In this videoart, the creator uses mixed media animation as they read a Clarice Lispector short story. Drawing a comparison with her own life experiences, she questions what it means to be a lesbian. Excluded from every aspect of the patriarchal life, she creates her own identity through her loved ones, relying on the precursors of the lesbofeminist movement.
Quem Sou Eu?
Scenes of the childhood of a girl, living in a small Brazilian town.
O Quinze
Deep Brazil. Between drifting through a city in the interior of Mato Grosso on the banks of the BR-163, we follow moments of the routine of Ana Rúbia, who is preparing for the launch of the book “School Memories of Travestis”.
Lima Barreto: Trajetória
Documentary essay made from several cuts of interviews with Clarice Lispector and her family and friends in a visual poetic seam of adapted excerpts from her work.
A documentary about the life and work of poet and visual artist Moacy Cirne.
Despejadas
Inside the closet at seamstress Jacira's house, in an old orange coat, lives Teca, a curious little bookworm, and her pet mite, Tuti. When the old seamstress mistakenly takes Teca and Tuti in her coat while returning a book to the city library, Tuti, once again, had caused some trouble. Escaping with Teca's ribbon in its mouth, it disappears through the mazes of the library, setting up a grand adventure. In addition to stop-motion, the short film "A Library Tale" features other animation techniques such as digital 3D and 2D, several scenes in live action with real settings and characters.
Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.
A pair of ex-lovers spend a spontaneous afternoon together that could either lead to rekindled love or further heartbreak.
Min, a hard-boiled proprietress of a waterfront hotel, who has as her sweetheart Bill, a fisherman, brings up Nancy, a girl who was deserted by her own mother in infancy. However the Local authorities are trying to persuade Min that she is not a fit mother and that Nancy should be sent to school.
A happy-go-lucky veterinary student, paralyzed for life in a college polo meet, finds love with a young woman who leaves her fiancée to help him overcome his handicap.
A re-telling of the pre-telling of a story of the end.
A free-spirited woman helps a potential immigrant to Canada choose his path in life.
In the 1930s, a blacksmith is accused of murdering his wife and becomes a hero and political leader.
Rape is a social cancer. Woman is victimized everywhere. The country is roaring. The intellects are walking with candles. The government pay the allowances to the victim. The oppositions are taking the advantage. The process of purgation has been already started. The media get excited with justice. But, what will happen if the victim is not a female? A strip of a bra. A cot of underwear. The wire is the only witness of two suicides. A male! A female! A gender less animal (it!)! Customs! Witchcraft! Expurgation! Government! All these nonsense! Hypnotism.... Death, Death n' death with materials! Murder! Murder! Murder! No rally! No protest! Behave like all three stupid monkeys! Shameless hypocrisies! Go the hell!
Mit Annika am See
This wartime romantic melodrama set in the mountains of Yilan during the final days of WWII. Young and free-spirited Shiow-lan (Feng Fei-fei) falls in love at first sight with Charng-rong (Liang Hsiu-shen), a worker at her father’s lumber mill. She likes to sing, he likes to write music. With their parents' approval, the two decide to get married but their plans are thwarted by Japanese lieutenant Herng-shan who has set his eyes on Shiow-lan. Herng-shan drafts Charng-rong and sends him to war in Southeast Asia where almost certain death awaits.