Set in Bangkok, the film shows the process of urbanization of the city while humans lose control over the consequences of their actions and their greed. The story begins and we move underground to meet the two protagonists: a pangolin couple. The two lovers are living a tranquil life in their hidden city beneath, when their quiet is upset by sudden earth shakes provoked by the drilling of a construction site above. Separated by the cracks in the soil, they begin an adventurous journey to find each other, taking the viewer deeper into the causes of the loss of connection between humans and the earth beneath and ultimately, of the pandemic.
Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.
Esteban and Virginia do what they usually do together, but is it out of love or out of habit and fear of loneliness? Would daily routines work just as well with someone else? A depiction of a dead end relationship.
A nameless drifter navigates a barren landscape punctuated by satellite dishes, radio towers and droning airplanes. Stopping periodically in anonymous hotel rooms, she makes attempts to connect to an unidentified second party.
A young man roams the streets of Caracas.
A portrait of the ordinary life, passing time, routine and the contacts between characters.
Against a backdrop of magnificent landscapes and epic tableaus, banal conversations take place between characters who are comically oblivious to their surroundings.
Step into the life and mind of critically acclaimed Hip Hop artist The Game as he travels to Record Room Studios in Miami, FL to record the follow up to his album "The Documentary".
Short film by Ryohei Yanagihara.
While a boy waits out his father's tryst he is unexpectedly forced to deal with the lady-friend's daughter.
Aaron With 2 A's is a film about, Aaron, an older man who wants to attain his lifelong dream. The only thing stopping him from succeeding, is getting out of his own way...before destroying everything. It is about how changing our attitude and looking at the world in a different way can move mountains and attain dreams.
A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Once upon a time, a mysterious stranger visits a tavern with his unusual barrel organ and gives a scary musical performance to the beggars within.
A troubled missionary, led by a rough Pākehā guide, treks through the forest of 1820s Aotearoa. On a journey to deliver a musket to a distant leader, they are surprised by the appearance of a young Māori man who proclaims he’s been sent to guide them. After joining their party, it is not long before the cultural differences of the trio divide them, and the missionary is forced into an awful revelation of his true nature
A jetliner spans the miles, sheering through clouds to open sky and scenic vistas of the provinces below. Glimpses of town and country, of people of many ethnic origins, of a resourceful and industrious nation - impressions it would take days and weeks to gather at first hand - are brought to you in this vivid 1800-kilometer panorama.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once on the lunar surface, the bold explorers face the many perils hidden in the caves of the mysterious planet.