Bernarda

A young man decides one day to start killing yakuza. After he kills his first two he gets roped into helping a wannabe gangster and his bumbling underlings to perform a hit. While things work out in the beginning, this young psychopath quickly becomes more trouble than the gang expected. Will they be able to rid themselves of him, or will they be his next victims?

A young boy named Pelle falls in love with the drug addict Lena. Then he and his friend Proffen tries to save her from the drugs.

A hustler meets a client in a hotel room but he realizes that the young man needs much more than sex.

Some Nights I Feel Like Walking tells the story of a rich teenager who runs away from home and joins a group of street hustlers who go on a road trip to fulfill the final wish of their dead friend.

A pool boy and a gardener turn an empty mansion into a home for women who belong to the world's oldest profession.

Young Veronika travels from her Tyrolean village to her aunt’s Viennese apartment for her confirmation. The aunt’s flighty nature and her profession as a prostitute leave her niece in the company of men who assume she is just another new girl on offer.

This last gasp of the grindhouse "Olga" series is a tossed off shrug of a movie that nonetheless entertains in a tacky, surreal style. Audrey Campbell no longer stars as the sinister femme fatale Olga, and her replacement retains none of her clumsy menace. Instead she languidly lounges about the flimsy sets smoking cigarettes and looking pale and sweaty. This new Olga is apparently too bored by the proceedings to even torture her white slaves. Instead the dirty work is handled by her partner Nick (Larry Hunter), a slimy, weasel faced man who lures innocent housewives into prostitution by offering them jobs as "dance instructors" in Olga's dance hall. Group sex, nude dancing and pretty ladies wrestling in their underwear are the results, along with several long, seemingly impromptu scenes where the characters talk endlessly and in circles.

A lurid, dark look into the lives of sex workers, where victims of child abuse deal with the consequences later in life.

In the city of Yokosuka, Kinta and his lover Haruko, both involved with yakuza, brave the post-occupation period with a goal to be together.

A group of friends come of age in the asphalt desert of the San Fernando Valley, as set to a blazing soundtrack and endless drinking, drugs and sex.

A coming-of-age tale centered on Hannah, a young girl who is living a troubled family life. Set in 1963, Hannah develops a fascination with Jean-Luc Godard's then-recent film "Vivre sa vie". As she begins to model herself after the film's lead role, Hannah slowly begins to explore the confusing nature of her sexuality.

A young Buenos Aires mother finds employment as a sex worker and struggles to live under the same laws that are supposed to protect her.

Dr. Lauren Slaughter, a research fellow at the Arab-Anglo Institute in London is utterly frustrated by her job. To supplement her income, she starts moonlighting at the Jasmine Escort Service, where she has more control over men and money than she does at the office. On one of her 'dates', Lauren meets the politician Lord Bulbeck who is trying to mediate a peace accord between the Arabs and Israelis. Bulbeck falls in love with his escort, and unwittingly, Lauren becomes a pawn in some very dirty politics.

As the city of Paris and the French people grow in consumer culture, a housewife living in a high-rise apartment with her husband and two children takes to prostitution to help pay the bills.

Based on an actual post-war murder in Frankfurt, this standard docudrama by Rudolf Jugert is a serious treatment of the story as compared to the earlier, satirical film The Girl Rosemarie. The history of the case of Rosemarie, a hooker, and how she came to be strangled in her apartment is not completely clear. One of the suspects in the case was first charged, later acquitted, but never really free of an aura of culpability. British actress Belinda Lee plays the title role with her voice dubbed over in German.

In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.

Marie, an independent and militant woman, has never needed anyone's help, including when it comes to raising her son. When the latter is expelled from his certificate of professional competence training class, Marie cannot accept it. Dreaming of a brighter future for him, she decides to enrol him in one of the best cooking schools in France.

Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.

In the questionable town of Deer Meadow, Washington, FBI Agent Desmond inexplicably disappears while hunting for the man who murdered a teen girl. The killer is never apprehended, and, after experiencing dark visions and supernatural encounters, Agent Dale Cooper chillingly predicts that the culprit will claim another life. Meanwhile, in the more cozy town of Twin Peaks, hedonistic beauty Laura Palmer hangs with lowlifes and seems destined for a grisly fate.

Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.