Mimesis: Nosferatu

A man falls in love with a woman he met on the internet, but the mysterious secret she's hiding could lead him to a tragic fate.

The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.

Director F.W. Murnau makes a Faustian pact with a vampire to get him to star in his 1922 film "Nosferatu."

A year after the murder of her mother, a teenage girl is terrorized by a masked killer who targets her and her friends by using scary movies as part of a deadly game.

Two years after the first series of murders, as Sidney Prescott acclimates to college life, someone donning the Ghostface costume begins a new string of killings.

While Sidney Prescott and her friends visit the Hollywood set of Stab 3, the third film based on the Woodsboro murders, another Ghostface killer rises to terrorize them.

David and Kimberly haven't been the same since the death of their parents. David is constantly tormented by the horrifying image of a 6'5', 400-pound clown named Gitchy. David is convinced that Gitchy, the monster from his darkest dreams, is responsible for killing his parents. He believes that his mother and father both met their doom after being attacked and tickled to death by Gitchy the Clown! Kimberly does her best to care for her brother, but she has fallen into her own depression after watching his mental condition deteriorate. David's therapist has him on medication and visits him weekly, but nothing seems to block his images or silence the insane laughter of the demonic clown that torments him. Soon everyone connected to David will learn just how real Gitchy is...and the situation will be no laughing matter...or will it?

Her self-chosen solitude in the thick forest comes to a sudden end for Noé, when she finds the broken body of a female android. While she slowly approaches the mechanic woman, Noé’s past is revealed and brings up questions about how alike she and the android can become.

Young clerk Jonathan travels to Transylvania in order to meet with a mysterious count.

Image Archive archivist Dino Everett assembled a feature-length compilation of SCA student works from the late ’60s and ’70s. The compilation features recently uncovered and previously unseen student films by Dan O’Bannon and John Carpenter. • BLOOD BATH (1969, written and directed by Dan O’Bannon) B/W (original 16mm) 7 min. • THE DEMON (1970, written and directed by Charles Adair) B/W (original 16mm) 19 min. • GOOD MORNING DAN (1968, written and directed by Dan O’Bannon, camera by John Carpenter) Color (original 8mm) 19 min. • CAPTAIN VOYEUR (1969, written and directed by John Carpenter) B/W (original 16mm) 7 min. • BLOOD BATH (1976, written and directed by Dan O’Bannon) Red tint (original 16mm blown up to 35mm) 8 min. • JUDSON'S RELEASE (1971, written by Alec Lorimore, directed by Terence H. Winkless) (original 16mm) Color 15 min. Total program time: 80 minutes.

Ten years have passed, and Sidney Prescott has put herself back together thanks to her writing. However, her return to Woodsboro sparks the return of the Ghostface Killer.

Lilleth makes a chilling discovery.

Twenty-five years after a streak of brutal murders shocked the quiet town of Woodsboro, a new killer has donned the Ghostface mask and begins targeting a group of teenagers to resurrect secrets from the town’s deadly past.

An ophthalmologist's assistant with an unhealthy interest in human eyeballs goes on a killing spree to collect eyeballs for his overbearing mother's collection. Reality soon takes a bizarre turn, both for the characters and the audience.

Seeking fulfillment, a young drifter forgoes isolation to embark on a year-long murder spree.

An hypnotic tale of vampirism on All Hallows' Eve.

A young director disgusted by the financing system of the movie industry decides to shoot a feature movie made from live scenes without any financial support in order to denounce the difficulties to achieve a cinematographic project in Belgium. The rivalries between the cast members, the excesses and the frustrations will slowly lead him to a surrealistic disaster.

A girl, a ghoul, a vampire, a bloodstain... who is it?, what happened? We found it on the floor

Lynch's first film project consists of a loop of six people vomiting projected on to a special sculptured screen featuring twisted three-dimensional faces.

In his squalid apartment, a man tries to squash with his shoe an insect of some kind that is moving around the room.