John & Yoko: Above Us Only Sky

Fired from his band and hard up for cash, guitarist and vocalist Dewey Finn finagles his way into a job as a fifth-grade substitute teacher at a private school, where he secretly begins teaching his students the finer points of rock 'n' roll. The school's hard-nosed principal is rightly suspicious of Finn's activities. But Finn's roommate remains in the dark about what he's doing.

In Ireland in the mid 1960s, two feuding brothers and their respective Ceilidh bands compete at a music festival.

After a fictitious marriage with a Russian emigrant, Cellisten Louka, a Czech man, must suddenly take responsibility for her son. However, it’s not long before the communication barrier is broken between the two new family members.

A pair wander the streets of Warsaw, meeting famous Polish musicians.

In celebration of the 50th anniversary of The Beatles' first appearance on The Ed Sullivan Show, this magnificent star-studded tribute salutes the Fab Four. Appearing with Paul McCartney and Ringo Starr were guest musicians Joe Walsh, Gary Clark, Jr., Stevie Wonder, The Eurythmics, John Legend, Alicia Keys, Maroon 5, Dave Grohl, Katy Perry, Peter Frampton, and more.

The concert was recorded on February 26, 1995, at the “Houston Astrodome” and was televised live on Univision. The singer shared the concert with Tejano singer “Emilio Navaira” and performed to 66,994 people, which broke the previous attendance record held by Selena in the previous year. Selena's performance at the Astrodome became her final televised concert before she was shot and killed on March 31, 1995. The set list mostly included material from her "Amor Prohibido" (1994) album and a medley mashup of disco music songs.

He is the talk of the town, the most romantic figure of decadent Parisian nights. When his lungs start bleeding, Chopin knows his days are numbered. Composing becomes his only obsession. The ticking clock rushes him to revolutionize music.

Singer Freddie Mercury, guitarist Brian May, drummer Roger Taylor and bass guitarist John Deacon take the music world by storm when they form the rock 'n' roll band Queen in 1970. Hit songs become instant classics. When Mercury's increasingly wild lifestyle starts to spiral out of control, Queen soon faces its greatest challenge yet – finding a way to keep the band together amid the success and excess.

HAIYU interweaves Mariem Hassan’s music and her personal quest for her country’s independence with larger historical events dating back to the region’s Spanish colonisation, and subsequent occupation by Morocco.

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.

A musical tour through the work of Aníbal "Pichuco" Troilo, one of the defining figures of tango and Argentinian music.

The story of Jerry Lee Lewis, arguably the greatest and certainly one of the wildest musicians of the 1950s. His arrogance, remarkable talent, and unconventional lifestyle often brought him into conflict with others in the industry, and even earned him the scorn and condemnation of the public.

Freedom Uncut chronicles the tumultuous — yet creatively fruitful — period of George Michael’s life and career following the release of his 1987 solo debut, Faith, then through the creation and release of his 1990 follow-up Listen Without Prejudice, Vol. 1. Along with documenting his creative efforts during this period, the doc will also explore his relationship with Anselmo Feleppa — who died from AIDS-related complications — as well as the death of Michael’s mother.

YouTube musician and Korean American adoptee Dan Matthews travels to South Korea to perform and reunite with his biological family, including a long lost twin he never knew he had.

From a mind unlike any other, Biophilia Live chronicles the multidimensional concert centered on the eighth studio album of avant-garde Icelandic artist Björk. Nick Fenton and Peter Strickland, unique voices in their own right, film Björk live in performance and punctuate her music with evocative animation and science and nature footage. The infinitely creative journey presents a culmination of work that represents one of the most original musical endeavors of a generation.

A film about the life & time of ex The Homosexuals bass player Xentos Jones Luke Fowler's The Way Out: A Portrait of Xentos Jones, made in collaboration with Kosten Koper, is a tribute to underground punk musician and film-maker Xentos Jones and his band The Homosexuals. Fowler collages together diverse material related to Jones including interviews, music and even found fragments from Jones' own experimental films to create a haphazard and intriguing portrayal of this maverick character.

A musical audiovisual journey in four parts. A young man finds himself unexpectedly taking an audiovisual odyssey into a world of surreality, slowly recounting his memories, revealing the puzzle pieces that led him to where he is, and maybe how he can get out.

This British documentary is more than an analysis of John Lennon's song "Imagine" and its ramifications for the world we live in, it's a tentative documentary on John (and Yoko)'s art and songs' influence on a lot of people in all parts of the world and from all walks of life. As such, it should be better known and considered part of the Beatles "canon". The footage shows everything from a John Lennon Museum in Japan to a John Lennon elementary school in Liverpool to his influence on the thinking of a former Communist from Georgia (of the former USSR). It is provocative and very well made with a serious contribution from Yoko.

Gérard Courant applies the Lettrist editing techniques of Isidore Isou to footage of late 70's pop culture. Courant posits that his cinema offers an aggressive détournement to the French mainstream, reifying a Duchampian view of film: "I believe in impossible movies and works without meaning... I believe in the anti-movie. I believe in the non-movie. I believe in Urgent... My first full length movie that is so anti-everything that I sometimes wonder if it really does exist!"