Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.
A journey into the extraordinary life and legacy of pioneering marine biologist Edie Widder.
Entering the virtual world of “Second Life”, Brazilian visual artist Paulo Bruscky meets film director Gabriel Mascaro. Mascaro, an ex-film film director from north-east Brazil currently lives and works making machinima (virtual short films) in the “Second Life”. Paulo hires Gabriel to make a machinima documentary of his adventures as a newcomer to the “Second Life”.
Surfing at Waikiki Beach, Hawaii, on the island of Oahu. Most surfers are human, one is a dog. The educational documentary is part of the Bruce Scenic Novelties series.
The Antwerp Zoo covers a fair extent of ground, and was already in 1910 generally considered as an important one. A large number of views of birds and animals were taken and hand coloured. In those days, the monkey house was in for much attention. People found that the various comic incidents added a touch of whimsicality.
Chris Hemsworth has a real passion for sharks. The Hollywood star talks to experts to find out more about the apex predators of the oceans.
Riding Giants is story about big wave surfers who have become heroes and legends in their sport. Directed by the skateboard guru Stacy Peralta.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Filmmaker Christina Karliczek Skoglund goes in search of the Greenland shark.
The Hawai'ian Islands are ground zero for the aquarium trade who capture and traffic reef fish for hobbyists’ tanks, decimating the reef, ocean and earth’s oxygen. Native Hawai'ians, conservationists, scientists, aquarium fish collectors and breeders are locked in a controversy over the stunning “treasure of Hawai'i” – the ornamental fish.
Travel to the underwater lands of ice and corals to discover the birth of a movement to protect the sea. Through the eyes of a prince, a president, a pirate and even an island chief, see how a bountiful underwater paradise can thrive once more; paradise it is more than just a dream.
For the Love of Sharks
Mysteries of the Unseen World transports audiences to places on this planet that they have never been before, to see things that are beyond their normal vision, yet literally right in front of their eyes. Mysteries of the Unseen World reveals phenomena that can't be seen with the naked eye, taking audiences into earthly worlds secreted away in different dimensions of time and scale. Viewers experience events that unfold too slowly for human perception
Base jumper Jeb Corliss sustained grave injuries on a crash in South Africa. Through rehab, Jeb relearns the sport to tackle mountains in Europe.
A routine drone survey turns deadly when Ryan Johnson, a marine biologist based in South Africa, films a humpback whale being attacked and strategically drowned by a Great white shark. This is a total perspective shift for the creature.
A clash of true oceanic titans sees fights in the remote battlefields of Ascension Island. Tuna are often faster, fitter and bigger than the sharks.
In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min
Documentary about the life of explorer Jacques Cousteau.
The subject is a group of women bathing in a public swimming pool. The camera was placed on the edge of the pool and the full extent of the film shows the women in the pool. Only the heads and shoulders of most of the women are visible but it is possible to see they are wearing rented bathing attire.
Alien Sharks: Return To The Abyss