Gigolette

The story of medical student Sonja Smirnow and her family.

A young woman is forced by circumstance into a loveless marriage while still in love with another. This episodic tale follows their story through three decades of bitter conflict which engulfs their children and those around them.

Bestiario

A Spanish theatre company is rehearsing Shakespeare in the original style using young men to play the women's roles. Complicating their endeavors is the previously straight director's infatuation the new young man whose charming everyone except the slightly older young man who he's replacing. When the young man on the way out decides to settle the score with the young man on the way up, he draws on what he's learned in the theatre. Enter Iago.

Pasca is a sparring low hours without no aspirations in life, who's working at a gym and lives with her disabled brother. His best friend is an alcoholic former boxer. He wears a gray life until the moment he meets a young teacher girl with a very optimistic view of life, which makes him rethink how to live life.

This film is about what the routine of everyday life can do to the human mind and psyche. It also reflects on the importance of the choices we make and how limited these choices are in the first place. The plot evolves around a family of four. They live in the suburbs, in a strange villa that appears, through a complex game of mirrors, to be more like a piece of installation art than a real house. The main character, who hardly appears on screen, is the son, a man in his thirties. Suffering from asthma and eczema since childhood, he uses his condition to manipulate his parents and his sister. Thus the existence of the terrorized family turns into an endless ritual of attempting to satisfy his whims, and always on the alert for yet another one of his “health crises”. Las Meninas resembles the scattered pieces of a puzzle. It is up to the viewer to assemble them in order to form his very own picture – something that makes the film itself personal and unique.

Complex and intriguing Turkish drama about revenge killing. A young woman who went into hiding from her family talks about her life in a documentary. An uncle who sees the film in Germany won't let it rest .

A boy and a girl fall in love. But on the night they met, she was drunk and stoned and he took advantage of her. Although she does not remember almost anything from that night, she remembers something that may compromise their relationship.

Mamay draws on traditional Ukranian and Tatar folktales for its Romeo and Juliet-like love story and parable about chivalry and the struggle for freedom. Hundreds of years ago, in the wild steppes of Crimea that form an uneasy border between East and West, Europe and Asia, nomad and farmer, the proud Cossack Mamay falls in love with the Tatar beauty Omai. The title, like the storyline, holds a variety of different meanings taken from different cultures. In Turkic languages, it means "no one," but it was also the name of a famous Mongol conqueror, the great grandson of Ghengis-Khan. In Persian legends, mamay literally means "the spirit of the steppes. "

In a seedy brothel, their frustrations parade: A poet who has never published, a revolutionary who came late to history, a provocative angel, a bureaucrat with delusions of a dancer, a greedy Chinese man and his timorous wife, Monica, a prostitute with low professional esteem, a group of prostitutes of dubious sensuality and, finally, a priest with a stench of holiness and another with redeeming instincts. But a stranger with the air of a princess appears, and upsets the balance of the establishment.

Through a period of five days, the story follows intertwined characters who live in false serenity and rather chaotic general order.

Venu, a violinist enters in a contract to marry the daughter of a wealthy industrialist. The girl has a fatal health problem.

The tale of two brothers with serious financial woes. When a third party proposes they turn to crime, things go bad and the two become enemies.

A muslim couple opens a butcher shop in Montreal and wishes to successfully integrate into Quebec society. But the butcher's father is an imam who sets up a little mosque in the back room and uses it to spread his fundamentalist views. When he is arrested by the RCMP on suspicions of past terrorist activities, his son, torn between love for his wife and allegiance to his father, gets involved in a plot to free him. Fed up by her husband's unwillingness to stand up to his father's wishes, the butcher's wife leaves to live a more fulfilling life away from the muslim community.

In a remote village in the mountains, Yzza is still waiting for the monthly package of medicine that her husband Hossein sends to treat their daughter. Failing to have the medicine being a matter of life and death, Yzza decides to go to Casablanca to fetch it. Without a proper address and with little money in her bag, this inexperienced, religious, naïve woman does not even fathom that Casablanca is an enormous metropolis, very far from her little rural village. Yzza’s bag is stolen and in her misfortune Yzza meets a young woman, a prostitute wanted by the police. From adventure to adventure, Yzza discovers the workings of an absurd society where her sensible codes are pushed and shoved. Director Naoufel Berraoui skillfully knits the portrayal of a city swarming with cars and people with the dramatic lives of his characters. A remarkable cast directed with sensitivity in a poignant drama with documentary-like accents.

The story follows Abby, a thirty-something artist living in Rhode Island caring for her husband William after he's tragically injured in a bar fight. As she attempts to coax him back to health, James, her childhood sweetheart and unrequited love, attempts to coax her back into living life again herself. The complicated love triangle that ensues is touching, poignant, and concludes with a realization that's as profound as it is beautiful.

Following the sudden death of their last surviving parent - their Dad, two brothers and two sisters return to the family home after many years to face each other, face facts and face the future. But what do they know of the past?

Two women lie accused and imprisoned in separate but adjoining cell blocks. Never having seen one another, they have formed a bond through the walls that no man can break.

In Berlin in the early 1940s, romance is forbidden between the young countess who is studying veterinary medicine and a young man she meets at the home of a former professor. But they fall in love. She gets involved in helping Jews escape from the Nazis. All get out of Berlin except the young man. There is a room in her apartment where he can't be seen through the windows and a chest converted into a sofa where she and her brothers played hide-and-seek as children. This real life hide-and-seek game has high stakes. The movie is said to be based on a true story.

Two people, Taylor Kent and Austin Riley, who've devoted their lives to making women beautiful fall into a relationship that turns very, very ugly. Taylor is a fashion designer who is making a big splash with her new line of provocative lingerie. She is introduced to Austin, who for years has been one of the major players in fashion lingerie, though recently his company has been suffering a dry spell. He is a notorious womanizer, and when he meets her, he wastes no time as he attempts to lure her into bed. She is more than interested, and soon the two are engaged in a very passionate affair. But it becomes obvious that his interest in her is as much about business as physical attraction, and their relationship soon turns into a ugly and twisted web of jealousy, betrayal, lies, and revenge.