Die auf die Nüsse gehn

After not being recognized by an actress with whom he worked twenty years ago, a projectionist films himself and introduces himself into a film to revive the past.

After his father's death, a young boy finds solace in action movies featuring an indestructible cop. Given a magic ticket by a theater manager, he is transported into the film and teams up with the cop to stop a villain who escapes into the real world.

A projectionist bored with his everyday life begins fantasizing about his being one of the superheroes he sees in the movies he shows.

Jean and Bill are a married couple trying to scrape a living. Out of the blue they receive a telegram informing them Bill's long-lost uncle has died and left them his business—a cinema in the town of Sloughborough. Unfortunately they can't sell it for the fortune they hoped as they discover it is falling down and almost worthless.

A film projectionist longs to be a detective, and puts his meager skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.

Elizabeth, a vet assistant, falls for Max, who brings in an abused dog. His jealousy burdens their relationship as does talk of marriage. Lena wants Max and she schemes.

A 'cine-ramic' roller-coaster ride through the rise, fall and re-birth of projected film.

An embittered woman seeks escape in marriage, only to fall for her husband’s best friend.

This is the story of my grandfather, Tiago Florit, who for 50 years was a film operator at the Teatre Principal de Maó, in Menorca. It is a review of his life, from his birth to his death, in a cinematographic key. A true love story to cinema.

Two projectionists discover a disturbing film featuring the lynching of a woman. Not only are they troubled by the content of the movie, but strange events befall them following the viewing.

The duty manager of a seaside cinema, who is struggling with her mental health, forms a relationship with a new employee on the south coast of England in the 1980s.

A new projectionist spends her first evening on the job screening short films for an upcoming festival inside an old movie house. As she watches the horror films alone from the projection booth, she begins to feel that she is not alone.

A matinee draws a young man into desire and fear.

With a torrid past that haunts him, a movie theatre owner is hired to search for the only existing print of a film so notorious that its single screening caused the viewers to become homicidally insane.

An ode to projection in cinema, from the work of the projectionist to the machines that light up the theaters.

Trapped on her family’s isolated farm, Pearl must tend to her ailing father under the bitter and overbearing watch of her devout mother. Lusting for a glamorous life like she’s seen in the movies, Pearl’s ambitions, temptations, and repressions collide.

A mysterious projectionist in abandoned movie house plays host to a young intruder and offers him the chance to watch four spine-tingling tales of terror on the big screen.

Set in the most easterly town in England, Lowestoft, a young Projectionist (Andrew Hooper) must overcome grief and barriers created from his Mother's untimely death, and become the filmmaker she wanted to him to be.

Documentary about film projectionists.

In a darkened booth high above the audience, a lone projectionist threads reels of 35mm film through a machine older than many who come to watch. The Man in the Upper Room is a one-day documentary that captures the sacred solitude of one of cinema’s last keepers. Shot in a single 24-hour period, the film is both a portrait and a meditation: on ritual, on the fragility of tradition, and on the quiet hands that keep the magic alive. As theaters shutter and celluloid vanishes, this intimate story asks a simple question: why does it still matter to gather in the dark and let light tell us who we are?