The Golden Coach

Semi-retired Michigan lawyer Paul Biegler takes the case of Army Lt. Manion, who murdered a local innkeeper after his wife claimed that he raped her. Over the course of an extensive trial, Biegler parries with District Attorney Lodwick and out-of-town prosecutor Claude Dancer to set his client free, but his case rests on the victim's mysterious business partner, who's hiding a dark secret.

From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.

In a small town in the 1950s a repertory company meets on Monday morning to start rehearsing the following week's play. This is a ghastly thing written by the aunt of one of the theatre's directors. The producer doesn't try to hide his annoyance about it, and is further exercised when the authoress herself arrives to help. The cast have to try and sort out real-life problems that keep intruding as they wrestle with the play's dire dialogue.

Le pont japonais

Numéro complémentaire

Occupe-toi d'Amélie

Grossesses Nerveuses

Lorsque l'enfant parait

On refait le boulevard

Quadrille

Harold Chasen is a young man of 19 years with an overflowing and morbid imagination, who takes advantage of his free time to attend funerals, and stage suicides to react to his mother, Mrs. Chasen, a strict, tyrannical woman and a a bit hysterical, who takes care of finding a wife for his son. But when Harold meets Maude, "80 year old princess", nonconformist and full of life, everything changes for the young man. The old woman teaches him to love life through more wacky experiences than each other, and Harold falls in love with it.

Hold Up

Backstage at a Paris theater, a famous, exasperatingly fatuous playwright learns that the actress who was to play the lead in his play is expecting a child. No great actress is available to take on the role. Except the famous actress Gabrielle Tristan, to whom he was married for ten years and to whom he no longer speaks. But their love of theater and their playfulness outweigh all their grudges, and Gabrielle takes on her ex-husband's play.

Young actors drift around Paris looking for job opportunities in pursuit of their happiness. The Finnish film, made with a French cast, follows the paths signaled by nouvelle vague and cinéma vérité.

In order to win the respect of her friends and family, divorced housewife Sabine decides to perform Wilhelm Tell with a group of Asylum seekers in the Swiss mountains.

An upper-class female reporter is (despite herself) attracted to a hulking laborer digging a tunnel under the Hudson River.

They stick to our skin and soul, our clothes. We believe we buy them, they own us. Warning ! these rags are traitors: far from dressing us they expose our complexes, our moods ... Clinging to their hangers, to our memories too, they exercise an underhand dictatorship. Snuggled up, huddled together, they build a bulwark against oblivion in our closets. Often stained for eternity with ink or redcurrant, impregnated with perfume, tears sometimes, piled up or messed up on our shelves, they remain forever linked to the happy or unhappy chapters of our life. It is through the evocation of their wardrobe that Gigi, Eve, Marie, Nora, Françoise, Amanda, Lisa and the others evoke the past, missed appointments and those that changed their lives, the joys and childhood revolts, giggles, disappointments, dramas, parties and hopes too…

La Cruche

La Jalousie

La Mamma