Plies: Goon In the Trap

Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.

Lisbon Story is Wim Wenders' homage to Lisbon and films. A sound engineer obtains a mysterious postcard from a friend who at the moment is filming a film in Lisbon. He sets out across Europe to find him and help him.

Two young men and two girls on a moonlit night confess to each other in their strange fantasies and loves that go beyond the usual standards.. The impetus to making the film was the book of the same name by the Russian religious philosopher Vasily Rozanov, who died 100 years ago. His treatise was devoted to the study of sexuality and its denial in Christianity. The film was made in the style of experimental films of the 1920s with a non-linear narration full of strange surrealistic images. He is black and white and devoid of dialogue. Filmed on film 16 mm of firm "Svema", released in the USSR. This added to his exoticism. The image was put to the music of Alexander Scriabin “The Poem of Ecstasy” (1907).

A series of musical performances showcasing the diverse facets of fado, a musical genre from Lisbon.

This hilariously smart satire tells the story of Johnny Vince, a swingin' hepcat who meets hitman Sam and Harvey on a road trip to pull a "botched robbery" in Las Vegas. Along the way they take a deeply unfulfilled not-so-good-girl hostage, encounter the mysterious Mechanic, get harassed by a foul-mouthed answering machine... and did we mention the lesbians? The result - hilarity ensues!

Desperate for a breakthrough as she nears the big 4-0, struggling New York City playwright Radha finds inspiration by reinventing herself as a rapper.

Misfits in their lives back home, a group of young people live it up at musical-theater camp. While the sports counselor is completely ignored, the kids' spend all their time in rehearsal for a grueling schedule that involves a new show every two weeks. Several personal stories come to the fore.

The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.

In 2007 the legendary American duo White Stripes toured Canada. Besides playing the usual venues they challenged themselves and played in buses, cafés and for Indian tribal elders. Music video director Emmett Malloy followed the band and managed to capture both the special tour, extraordinary concert versions of the band's minimalist, raw, blues-inspired rock songs and the special relationship between the extroverted Jack White and the introspective Meg White - a formerly married couple who for a long time claimed to be siblings. The film makes striking use of the band's concert colors: red, white and black.

A drama set in the American South, where a precocious, troubled girl finds a safe haven in the music and movement of Elvis Presley.

The life of a woman is transformed after she is diagnosed with a terminal disease, fired from her job and abandoned by her boyfriend. Given two months to live, she throws caution to the wind to pursue her dreams.

Believing that bad karma is keeping him from realizing his dream, hip clothing designer Amer Atrash (Philippe Caland) attempts to orchestrate salvation -- with unexpected results -- in this indie drama. Pushed to the edge of financial disaster and facing marital woes, Atrash resolves to right a wrong he committed years earlier when his car accidentally struck Philip Blackman (Forest Whitaker), leaving him paralyzed.

A group of aspiring entertainers try to establish careers for themselves in the city of Los Angeles.

After the death of her father, Little Voice or LV becomes a virtual recluse, never going out and hardly ever saying a word. She just sits in her bedroom listening to her father's collection of old records of Shirley Bassey, Marilyn Monroe and various other famous female singers. But at night time, LV sings, imitating these great singers with surprising accuracy. One night she is overheard by one of her mother's boyfriends, who happens to be a talent agent. He manages to convince her that her talent is special and arranges for her to perform at the local night club, but several problems arise.

In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.

Razzle Dazzle follows the eager members of "Mr. Jonathon's Dance Academy" who, with their unique dance routines, compete for Grand Final success at Australia's most prestigious competition. Amidst parental politics, petty rivalry, creative controversy and the hysterics of pushy stage mothers, the film takes you behind the glamor and the glitter to a world where, sometimes, winning is everything!

This 2005 documentary film chronicles the life of Daniel Johnston, a manic-depressive genius singer/songwriter/artist, from childhood up to the present, with an emphasis on his mental illness and how it manifested itself in demonic self-obsession.

A realistic character study of a young man in his early 20s negotiating a disintegrating relationship with an ambitious artist/photographer girlfriend and an ascending fling with an adventurous floater, as well as pressures from his family and society to go to college/make steps toward success, all the while becoming increasingly interested in the questionably viable life of playing guitar.

In 1959, Berry Gordy Jr. gathered the best musicians from Detroit's thriving jazz and blues scene to begin cutting songs for his new record company. Over a fourteen year period they were the heartbeat on every hit from Motown's Detroit era. By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined - which makes them the greatest hit machine in the history of popular music. They called themselves the Funk Brothers. Forty-one years after they played their first note on a Motown record and three decades since they were all together, the Funk Brothers reunited back in Detroit to play their music and tell their unforgettable story, with the help of archival footage, still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Brothers backing up contemporary performers.

Two disc jockeys have a friend's murder to solve in the fringe-group melting pot of 1977 London.