The Golden Coach

Pete Riley is a 17-year-old who lands a part-time job at a multiplex in his neighbourhood. He and his friends are excited when it's announced that the theatre will play host to the premier of a major motion picture, with a number of Hollywood celebrities in attendance. However, when the big night comes, Pete has to contend with disappearing staff, malfunctioning equipment, and a broken popcorn machine.

Humble Maria, who outfits top London theater star Ned Kynaston, takes none of the credit for the male actor's success at playing women. And because this is the 17th century, Maria, like other females, is prohibited from pursuing her dream of acting. But when powerful people support her, King Charles II lifts the ban on female stage performers. And just as Maria aided Ned, she needs his help to learn her new profession.

Film homage to the great Spanish poet Federico García Lorca, in which they dramatize fragments of his poems and the play "La casa de Bernarda Alba". From his texts, the voice of the poet himself weaves the plot. His characters come to life: El Amargo, which runs from a poem taken from "El Cante Jond" to the "Romancero Gitano". The Woman, blurred and present in so many of his poems. The Mother, a living synthesis of his play-writing. The balcony is open from the hidden Granada to exciting New York. From the rider of tireless riding to the mysterious baroque of Holy Week. From the first babble of the poet to his violent death. Spain is behind its lyric. Also in many images and tensions of the film. The argument of this one wants to approach the argument of a poet. His life and his work, united irremediably.

Perdita is a brave, intelligent and much-loved girl, but something is not quite right in her world. Join her on a journey through magic and mayhem as she uncovers her story – the girl who was once lost and then found. This exciting new version of The Winter's Tale is the perfect introduction to Shakespeare for younger audiences. Warning: watch out for pursuing bears.

During the California Gold Rush, two down-on-their-luck vaudevillians attempt to become wealthy by bringing a girlie show to an all-male western mining town.

Fledgling comic Benjy Stone can't believe his luck when his childhood hero, the swashbuckling matinee idol Alan Swann, gets booked to appear on the variety show he writes for. But when Swann arrives, he fails to live up to his silver screen image. Instead, he's a drunken womanizer who suffers from stage fright. Benjy is assigned to look after him before the show, and it's all he can do to keep his former idol from going completely off the rails.

Rosario was unjustly condemned for a robbery committed in the theater where she worked as secretary of producer Gaston Leducq. When she leaves prison, she tries to prove her innocence to Gaston, but things do not happen as she expected.

Timing

Le banc

Sarah (Ann Eleonora Jørgensen) and David (Magnus Crepper) meet for the first time in ten years when she arrives at his summer residence. David needs help finishing a play, which turns out to be a dramatization of their long, troublesome relationship. The film presents three love stories about seemingly different couples; all named Sarah and David, but played by different actors in respectively their 20s, 30s and 40s.

The true story of the first Marathi superstar Kashinath Ghanekar, chronicling his struggles and hardships in marriage and life to pursue his passion for acting and attain the unmatched heights of stardom in Marathi theatre and cinema.

Niente è come sembra

The TV-play from the set of Inferno at "Strindbergs Intima Teater", directed by Anna Pettersson and with Siri Hamari in the role of Strindberg, is a lively tale of boundless dreams and frightening fantasies. With the help of magic, music effects and film, Strindberg's portrayal of the creative crisis and the search for new forms. During Strindberg's chaotic time in France and Austria in 1894-1896, his so-called Inferno year, he performed alchemical experiments, tore his hands and suffered hallucinations. In the village where he closes in, he is called the cuckoo. In another country, a little daughter is waiting for her father. This version has been called an "age performance", performing arts that suit all ages. And the finely nuanced and detailed presentation would surely have appealed to the scientist Strindberg.

A man's story parallels Hitler's rise. Austrian Klaus Schneider, wounded in World War I, recovers in the care of Dr. Emil Bettleheim. Bettleheim discovers that Schneider possesses powers of empathy and of clairvoyance, such that could aid suicidal patients. After the war, with one friend as his manager and another as his lover, Schneider changes his name to Eric Jan Hanussen and goes to Berlin, as a hypnotist and clairvoyant performing in halls and theaters. He always speaks the truth, which brings him to the attention of powerful Nazis. He predicts their rise (good propaganda for them) and their violence (not so good). He's in pain and at risk. What is Hanussen's future?

Le Plus Beau Jour

A mentally-disturbed aspiring actor returning to New York City discovers the world of social media and faces the horrifying power of the Internet.

Manon Lepomme : Non je n'irai pas chez le psy !

La Smorfia - Prima Parte

La Perruche et le Poulet

On the set of a playwright's new project, a love triangle forms between his wife, her ex-lover, and the call girl-turned-actress cast in the production.