The Lottery

Incident at Restigouche is a 1984 documentary film by Alanis Obomsawin, chronicling a series of two raids on the Listuguj Mi'gmaq First Nation (Restigouche) by the Sûreté du Québec in 1981, as part of the efforts of the Quebec government to impose new restrictions on Native salmon fishermen. Incident at Restigouche delves into the history behind the Quebec Provincial Police (QPP) raids on the Restigouche Reserve on June 11 and 20, 1981. The Quebec government had decided to restrict fishing, resulting in anger among the Micmac Indians as salmon was traditionally an important source of food and income. Using a combination of documents, news clips, photographs and interviews, this powerful film provides an in-depth investigation into the history-making raids that put justice on trial.

The arrival of a handsome new farmhand threatens the balance between a farmer and his daughter.

In an attempt to pull her family together, Adèlle travels with her young daughter Sarah to Wales to visit her father. The morning after they arrive, Sarah mysteriously vanishes in the ocean. Not long after, a little girl bearing a striking resemblance to their missing daughter reveals that she has retuned from the dead — and that Sarah has been taken to the Welsh underworld.

‘Podwórka’ captures six groups of neighbourhood youth as they play in seemingly deserted yards, offering an intimate portrait of daily life in Łódź, Poland. Shot with a fixed camera, this single-channel video projection highlights American artist Sharon Lockhart’s concern for the interrelationship between the still and the moving image.

Beneath Hong Kong's glittering facade, Filipina domestic helpers work in relative anonymity and for near-slave wages. In a beauty pageant like no other, five helpers give themselves makeovers for a day and gleefully reclaim their dignity.

Uncovering the profiteering of the state's water barons and how they affect farmers, average citizens, and unincorporated towns throughout California.

A resilient 75-year-old woman, haunted by a clock counting down in her dreams since childhood, confronts her mortality during a home invasion, sparking an unexpected conversation with a her neighbor that blurs the line between fate and free will as midnight approaches.

Part documentary, part expose, this film follows one-time child evangelist Marjoe Gortner on the "church tent" Revivalist circuit, commenting on the showmanship of Evangelism and "the religion business", prior to the start of "televangelism". Preserved by the Academy Film Archive in 2005.

Cusi is a 20th century Incan boy who lives in a high mountain valley with an old llama herder named Chuto. Chuto raised Cusi in a traditional Incan fashion, although the Spanish culture was prevalent in Peru since the conquest of the Incan Empire. Although eager for adventure, Cusi is still drawn to the home he has known all his life. Cusi sets out from his home to try to find a family, but discovers that Chuto is all the family he needs.

This intimate ethnographic study of Voudoun dances and rituals was shot by Maya Deren during her years in Haiti (1947-1951); she never edited the footage, so this “finished” version was made by Teiji Ito and Cherel Ito after Deren’s death.

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.

Documentarians Justine Shapiro and B.Z. Goldberg traveled to Israel to interview Palestinian and Israeli kids ages 11 to 13, assembling their views on living in a society afflicted with violence, separatism and religious and political extremism. This 2002 Oscar nominee for Best Feature Documentary culminates in an astonishing day in which two Israeli children meet Palestinian youngsters at a refugee camp.

Nick Gunar is a burnt-out, jaded and hard-up former mercenary who is having a difficult time adjusting to civilian life. At the end of his rope, he is hired by the Nitro Mine Corporation to strong-arm the natives of a South China Sea island into giving up their rights to its valuable mineral resources. Nick loathes the thought of another mission, but this seemingly easy job will earn him enough money to get back with his estranged family. He recruits some of his former mercenary buddies to help him with the job. The island people refuse to give up their land and Nick decides to help them fight the greedy corporation that hired him. As greed and treachery begin to unravel, Nick's band of mercenaries choose sides.

Eccentric scientist Dr. Daniel and his shy assistant Max lead a quiet life on their space station, carrying out illegal research on androids, until they receive an unwelcome visit from three fugitives one of whom is female. Both Dr. Daniel and Max show an interest in her, but one of the other visitors has more sinister intentions.

In a war that has left more than 25,000 wounded, ALIVE DAY MEMORIES: HOME FROM IRAQ looks at a new generation of veterans. Executive Producer James Gandolfini interviews ten Soldiers and Marines who reveal their feelings on their future, their severe disabilities and their devotion to America. The documentary surveys the physical and emotional cost of war through memories of their "alive day," the day they narrowly escaped death in Iraq.

Kurt Wallander has bought a dream house by the sea, but his peace and quiet is soon shattered when a man is murdered and an explosion in one of Ystad's power grids shuts down the electricity in the whole city.

Fidelis Cloer is a self-confessed war profiteer who found The Perfect War when the US invaded Iraq. It wasn't about selling a dozen cars, or even a hundred, it was a thousand-car war where security would become the ultimate product.

The story about Swedish ambassador in Chile - Harald Edelstam - and his heroic actions to protect the innocent people from the execution during and after the military coup on September 11th 1973.

Explores the lives of Sara, Gigi and Giovanna, three Latino transvestites who for years have lived on the streets of Manhattan supporting their drug addictions through prostitution. They made their temporary home inside broken garbage trucks that the Sanitation Department keeps next to the salt deposits used in the winter to melt the snow. The three friends share the place known as "The Salt Mines".

Ricardo was once Sara, a homeless HIV positive transvestite, living in the underbelly of Manhattan. Today he is a churchgoing, married man, "saved" by a Dallas ministry. He has renounced his homosexuality, but is his conversion complete? Susana Aiken and Carlos Aparicio offer an intimate look at Ricardo's transformation.