Produced by the Highway Safety Foundation in 1964, this shocking film deals with a subject quite taboo for its time. The short serves as a dramatized warning, ending with graphic case studies.
A last tour throughout a day through the signs and the memory of a house. A sensory and poetic exploration that reflects an intimate and nostalgic look at the places we inhabit and the way they contain us.
A battle between nature and culture, between organic rye-grass and artificial turf. American football is played on rectangular fields, 120 yards long and 160 feet wide. These dimensions defined the framework for this film. Made with images found in Google Earth. With music by Michel Banabila.
This documentary about the 70s porn legend attempts to verify his existence as there are practically no Asian male porn stars in the history of American adult cinema. A controversial mystery akin to Bigfoot and alien abduction, Dick Ho was so well endowed that rumors arose of a conspiracy within the porn industry to eliminate any knowledge of his existence. Includes alleged film footage and testimonials from porn veterans.
This film was made by Bass' company as a presentation to AT&T executives. It would have extended to be shown to the public, but a number of his ideas in the film were not ultimately adopted, like his phone booth designs, and men's and women's uniforms. But a great many of the design were adopted—including, most memorably, the telephone vans and hardhat designs of the 1970s. Bass designed down to the details, showcasing in this film a myriad of ideas, like Yellow Pages book designs, cufflinks for executives, and flags. (AT&T Archives)
A documentary about artist Zdenko Buzek.
Justine doesn't speak. She communicates through looking, gesture and the body language of her movement and interactions. Justine observes the rhythms of her day, giving a unique portrait of the experience of a vivacious young woman living with severe neurological disorders. Justine survived a harrowing breakdown as a child but her medical condition is not the subject of this film, which instead gives a sense of her extraordinary life and experience in the rhythms of an ordinary day as she turns 18. Justine's parents tenderly build close family bonds to sustain their youngest daughter. They speak perceptively and movingly about their daughter and sister. Meanwhile, cuts to the UK welfare system endanger the family's hard won achievements, and raise questions and fears for her future.
Fascinating -- and unintentionally funny -- experiments at Austria's famed Institute for Experimental Psychology involve a subject who for several weeks wears special glasses that reverse right and left and up and down. Unexpectedly, these macabre and somehow surrealist experiments reveal that our perception of these aspects of vision is not of an optical nature and cannot be relied on, while the unfortunate, Kafkaesque subject stubbornly struggles through a morass of continuous failures.
The film recounts an experience, that of a director and his two actors at grips with a play: from the first meeting to the initial readings, the rehearsals done at home, the ones done on stage and finally the first performance. But an experience that took place in the peculiar situation in which the whole of Italian culture found itself in the days between the first and second wave of the pandemic, when it really seemed possible to restart and the feeling of euphoria was accompanied by the illusion that the worst was behind us. Once again we were suddenly checked in our desire for beauty, for life.
An incident from the early days of Québec's quiet revolution, tailor-made for the cartoonist. It is the story of a Montréal commuter train, a unilingual ticket collector and a bilingual passenger. The passenger appears on screen himself to describe his bid to have tickets requested in French as well as in English. What ensued, and how even the railway president became involved, is illustrated with wit and humor.
Hanča, Janko a Lucia
A non-narrative voyage round Sedlec Ossuary, which has been constructed from over 50,000 human skeletons (victims of the Black Death).
A journey through different places in 1930s Mallorca, the coast, the countryside, the city, in the company of the evocative music of Isaac Albéniz (1860-1909), to whom homage is paid.
A trip to Pogoniskos, a Greek village in the northern borders of Epirus. Stories about war, but also about fairies. Without a purpose and without an end. Our grandfather was the narrator, while our grandmother took care of us. Their return to their roots made our own journey unique.
From the banks of the Bahamas to the seas of Argentina, we go underwater to meet dolphins. Two scientists who study dolphin communication and behaviour lead us on encounters in the wild. Featuring the music of Sting. Nominated for an Academy Award®, Best Documentary, Short Subject, 2000.
A group of Macedonian women are shown hard at work.
Player Two is a short animation that explore the relationship that develops between two brothers of differing age growing up, and how video games foster that bond.
Andrea and Krisztina Marics are 28-year-old identical twins with a teaching degree that have lived together since birth. They work together at a touring circus, doing joint artistic performances. After a long circus tour abroad, Andrea leaves the close relationship and ends their work together. She feels that she can succeed on her own. Krisztina still lives and works in the circus but struggles to find her place there without Andrea. After the winter tour, Krisztina has to decide if she stays at home with her sister or continues the life of a wanderer.
On a visit home to Idaho, Matt documents family dynamics and recalls scattered memories from childhood. “Here We Have Idaho,” is a witty self-portrait about small-scale resentments and feeling undervalued amongst loved ones. He leaves his “high-octane, balls-to-the-wall” life as a New York City alt comic to spend some time with the fam. But soon he learns there’s no room for him to stay in the house — he’s been demoted to sleeping in a trailer in the driveway, a fact that he stews on for days.
Natalia Nikolaevna lives 400 km from Havana, in the city where the first nuclear power plant would be built in Cuba. He arrived 20 years ago from the USSR, to be reunited with her husband and work as an opera singer. In 1992, he began the great crisis, known as the Special Period. Natalia divorced, and rooted in the place gradually discovered him as the most hostile of spaces. Single mother without job opportunities, invented their own stage-a park-, their own -the spectators tourists- and their own livelihood: what gave him for his arias.