Never Was The Shade

Leon's boss buys a racehorse, but doesn't want word to get out that he is the owner, so he has the papers filled out showing Leon as the owner of record. At first, Leon is excited, but the arrangement soon creates difficulty for him. First, he knows nothing about horses except how to bet on them, and second, when his wife finds out, she is furious.

When a tourist bus stops at a gas station, Chencho, one of the passengers, decides to go to the toilet.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

What is more miserable than love-blighted life? For the heart that truly loves can never forget. Such is the sad fate of the hero of this Biograph story.

A short government funded industrial documentary showing the hard work and craftsmanship of labourers in the leather industry that otherwise goes unnoticed, (deserving as much attention as the exploits of a famous boxer).

A short documentary funded by the Belgian Ministry for foreign affairs showing the manufacturing and transportation of Belgian locomotives.

A strict elderly teacher suddenly begins to seem (or not to appear?) That the students in her class are no longer children, but terrible monsters, pursuing their mysterious goals.

An experimental short film loosely adapting the story “My Pretty Pony” by Stephen King.

A young couple goes to a bar one night and meets a young creature of a boy. This boy possesses an otherworldly physical beauty that could attract anyone, man or woman.

1999 Sam Taylor-Wood video art piece featuring a dancer in agony

Short film that follows a group of Hollywood nobodies. Think Curb Your Enthusiasm, without the enthusiasm.

Amina, a young woman (17) is pregnant and afraid to give birth. For a consolation and advice she goes to older women but their stories scare her even more.

An untidy room. Empty beer tins, empty wine bottles, a half-empty glass of whisky... A girl is getting up absent-mindedly and starts preparing herself. YOUR morning starts. Lazy and hard-to-wake-up YOU. The emoticon is ME watching over YOU. I play tricks on YOU, while YOU are playing the guitar and drinking. One day, in town, YOU walk past THE CHILDHOOD FRIEND who is buying an Anemone I liked, and remembering that I liked them, YOU rush out to buy them. THE CHILDHOOD FRIEND displays the Anemone with care. One day, years after I died, YOU hear noise from the closet. Opened, YOU see MY garden right in front of YOU. Overflowing emotions of ME and YOU. When exiting from the room with memories, a picture of the Anemone that YOU painted is displayed in YOUR new room.

While going for a casual jog on bright yet cloudy morning, a young girl discovers the dead body of a teenager. But when she recognizes the face of the cadaver, she comes face to face with her own dark secrets.

Thalion Ltd.

A loose interpretation of the Minoan myth, as seen through the monster's point of view. Abandoned in a labyrinthine island, the childlike minotaur has as his only companion a playful red ball and a multitude of mirrors. When he sees his own image he imagines himself dancing in perfect synchronicity with a mysterious other. But new characters are brought to the island, and they don't behave like his choreographed twins. Confused and frustrated, the creature has to learn to adapt to a world of uncertainty. But when he can't, the monster's true nature is revealed. Most of the character animation was originally hand-drawn on a light table, cut out and mounted on rigid cardboard. This was done so that each replacement could stand up vertically within a three-dimensional set. The set was then lit with fibre-optic lights and shot in stop-motion, using a 16mm Bolex camera. Some of the animation was done as hinged cut-out puppets on glass, using a multi-plane rig.

A disillusioned diner waitress decides to take matters into her own hands with rude customers and deal with them how she's always been told - kill them with kindness.

Belgian art historian and filmmaker Paul Haesaerts (1901–1974) made a significant contribution to the promotion of modern Flemish art. In the late 1940s, he started experimenting with the medium of film to practice a new form of lens-based art criticism. The understudied documentary "Quatre peintres belges au travail" (1952) presents Belgian artists Edgar Tytgat, Albert Dasnoy, Jean Brusselmans and Paul Delvaux at work in their studio. On a large sheet of glass placed in front of the camera, they each paint one of the seasons that also represent a stage in a person’s life. A close reading of this Kodachrome color film sheds light on the context of mid-century art reproductions, mass media and post-war Flemish culture. It also examines in what way this film operates as Haesaerts’s concept of cinéma critique, while raising questions as to the way Haesaerts attempted to reconcile the spatial art of painting with the temporal medium of film.

David a 24-year old news-photographer is in Rwanda to report on the genocide. Together with the 30-year-older reporter Mats, he travels through the war-torn country and tries to portray the genocide of Tuti and moderate Hutu's in 1994.

"Swing cat" Louis Prima and his jazz quartette play songs and accompany featured singers and dancers.