The Sandman

A 19 year-old Swiss woman travels to her birthplace—an isolated, barren Berber settlement in the mountainous desert landscape of Algeria—to find her biological mother, whom she has never met. The perilous journey immerses her in a world virtually untouched by contemporary society, one that still clings to tribal mores and strict religious codes of conduct.

A meticulous chronicle of the evolution of the Algerian national movement from 1939 until the outbreak of the revolution on November 1, 1954, the film unequivocally demonstrates that the "Algerian War" is not an accident of history, but a slow process of suffering and warlike revolts, uninterrupted, from the start of colonization in 1830, until this "Red All Saints' Day" of November 1, 1954. At its center, Ahmed gradually awakens to political awareness against colonization, under the gaze of his son, a symbol of the new Algeria, and that of Miloud, half-mad haranguer, half-prophet, incarnation of Popular memory of the revolt, the liberation of Algeria and its people.

Happily married with a daughter, Marc is a successful real estate agent in Aix-en-Provence. One day, he has an appointment with a woman to view a traditional country house. A few hours later, Marc finally puts a name to her face. It's Cathy, the girl he was in love with growing up in Oran, Algeria, in the last days of the French colonial regime. Marc hurries to her hotel. They spend the night together. Then she's gone again. And Marc's mother tells him Cathy never left Algeria. She was killed with her father in a bombing just before independence...

A famous, ruthless writer takes a handsome young worker, with aspirations of becoming a tightrope artist, as his lover and protege, but suffers tragic consequences when he later discards him for another youth.

Tahar, son of a wealthy family, is trying to preserve his privileged status despite the social changes brought about by the revolution. Tinted with historical symbolism, the film tells of the disaggregation of a feudal family when the father died.

Mounir Mekbek lives with his family in a small village in the heart of the Algerian countryside. Very proud and sure of himself, he has only one dream- to finally be appreciated by his fellow villagers. Screwing up his carefully maintained image is his headstrong, narcoleptic sister Rym who falls asleep anywhere and whom the village is convinced will end up a spinster. One evening, Mounir returns from town drunk and announces that he's found a suitor for his sister. The fake story snowballs and snowballs until the suitor morphs into a rich, blonde Australian. The village begins preparing for the wedding in earnest - but without a bridegroom in sight.

At a dangerous time in Algeria, 'Douar de Femmes' is a story of ordinary women who manage to defend themselves in extraordinary situations. The film focuses on a small village that has been attacked more often by terrorists from the surrounding mountains. While the men work, the women learn how to handle machine guns and explore the area. “Fear has armed us,” says the young woman Sabrina. But despite that fear, people get married, children come and keep watch.

In 1950, in Algeria, in a village in Kabylia, Algerian resistance fighters resisted the French occupation army. Bachir returns to the village to escape the clashes ravaging Algiers. In Thala, he has two brothers, Ali and Belaïd. The first is engaged with the ALN (The National Liberation Army) and fights against the colonizer. His second brother, Belaïd, the eldest, is convinced of a French Algeria. His family torn apart, Bachir decides to join the war and takes sides against the repression of the French army. The French army is trying in vain to turn the population against the insurgents by using disinformation. The more time passes, the more the inhabitants of the village and surrounding areas, oppressed, rally to the cause of the FLN, their houses and their fields will be burned... Adaptation to the cinema of the eponymous novel Opium and the Stick, published in 1965, by Mouloud Mammeri, the film was dubbed into Tamazight (Berber), a first for Algerian cinema.

1516, Legend has it that the king of Algiers had a wife named Zaphira. When the pirate Aroudj Barbarossa arrives to liberate the city from the Spaniards, he is determined to conquer Zaphira as well as the kingdom itself. But is Zaphira willing to let him, or is she plotting for herself?

In a single static shot a man is threatened with death at another's gunpoint.

As a boy, Raoul is reared by an Arab tribe in Algerian Sahara. Years later, as a refined Europeanized gentleman, he falls in love with Barbara, an officer's daughter, who rejects him when she discovers his background. Affecting a raid, he captures her and then secretly buys her at a slave auction. When she is rescued by French troops, however, his ancestry is established and they find happiness together.

The true story of explorer, journalist and writer Isabelle Eberhardt, originally from Switzerland. She moved to Annaba in Algeria in 1897 with her mother, who preferred to live in the Algerian neighborhoods rather than the European neighborhoods that she hated, and converted to Islam. Her lifestyle shocked the French colonialists: she dressed like a man, frequented cafes and smoke shops. Fascinated by the desert, she traveled the Sahara under the identity of Si Mahmoud, she published articles and books on the world she discovered in southern Algeria, strongly criticizing the colonial authorities. Arriving in El Oued, the soldiers prevent him from continuing his journey. She disobeys and overhears officers shooting Arab prisoners. Arrested, she was accused of espionage and was expelled from Algeria. She married Slimane, a Muslim non-commissioned officer in 1901. Having become French through this marriage, she could now reside in Algeria.

A sublime documentary on childhood and bereavement that’s one of several shorts the filmmaker completed while working in Algeria for Georges Derocles’s company Les Studios Africa, for whom he would shortly make his breakthrough feature The Olive Trees of Justice.

The first fictional feature film produced in Algeria after independence, this film addresses one of the most worrying problems: that of childhood. Children, freedom regained, do not yet know how to play “at peace”, they naturally play “at war”.

Directed by Mohamed Chouikh.

Directed by Mohamed Nadir Azizi.

“Each of you is an ambassador, and we are sure that each of you will be the best ambassador of our country.” This is how the film begins; a speech to emigrant workers for France. Salah left his three sisters and his mother to become an ambassador, going to work on a Defense site, wading in the mud, he works with a jackhammer. Salah wanders in search of work and housing. Coming up against racism from the owners claiming the respectability of the building and the good neighborhood, he finds himself in a hotel in the Goutte d'Or district. The body of Mehdi, friend of Salah, was found in the Canal Saint-Martin, murdered by a fascist commando, and Ali died of a bullet, killed by a racist janitor. Faced with crimes that remain unpunished, Salah and his friends organize, unite with the French working class to defend their lives and their right to work.

Directed by Rachid Benallal.

Like every year in Zitouna, a bear handler passes by. With his creature, he comes to challenge the small community. And like every year, it is Slimane El Mabrouk who defends the honor of the tribe. But this time, he dies, leaving two orphans, Omar and Ourida. Robbed of their inheritance, the children will grow up alone. The years pass, the French army settles in, and with it, the war. Mysteriously, one day, after the murder of a French legionnaire, Omar disappears into the bush, while his sister dies in childbirth. Omar will return to the village, much later, once independence has been acquired, as a representative of power and with this enigmatic formula: "You must know that the Revolution has not forgotten you". Personal revenge? Sincere desire to bring progress and modernity? ... The inhabitants of Zitouna, upset in their ancestral way of life, will not be long in having an answer to their questions.

Rabie is a kid from Sétif in 1980, trying to collect money to buy a wheelchair for his paralyzid sister Sassia, so she can get out of the house.