Essere morti o essere vivi è la stessa cosa

Jules Engel's Accident (1973) is a two-fold work of lithography and experimental animation to equally assert this awareness in the history of art, cinema, and experimental animation. Aside from a surface language of animal locomotion, the primacy of the frame as a principle of timing acceleration, deceleration and variation is fulfilled in the collective Muybridge, Engel and Deleuze. (stephenherbert.co.uk)

Directed and animated by Run Wrake, a one minute illustration of Paul Merton's words on Sudoku commissioned by the BBC for the Radio 4 website.

Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.

The sixth and last animation by Stefan Schabenbeck before emigrating to Germany in the early seventies. Alien life form seen from the other side of the telescope. A robot arrives on an unknown planet, whose task is to get to know and try to colonize a new world.

The story is a celebration of the cleverness and wit of the simple peasant Čupera, who triumphs not only over the demon of alcohol, but also over the bureaucratically persistent and thorough devil. The hell that the farmer goes through during the withdrawal process is stylized as a shantytown, a galley with a prison and a dehumanized night club.

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

Short animation by Shynola & Ruth Lingford

Cosmos of paint unleash a storm of color.

The harvest season recalls past time, gives rise to reflections, memories. The logic of the aftermath of events is replaced here by the logic of memory.

An adventurous letter that wandered around the world instead of rushing to a summer camp to see its little recipient.

In his dressing room, a young actor is making up as an old man. But behind the young man’s mask, what is his real face like ?

A lovely fairytale for all tells the story of a doll that is lost, and with the help of other toys is looking for a way to her friend

Prezhde my byli ptitsami

Deep in the heart of Autodale lives their Mayor. As old as the town itself, a once great inventor, now a gangly and decaying but undying thing which the townsfolk have long forgotten, but continue to echo his machine-obsessed beliefs.

Heart set on becoming a princess, Lisa Simpson is surprised to learn being bad might be more fun.

In Adieu bipède (1987), Hébert turned to performance, using the scratching technique for the scenes with dancing and music. He used the same technique in La Lettre d'amour (1988).

The Event

Different animals play with a marble in this whimsical story from Hermína Týrlová, ‘the mother of Czech animation’