The North Wind's Gift

The Needle tells the story of a mother, who is in search for her missing son in Turkey. The film is based on true incidents, on the theme “The Saturday Mothers”. The main protagonist is a “Saturday Mother”.

Ruth will stop at nothing to play the part of the villain, even if it means casting her friend Lucille as her victim.

When his father brings his new girlfriend to the seaside, a withdrawn boy is forced to share his grief with someone he doesn't want to know.

Struggling with the pressures of homophobia when her partner is taken away by a hateful mother, a young gay woman struggles to cope with the traumas and anxieties of her life. Her dreams descend, taking the shape of shadows which reach into her life.

A Man's Cat observes and witnesses his descent into madness at the end of his seasonal depression during the last days of winter.

In a remote Azerbaijani village, things take a turn for the worse on the wedding night when the firing of a gun, a local tradition, doesn't go according to plan.

A genre breaking psychological fantasy film, following one of 12 archetypes, The Hero, attempting to complete his quest of self discovery. In this world devoid of life apart from these 12 archetypes, Hero finds he is left with only one final person to interview. The proud, excentric and boastful Jester, or as he prefers to be called, "Alakazam". With the clash Hero's need for control and order clashing with Alakzam's careless free nature, the two character's are forced to questions their own personas and nature.

When 11 year old Juliet stubs her toe on a loose floorboard, she unwittingly sets off a series of mysterious events. A faint noise and an unusual glow seeping through the cracks capture her curiosity. But as she investigates, Juliet finds herself pulled into a chilling, otherworldly encounter.

A chance encounter dangerously intertwines the lives of three people with differing perspectives on love.

Jeu de vilains

Terminus

In the aftermath of his father’s passing, Jake tries to lean on his remaining family for support, only to be repeatedly turned away. In the midst of their spiralling relationships, the family dog mysteriously disappears. While looking for his dog, Jake discovers something darker within the woods. Something that is a lot closer to home than he thinks. Something hungry.

June 1971 - in a fluid landscape completely below sea level, a young biology student dies during the last year of his studies, leaving behind an unfinished scientific collection. More than fifty years later, a group of ecologists and volunteers are trying to understand and document the same environment as it is today.

A burnt-out white-collar worker stumbles upon a plastic bag in a bustling city. As suffocation drags him out of an anxiety attack toward fleeting peace, an unexpected encounter offers something more than a breath of relief.

A distant son rejects reuniting with his father only to cerebrate their relationship and lack of memories shared.

Two friends brainstorm the worst possible sentence to tweet from one of their famous husband's accounts as revenge for cheating. It's an assassination attempt done with words rather than bullets. But things don’t quite go as expected.

After taking the birth control pill to please her boyfriend, an insecure Mia is challenged by a series of escalating frightening symptoms.

Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."

At home on their mountain, the small colony of rats doesn't lead much of a life. Nothing to eat, nothing to drink and nothing but rubbish, as far as the eye can see. Life drifts along, until one day a rat finds a postcard with a special motif. After this, nothing is the way it used to be ...

Displaying the faces and voices of transgender youth, the documentary short shows the authenticity of queer and trans people living in Toronto, while simultaneously discussing the struggles for self-acceptance that people who do not conform to cisgender and heteronormative ideals of gender face. Andy Nguyen, trans director and film student, captures his trans friends in their natural state on 16mm film shot on a Bolex h16 camera. Accompanied by narration written and recited by Salem Rao, this film represents that trans people exist and this is what we look like. Regardless of the obvious everyday transphobia, trans people find community and uniqueness within each other and themselves.