Jakarta, City of Dreamers

Australian journalist Guy Hamilton travels to Indonesia to cover civil strife in 1965. There—on the eve of an attempted coup—he befriends a Chinese Australian photographer with a deep connection to and vast knowledge of the Indonesian people, and also falls in love with a British national.

When Kadry El Meniawy becomes the minister of Youth and sports, the attractive woman Anita from Denmark comes to Egypt for cultural exchange between the two countries. As she stays at the minister's villa, his sons try to get close to her while he also falls for her.

After several years of being in relationship, Yusuf knew at what point he had to be brave to take his relationship to the next level with Zulaikha. Their love is pure and sincere and both hope this will become a solid foundation for both of them in the future. But the future is indeed unpredictable. Their love is hindered by caste differences. Zulaikha, who is descended from Bugis aristocrats, is not allowed to marry Yusuf, who, although he is well off, is from the common people of Makassar. History repeated itself because in the past, Yusuf's father, Dirham faced a similar polemic. Unlike his father, Yusuf was bolder against custom. He chose to fight for his love and asked Zulaikha to run with him.

A troubled family's problems come to a head during a stay in a seaside town.

When three generations of women return to post-Soviet Europe to care for an ailing patriarch, they face a corrupt healthcare system and discover a society and a past that both links them together and sets them apart.

The new romance between a beauty salon worker and a subtitle writer for pirated DVDs gets pulled into danger when they view a forbidden recording.

After his wife passes away, the ailing Akbar marries Tina, a widow. Akbar’s illness makes him lose his job so Tina has to work in a garment factory. Akbar’s effort to find a job is fruitless and he passes away shortly after. His three children Mimi, Memet, and Ayu cannot stand their stepmother’s fickleness. They leave quietly to find the family of their biological mother. This is not easy since they don’t have her address. They work at any job to survive - housemaid, shoe shiner, parking boy etc. One day they meet John who buys and sells used newspapers. Mimi and Memet are given a small business of selling ice and pastries. Then Memed accidently takes the wrong train but fortunately, a rich man adopts him. However, Memed returns home as he misses his younger siblings. The reunion is short since Ayu passes away.

This Technicolor portrait of Jakarta was filmed when it was called Batavia and formed part of the Dutch East Indies colonial empire. The film portrays the daily life of citizens and the relaxed atmosphere that prevailed at the time. We see Batavia's Amsterdam Gate, built by the Dutch around 1664, along with the strong influence of Dutch architecture upon other buildings, streets and waterways.

The title may evoke images of gleeful, destructive anarchism, but "smashing" here signals a relationship between people and official city statues that is friendly, jovial, even a little melancholic.

Deep in the heart of Jakarta's slums lies an impenetrable safe house for the world's most dangerous killers and gangsters. Until now, the run-down apartment block has been considered untouchable to even the bravest of police. Cloaked under the cover of pre-dawn darkness and silence, an elite swat team is tasked with raiding the safe house in order to take down the notorious drug lord that runs it. But when a chance encounter with a spotter blows their cover and news of their assault reaches the drug lord, the building's lights are cut and all the exits blocked. Stranded on the sixth floor with no way out, the unit must fight their way through the city's worst to survive their mission. Starring Indonesian martial arts sensation Iko Uwais.

Fight: City of Darkness is an Indonesian action film which was released on September 15, 2011 and directed by Nayato Fio Nuala and starring Thunder Triyoga and Volland Humonggio. The story about of true friendship of four young men, in the face of the harshness of life, and challenges problems which they live. They are Reno, Sherina, David, and Galan

Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.

A pair of ex-lovers spend a spontaneous afternoon together that could either lead to rekindled love or further heartbreak.

Min, a hard-boiled proprietress of a waterfront hotel, who has as her sweetheart Bill, a fisherman, brings up Nancy, a girl who was deserted by her own mother in infancy. However the Local authorities are trying to persuade Min that she is not a fit mother and that Nancy should be sent to school.

A happy-go-lucky veterinary student, paralyzed for life in a college polo meet, finds love with a young woman who leaves her fiancée to help him overcome his handicap.

A re-telling of the pre-telling of a story of the end.

A free-spirited woman helps a potential immigrant to Canada choose his path in life.

In the 1930s, a blacksmith is accused of murdering his wife and becomes a hero and political leader.

Rape is a social cancer. Woman is victimized everywhere. The country is roaring. The intellects are walking with candles. The government pay the allowances to the victim. The oppositions are taking the advantage. The process of purgation has been already started. The media get excited with justice. But, what will happen if the victim is not a female? A strip of a bra. A cot of underwear. The wire is the only witness of two suicides. A male! A female! A gender less animal (it!)! Customs! Witchcraft! Expurgation! Government! All these nonsense! Hypnotism.... Death, Death n' death with materials! Murder! Murder! Murder! No rally! No protest! Behave like all three stupid monkeys! Shameless hypocrisies! Go the hell!

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