Ever since its triumphant premiere in 1960, Frederick Ashton's La Fille mal gardee has been treasured as one of his happiest creations - his artistic tribute to nature, and an expression of his feelings for his beloved Suffolk countryside. Marianela Nunez and Carlos Acosta perfectly portray the young lovers Lise and Colas, determined to thwart the plans of Widow Simone to marry off her wayward daughter to Alain, the simple son of wealthy Farmer Thomas. Osbert Lancaster's colourful, picture-book designs, along with Ferdinand Herold's tuneful score, arranged by John Lanchbery, provide the perfect setting for Ashton's blissfully bucolic ballet, complete with haywain, pony, maypole and ribbons, a cockrel and his chickens and, of course, the famous clog dance, here wonderfully led by William Tuckett as the irascible but lovable Widow Simone.
After the death of her mother, Sara moves to the South Side of Chicago to live with her father and gets transferred to a majority-black school. Her life takes a turn for the better when befriends Chenille and her brother Derek, who helps her with her dancing skills.
Comic stories for adults about the problems of family life.
The Tortoise composed a song and the Lion cub learnt it by heart and they sang it together.
During a Christmas Eve party and a young girl, Clara, being given a nutcracker doll by her godfather, Drosselmeyer. Later in the evening when Clara sleeps, she finds herself in the midst of the Nutcracker’s battle against the Mouse King and his army of mice. Coming to Clara’s aid, the Nutcracker is transformed into a Prince and journeys with her to an enchanted island where spectacular celebrations are held in their honor. Pre-recorded at the Mariinsky Theatre in St. Petersburg in December 2011, Wassili Vainonen’s version of the beloved holiday ballet is for the first time in 3-D in select theaters.
This all-time ballet favourite, in which young Clara is swept into a fantasy adventure when one of her Christmas presents comes to life, is at its most enchanting in Peter Wright's glorious production.
Set on a night out, UK rock band Wolf Alice decided to bring the music of their album Blue Weekend to life with this film.
"Lady of the Camellias" (Kameliendame) was premiered in Jan 1978 at the Stuttgart ballet. Choreographer and text writer was John Neumeier who had been requested in 1972 by ballerina Marcia Haydee to write a full length ballet. He suggested "Lady of the Camellias" , the Dumas fils autobiographical novel. The idea of using Chopin music was suggested by ballet conductor Gehart Markson. The ballet was a success and this version was also presented in 1979 at the Kennedy Center in Washington DC. Neumeier revised it for the Hamburg Ballet now directed by Brazilian ballerina Marcia Haydee after the death of famous director John Kranko. The revised version with sets and costumes by Jugen Rose and conducted by Heribert Beissel was recorded as a movie in 1987.
Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.
Walter Winchell meets a budding country journalist and shows her around the Biltmore Hotel.
Rare 1977 documentary short hosted by Christopher Lee on the occult. Topics range from witch covens, Astrology, psychic powers, seances and astral projection, amongst others.
Released on DVD as part of The Criterion Collection's "Martha Graham: Dance on Film" collection.
In this one-off half-hour silent film, Benny stars as the title character, a "born loser" who is unlucky in everything - especially love. He fancies a pretty nurse who walks by the park, but ends up with a plainer girl.
One-off special Benny taped in 1990, with outdoor scenes made in New York. Highlights of this part include Hill playing Dr. Ruth Westheimer, Roseanne Barr and an audience member in a parody of "Ask Dr. Ruth," Chow Mein showing up for an audition, and Benny getting into a tangle with gangsters.
In a secluded forest house, a woman tormented by anxiety and paranoia lives with her helpless husband. Their fragile peace shatters when she suddenly falls ill and appears to die, setting the stage for a tense and haunting drama of isolation and dread.
Katie is a dog loving foodie who is very content with her single life. Soon, she finds herself being pressured to find love. Meanwhile, Chris, the delivery boy just wants to get her attention. Will Katie find someone who will love her for who she is? Will Chris finally win her over?
On a high mountain plain lives a lamb with wool of such remarkable sheen that he breaks into high-steppin' dance. But there comes a day when he loses his lustrous coat and, along with it, his pride. It takes a wise jackalope - a horn-adorned rabbit - to teach the moping lamb that wooly or not, it's what's inside that'll help him rebound from life's troubles.
To speak of that ballet is very difficult because the theme is so popular as a fairy tale, adapted by Perrault from German folklore and then recuperated from the same folklore by the Grimm brothers, and what's more turned into an unforgettable film by Walt Disney. Angelin Preljocaj was thus trying to break a mould in which that character and her story had been cast seemingly for ever. And it is a success. Because first the setting, the stage direction are very interesting and rich. Rich are the costumes. Rich are the main ideas of the setting like the enormous magic mirror coming down from the sky, or like the deep underground mine turned into a vertical surface on which the seven dwarfs are dancing like dragon-flies on their strings.