCLA Film and Television Archive in 2013.

Busy Little Bears is a 1939 American short family film directed by John A. Haeseler. The film follows three bear cubs are observed exploring the forests of the Sierra Nevadas, encountering other wildlife, and invading the kitchen of a local ranch house. It won an Oscar at the 12th Academy Awards in 1940 for Best Short Subject (One-Reel). Preserved by the Academy Film Archive in partnership with UCLA Film & Television Archive in 2013.

Tough cop Dave Bannion takes on a politically powerful crime syndicate. Preserved by the Academy Film Archive in partnership with Sony Pictures Entertainment in 1997.

The Scarecrow trades Jasper a handful of beans for his harmonica. Jasper plants the beans and climbs up the resulting beanstalk and, at the top, finds a beautiful girl in a golden cage playing a golden harp. Jasper rescues her from the Scarecrow, brings her down the beanstalk, and spends the rest of his days dancing to the music his girlfriend plays on the harp. Preserved by the Academy Film Archive in partnership with UCLA Film & Television Archive in 2009.

In this Puppetoon animated short film (an Academy Award Best Short Subject, Cartoons nominee), legendary American folklore figure John Henry (voice of Rex Ingram) goes to work for the C&O Railroad, which shortly thereafter buys an automatic steel-driving engine, The Inky-Poo. John Henry matches his strength against the engine, saying that any man can beat a machine because a man has a mind. Can he prevail? In 2015 this film, deemed "culturally, historically, or aesthetically significant", was selected for preservation in the United States National Film Registry. Preserved by the Academy Film Archive in partnership with UCLA Film & Television Archive in 2009.

Henry Browne, an African American farmer, and his family are profiled in this film. The important job of a farmer during times of war is highlighted, specifically his efforts growing peanuts and cotton. This role is made even more poingnant when they visit the eldest son who is a cadet in the 99th Pursuit Squadron.

Fischinger's abstract designs accompanied by Gitta Alpar singing. Preserved by the Academy Film Archive in 2000.

In March and April of 1966, Markopoulos created this filmic portrait of writers and artists from his New York circle, including Parker Tyler, W. H. Auden, Jasper Johns, Susan Sontag, Storm De Hirsch, Jonas Mekas, Allen Ginsberg, and George and Mike Kuchar, most observed in their homes or studios. Filmed in vibrant color, Galaxie pulses with life. It is a masterpiece of in-camera composition and editing, and stands as a vibrant response to Andy Warhol's contemporary Screen Tests. Preserved by the Academy Film Archive in 2001.