The Friend from Tel Aviv

A pimp must investigate the sudden disappearance of his network’s most demanded prostitute.

A trans girl and her mother move to a new town in order to start fresh, but quickly face dilemmas when the local high school needs a second parental signature for enrollment.

Alifu, a 25 year-old Paiwan boy, works as a hair-dresser in Taipei and struggles between his dream of getting a sex change operation and following his father’s footsteps to inherit the title as Chief of the indigenous Paiwan tribe. His lesbian roommate, Pei-Zhen, is also his best friend and confidante. Sherry, a transgender man, is the owner of a drag queen bar. For years, Sherry has been in love with the plumber, Wu, even though Wu only sees him as his buddy. Chris, a civil servant, lives a dull life. A one-time gig as a drag queen in the bar unexpectedly becomes his unique and secret way to relief stress. Chris has no choice but to keep this gig a secret from his girlfriend Angie. Across different genders and sexualities, the only common ground these people share is their search for love, understanding and acceptance. (Source: Golden Village)

On his first foray out onto London's thriving gay scene, newly single Adam meets Rocky, a handsome and mysterious drifter, with whom he shares an instant and undeniable chemistry. From the outset, Rocky is eager to reveal more of himself than Adam is ready for, and so the two maintain an uncomfortable pact of silence. As the pair grow closer, something has to give, and the truth about Rocky is explosively revealed. As the dust settles, the men are left to decide whether they can find acceptance in each other, by facing the truth about themselves.

A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.

Ah Fat, a lonely man arrives in a strange country, escaping from his past and seeking salvation. Living in a constant state of psychological turmoil, redemption was never quite in reach. Making friends with Miumiu, a coworker who is a gogo girl and a male gigolo Pumpkin turns Ah Fat's life around; he finds a strange, unique sort of happiness in friendship that had evaded him for a long time. Then comes a turn of events that changes everything; Ah Fat will have to choose between saving his friends by killing the evil shop owner, and standing idly by. This is the final straw; Ah Fat is pushed to the brink, all hell breaks loose...

Mony is a loser who hangs out on the streets of Phnom Penh, until the day he witnesses a murder, forcing him to seek refuge with his older brother, a transgender performer in a drag queen club. Now on the run with his brother's friends and performers, dressed as a dancer and calling himself Poppy, Mony must hide at Hollywood, a night club in the Cambodian countryside. With the mob and the police after him, Mony has to adapt to his new identity...

When Imani goes to her friend's housewarming party, she meets a boy who piques her interest. She invites him over to hang out, only to realise that they have more in common than she thought.

Lukas, 20, is a prisoner in his own body. As a pre-op transgender person, he is constantly finding himself trapped in uncomfortable, compromising positions. His best friend, Ine introduces him to the gay scene in Cologne where he meets the confident and gorgeous, Fabio. The two develop a romantic relationship that tests the boundaries of love. ROMEOS forgoes stereotypes and conventions to offer an honest and humorous examination of the most basic of human conditions: friendship, sex, and love.

Esteban has left home for Spain, to study. He returns to see his parents in Paris for holidays. Between walks and Sunday lunches, Anne and Pascal do their best to adapt to their son’s new situation.

Vinayan is a transgender who is always at the receiving end of insults and unfair behaviour. His effeminate actions also earn him the ire of his own family. Will Vinayan ignore social norms and stay true to himself? Or will he bow down to diktats?

The expected return of the son for his father funeral shakes up a traditional and secretive familiar environment where women are supposed to count on men to survive as he shows himself turned into a female.

While working as a mechanic to support a wife at home, Manju struggles to overcome every attempt made at discovering their assigned sex.

A transgender teenager faces an unwanted pregnancy and risks losing everything he loves in order to live courageously.

A teenager transitions from female to male, and his family must come to terms with that fact.

How do we represent the ideas of gender? This short reflects about this topic, as we see an unidentified character, suited up, and with a paper bag over his head, walking down the hallway of its high school.

When Gerda Wegener asks her husband Einar to fill in as a portrait model, Einar discovers the person she's meant to be and begins living her life as Lili Elbe. Having realized her true self and with Gerda's love and support, Lili embarks on a groundbreaking journey as a transgender pioneer.

After years away from home, Duna returns to his home village to get reunited with his ill father. Upon arrival, she will feel rejection and misunderstanding about her trans-sexuality. Will she reconcile with her past and father?

Troy and his young transgender son Joe are on the run from his conservative mother in the Montana wilderness, with a detective in hot pursuit.

The story deals with the right to happiness and to be part of the community, for those who have chosen a different form of morally accepted by society, and allows us to review the issue of discrimination, intolerance, marginalization and social exclusion but also that of the infinite capacity to love that human beings have.