Mimesis: Nosferatu

The mysterious Count Orlok summons a happily married real estate agent to his castle, located up in the Transylvanian mountains, to finalise a terrifying deal.

As bodies begin dropping around the Hollywood set of STAB 3, the third film based on the gruesome Woodsboro killings, Sidney and other survivors are once again terrorized by another Ghostface killer.

A year after the murder of her mother, a teenage girl is terrorized by a masked killer who targets her and her friends by using scary movies as part of a deadly game.

Two years after the Woodsboro murders, Sidney Prescott acclimates to college life while someone donning the Ghostface costume begins a new string of killings.

A young college artist tries to sketch his next piece, vainly. Frustrated, decides to get out from his house and get some fresh air. But then, a shadow springs forth from one of his rejected ideas, determined to reach him. Short silent film inspired by Nosferatu (1922) and The Gabinet of Dr. Caligari (1920).

A social worker recounts the case of Ella Jackson, a girl who sees a man standing behind her in the mirror

Fifteen years after the original Woodsboro murders, Sidney Prescott returns home to promote her new book about surviving trauma, only for a new Ghostface killer to emerge, targeting a new group of teens.

An ophthalmologist's assistant with an unhealthy interest in human eyeballs goes on a killing spree to collect eyeballs for his overbearing mother's collection. Reality soon takes a bizarre turn, both for the characters and the audience.

A Schmelzdahin short wherein a print of a portion of Nosferatu (including the iconic shot of the vampire on the boat) has been degraded and abstracted through the bacterialogical decomposition, disintegration, and chemical processes Schmelzdahin would use.

Things become shrouded when The Loner discovers a dead body outside his home. His mind becomes a prison of contradiction, falsification and fear when a series of dreams push him to realize the truth.

In the seaside town of Canvey Island, we meet Charlie, an 8-year-old boy with a great imagination. He spends his school summer holidays in isolation, playing with his toys and too afraid to leave his room. One fateful day he becomes so hungry he must venture downstairs and into certain danger to retrieve food. It is on this mission where he comes face to face with his greatest fear; his Zombie Parents! And his true adventure begins!

An aspiring filmmaker goes to shocking extremes to convince Hollywood actress Anne Hathaway to star in his film. First entry in Adrian Țofei's spiritual trilogy which includes We Put the World to Sleep and Pure.

Director F.W. Murnau makes a Faustian pact with a vampire to get him to star in his 1922 film "Nosferatu."

Lilleth makes a chilling discovery.

Twenty-five years after a streak of brutal murders shocked the quiet town of Woodsboro, a new killer has donned the Ghostface mask and begins targeting a group of teenagers to resurrect secrets from the town’s deadly past.

There's something in his apartment. A man looking for an insect-like thing devolves into a bout of insanity as his subconscious mind begins to strangle his waking one.

A girl, a ghoul, a vampire, a bloodstain... who is it?, what happened? We found it on the floor

Seeking fulfillment, a young drifter forgoes isolation to embark on a year-long murder spree.

An experimental film shot with the purpose of trying to create a hostile alien environment using only shots of nature, color correction, and sound design.

Image Archive archivist Dino Everett assembled a feature-length compilation of SCA student works from the late ’60s and ’70s. The compilation features recently uncovered and previously unseen student films by Dan O’Bannon and John Carpenter. • BLOOD BATH (1969, written and directed by Dan O’Bannon) B/W (original 16mm) 7 min. • THE DEMON (1970, written and directed by Charles Adair) B/W (original 16mm) 19 min. • GOOD MORNING DAN (1968, written and directed by Dan O’Bannon, camera by John Carpenter) Color (original 8mm) 19 min. • CAPTAIN VOYEUR (1969, written and directed by John Carpenter) B/W (original 16mm) 7 min. • BLOOD BATH (1976, written and directed by Dan O’Bannon) Red tint (original 16mm blown up to 35mm) 8 min. • JUDSON'S RELEASE (1971, written by Alec Lorimore, directed by Terence H. Winkless) (original 16mm) Color 15 min. Total program time: 80 minutes.