Mimesis: Nosferatu

A year after the murder of her mother, a teenage girl is terrorized by a masked killer who targets her and her friends by using scary movies as part of a deadly game.

Two years after the first series of murders, as Sidney Prescott acclimates to college life, someone donning the Ghostface costume begins a new string of killings.

While Sidney Prescott and her friends visit the Hollywood set of Stab 3, the third film based on the Woodsboro murders, another Ghostface killer rises to terrorize them.

Director F.W. Murnau makes a Faustian pact with a vampire to get him to star in his 1922 film "Nosferatu."

The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.

Ten years have passed, and Sidney Prescott has put herself back together thanks to her writing. However, her return to Woodsboro sparks the return of the Ghostface Killer.

Twenty-five years after a streak of brutal murders shocked the quiet town of Woodsboro, a new killer has donned the Ghostface mask and begins targeting a group of teenagers to resurrect secrets from the town’s deadly past.

Young clerk Jonathan travels to Transylvania in order to meet with a mysterious count.

In his squalid apartment, a man tries to squash with his shoe an insect of some kind that is moving around the room.

Seeking fulfillment, a young drifter forgoes isolation to embark on a year-long murder spree.

An ophthalmologist's assistant with an unhealthy interest in human eyeballs goes on a killing spree to collect eyeballs for his overbearing mother's collection. Reality soon takes a bizarre turn, both for the characters and the audience.

Lynch's first film project consists of a loop of six people vomiting projected on to a special sculptured screen featuring twisted three-dimensional faces.

Image Archive archivist Dino Everett assembled a feature-length compilation of SCA student works from the late ’60s and ’70s. The compilation features recently uncovered and previously unseen student films by Dan O’Bannon and John Carpenter. • BLOOD BATH (1969, written and directed by Dan O’Bannon) B/W (original 16mm) 7 min. • THE DEMON (1970, written and directed by Charles Adair) B/W (original 16mm) 19 min. • GOOD MORNING DAN (1968, written and directed by Dan O’Bannon, camera by John Carpenter) Color (original 8mm) 19 min. • CAPTAIN VOYEUR (1969, written and directed by John Carpenter) B/W (original 16mm) 7 min. • BLOOD BATH (1976, written and directed by Dan O’Bannon) Red tint (original 16mm blown up to 35mm) 8 min. • JUDSON'S RELEASE (1971, written by Alec Lorimore, directed by Terence H. Winkless) (original 16mm) Color 15 min. Total program time: 80 minutes.

First the atomic war broke out, new machines were made, dead birds appeared. In 1999, a bacteriological warfare began, there were sandstorms and giant locust infestations; the human tissue was transformed and a new being, once legendary, now real, emerged: the vampire. Only Robert Neville, the last man on Earth, remains unpolluted, living in constant struggle with the new inhabitants of the planet.

A young director disgusted by the financing system of the movie industry decides to shoot a feature movie made from live scenes without any financial support in order to denounce the difficulties to achieve a cinematographic project in Belgium. The rivalries between the cast members, the excesses and the frustrations will slowly lead him to a surrealistic disaster.

An aspiring filmmaker goes to shocking extremes to convince Hollywood actress Anne Hathaway to star in his film. First entry in Adrian Țofei's spiritual trilogy which includes We Put the World to Sleep and Pure.

A brief, abstract exploration of identity.

Jacob, Tony, and Brandon are on a night drive through the wooded outskirts of an unknown city. While his friends sleep, Jacob remembers where he's seen the upcoming overpass, the man standing on the other side of it, and the abandoned parking garage sitting above the road.

Nearly a century ago, two filmmakers traveled to Germany to shoot an homage to the 1922 film, Nosferatu, and visit the graves of those who made the silent horror masterpiece. In doing so, they unleashed a dark shadow from cinema's past.

Following the latest Ghostface killings, the four survivors leave Woodsboro behind and start a fresh chapter.