Caye is a young prostitute whose family is unaware of her profession. She meets her striking Dominican neighbour Zulema, an illegal immigrant, after she finds her in the bathroom, badly beaten up. They strike up a close friendship unbeknownst to Caye's xenophobic co-workers.
Erik, a loner, finds a friend in Dexter, an eleven-year-old boy with AIDS. They vow to find a cure for AIDS together and save Dexter's life in an eventful summer.
After falling ill, Yesterday learns that she is HIV positive. With her husband in denial and young daughter to tend to, Yesterday's one goal is to live long enough to see her child go to school.
Gia Carangi meteorically rises to modeling fame in the late 1970s but becomes overconsumed by persistent loneliness and drug addiction.
Mona Bergström is a sweet eurovision-obsessed woman in her 30s. She is married to a lazy husband and has four children, all named after her favorite Swedish Eurovision popstars. Her brother is a crossdressing guy self-titled "Candy Darling". Mona works in a retirement home for disabled people, where she is responsible for taking care of a young man named David who suffers a movement-restricting disease forcing him into a wheelchair. David's parents have abandoned him, as they wanted a normal child. Mona holds a big place in David's heart, and vica versa. David's goal is to get his parents to come and visit him, and he wants to show them that he is a great person, despite his handicap. Therefore he works with music on his computer, and his goal is to create a song, send it to "The Cardigans", a famous Swedish band and have them play the song and credit him, hoping his parents would spot it and want to visit him.
Dr. Hind returns from America with her child and her husband's body. She gets raped and spends the night with her former lover Ahmed and confesses to him that she has AIDS and he finds out that the virus has spread to him.
In 1987, five young men, using brutally honest rhymes and hardcore beats, put their frustration and anger about life in the most dangerous place in America into the most powerful weapon they had: their music. Taking us back to where it all began, Straight Outta Compton tells the true story of how these cultural rebels—armed only with their lyrics, swagger, bravado and raw talent—stood up to the authorities that meant to keep them down and formed the world’s most dangerous group, N.W.A. And as they spoke the truth that no one had before and exposed life in the hood, their voice ignited a social revolution that is still reverberating today.
Nick, a gay, HIV-positive architect, begins to display severe symptoms of AIDS and makes preparations to kill himself before he is unable to function normally. He arranges a party to reconnect and say goodbye to his closest friends and his confused parents. But when his ex-partner, Brandon, a television director who left Nick when he was diagnosed with HIV, shows up, what was supposed to be a celebratory event becomes much more difficult for everyone.
Two HIV-positive young men — a semi-employed film critic and a hot hustler — tear off on a cross-country crime spree.
Biographical drama based on the last 20 years of Crisp's life. The literary figure and gay iconoclast emigrated to New York in 1981 and lived there until his death. The film observes Crisp in both his public and private lives, from his seemingly cavalier response to the outbreak of AIDS to his tender relationship with his friend Patrick Angus and his own response to growing old.
At the end of the 1980s, Stella, Victor, Adèle and Etienne are 20 years old. They take the entrance exam to the famous acting school created by Patrice Chéreau and Pierre Romans at the Théâtre des Amandiers in Nanterre. Launched at full speed into life, passion, and love, together they will experience the turning point of their lives, but also their first tragedy.
At once an intimate chronicle of a romance and a sprawling portrait of life in early 1990s France following the intertwining journeys of Jacques, a worldly Parisian writer, and Arthur, a curious, carefree and much-younger university student who is just beginning to live. Brought together by chance, the two men find themselves navigating a casual fling that gradually deepens into a tender, transformative bond.
In Paris, Lulu, a passionate policeman, works with the faith of a rookie, despite the sclerotic bureaucracy and the incompetence or negligence of some of his colleagues. In his new position as a narcotics inspector, he tries to keep his sanity as he witnesses the worst of the human condition.
Gai Nhay ("Bar Girls") is the story of how the other half lives, with a twist. Southeast Asia being known for the multitude of bar girls ready to be "borrowed" for a (usually quite cheap) price, the life these girls live--and the motivations and tribulations that lead them to it--are usually hidden to their oblivious clientéle.
Tsai interrupted his pre-production for The River to make this pioneering documentary for Taiwan's nascent AIDS-awareness campaign. Ignoring instructions to 'play down the gay angle', he centres the film on his own very candid conversations with two HIV+ young men. Sadly the identities of the interviewees have to be concealed, and so the freewheeling camerawork focuses most often on Tsai himself; but the sense of rapport between the director and his 'new friends' is palpable and very moving, even to Western viewers already only too familiar with these issues.
Walter is HIV positive and is leading a promiscuis life in Rome. He does this so that he won’t infect his wife. Walter’s wife is also cheating on him. In a decidedly dull subplot, Walter’s father is a senator who wants to use his son’s illness to promote his own political career by calling for more AIDS research.
It is 1984. Frank is a determined English teenager who runs away from high school to find an alternative gay lifestyle in Amsterdam. He finds a home and a job at the "House of Boys", a bar-cum-brothel run by a strict Madame who has an eye for what his punters crave. Frank works his way up from barman to on-stage dancer and falls in love with some of his housemates, Jake. The first intimations of what is described as 'the gay cancer', casts a long shadow over Frank's tight-knit group of friends. Yet despite the troubles that cloud the hopes and dreams of young Frank, his perseverance, along with support from a willing doctor, will carry him through.
Keith, Anna and their son Peter are a close, loving family living in a smart suburban street of a provincial city. Anna is a typical middle-class housewife, filling her day with good works, until one day, when she finds a note that leads to a shattering discovery - her husband has been having an affair. Anna's intense shock at finding out Keith's secret is compounded when she arranges to meet his lover. When Steve arrives at the meeting place, Anna is forced to accept the fact that Keith has been leading a double life for the length of their marriage. Steve stresses the risk of AIDS and urges Anna to have an AIDS test. To show her what it can be like to live with the disease, he introduces her to Jim, who needs 24-hour care and has developed a realistic attitude towards his own death. When Keith leaves home suddenly, Anna is forced to tell her son about the threat of HIV, but Peter turns violently against her and runs away.
A young woman who is handicapped after an accident becomes attached to an AIDS orphan.
Michael and Robert, two gay men living in Brooklyn, spend their last day together before Robert leaves for Africa on work assignment. Michael still has feelings for his friend Nick, who has AIDS.