The Good, The Bad, and the Beautiful

A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.

Cinéastes de notre temps : Norman McLaren

Visconti: La verdad del melodrama

Danny Youngblood is a famed Hollywood director with a reputation for modeling sexy starlets into superstar actresses, and then turning his discoveries into his wives, one after another. However, Danny meets his match when he zeroes in on his latest starlet/conquest, Margot Murray, who decides to turn the tables on him.

A documentary on the life and career of filmmaker Edward D. Wood Jr., with clips from his films and interviews with the cast and crews of some of his films.

A bare-knuckled critique of corporate America told through the powerful true story of a toxic CEO who evolves from a profits-over-people, philandering executive to an unorthodox leader, populist messenger, and mentor to American influencers. It’s a story of growth, redemption and the impact of self-awareness on leadership and life.

In 1970, Christian Ghazi and Noureddine Chatti met with a number of Arab political figures, especially Palestinians residing in Lebanon, resulting in this piece of armed (alternative or third) cinema that captures a crucial cross-section of the Palestinian resistance in Lebanon in 1970. The film features footage of Ghassan Kanafani, Sadiq Jalal El-Azm, Nabil Shaath and other personalities who share their vision of the Palestinian revolution, tracing its history back to the early 20th century. These testimonies describe the numerous strikes and popular protests that took place in Palestine under the Ottoman occupation, followed by the British colonization and the settlement of the Jewish state in 1948. They enumerate the objectives of the struggle, emphasising the necessity for a free and democratic Palestine, defended through armed or non-armed struggle by all its citizens, men and women of various affiliations.

While a few Hollywood celebrities such as James Stewart and Clark Gable saw combat during World War II, the majority used their talents to rally the American public through bond sales, morale-boosting USO tours, patriotic war dramas and escapist film fare. Comedian David Steinberg plays host for this star-studded, 90-minute documentary, which looks at the way Tinseltown helped the United States' war effort.

In this variety special, Olivia shares the evening with Andy Gibb, Elton John, Ted Knight, Gene Kelly and Toni Tennille. The special included songs from Grease and the Totally Hot album as well as some other artists' covers : the Eagles, Bob Seger, Elton John and Buddy Holly. Olivia also performed a parody of the jazz/blues classic Makin' Whoopee with Gene Kelly, changing the lyrics to Makin' Movies and dealing with Olivia's dream of producing a musical. The show was aired internationally and did very well in the ratings, as did her two previous US television specials on the same network. It is to be noted that Tina Turner's appearance on Olivia's special helped her sign a contract with then Olivia's manager Roger Davies, who ultimately helped her to go back into the spotlight.

Take a chilling tour through the twisted minds of some of the most violent serial killers including Jeffrey Dahmer and the BTK killer. What defines a serial killer? What makes them tick? These questions and more are answered in this horrific account of true events.

The Irreversible Odyssey is a retrospective documentary featuring interviews with Gaspar Noé, actors Monica Bellucci, Vincent Cassel and Albert Dupontel.

In order to save her daytime soap drama from cancellation, head writer Maggie must convince Darin, fan favorite actor and her real-life ex-boyfriend, to return to the show.

A haunting story of the FBI's dark hand in American life. In 2015, Khalil Abu-Rayyan was just a young Muslim man in Detroit, Michigan: to get by, he delivered food for his family's pizzeria. Depressed and lonely, Khalil found solace in smoking weed and looking at extremist material online. Then two young women started messaging him, and he fell in love. But one of them suggested he start doing increasingly violent things. Nothing was as it seemed. And Khalil's life would never be the same. A documentary by Garret Harkawik for the Gravel Institute.

Un uomo solo: Incontro con Riccardo Freda

Pearl Gluck travels to Hungary to retrieve a turn-of-the-century family heirloom: a couch upon which esteemed rabbis once slept. En route for the ancestral divan, Pearl encounters a colorful cast of characters who provide guidance and inspiration.

Reflects a depressing and hopeless reality by following some of the members of "la dieciocho", the so-called 18th Street gang in a poor San Salvador neighborhood.

When Sarah accidentally proposes to her girlfriend in Provincetown, the mixup turns their loving relationship into a minefield of marital exploration.

A documentary incorporating footage of Montgomery Clift’s most memorable films; interviews with family and friends, and rare archival material stretching back to his childhood. What develops is the story of an intense young boy who yearned for stardom, achieved notable success in such classic films as From Here to Eternity and I Confess, only to be ruined by alcohol addiction and his inability to face his own fears and homosexual desires. Montgomery Clift, as this film portrays him, may not have been a happy man but he never compromised his acting talents for Hollywood.

The man behind the legend and a knowing look at 1950s Hollywood are revealed in this dynamic biopic of the meteoric star whose troubled life echoed his gut-grabbing performances in East of Eden, Rebel Without a Cause and Giant.

A cheerful road movie all about Belgian films at Cannes over the past 70 years. Filmmakers from the past converse with those from the present to paint the portrait of a cinema that is both diverse and free. An account of Belgium’s participation in the greatest film festival in the world.