Precious Stones

An insight into 5 queer film festivals accompanied with the discussion about the importance of queer film festivals, queer film and people's experience with both.

Private Diary documents photographer Pedro Usabiaga working with a variety of amateur models. The audience sees how the relationships between the photographer and the subjects changes during their time together, as well as how the individual photographs begin to take shape. Pedro Usabiaga is a well-established Basque photographer whose chief concerns are figurative photography and whose passion in photographing the Spanish male. In this hour long conversation with the artist we are given entry into that process of selecting models (none of the models he uses for this book to be titled 'Private Diary' are professional, but instead are randomly chosen as Usabiaga observes athletes in action) and then allowed to follow Usabiaga and his crew as they photograph these men in natural settings and natural light.

Few musicals can claim to capture the mood of a historical period as well as the 1972 classic Cabaret. Liza Minnelli's unforgettable portrayal of singer Sally Bowles and the film's stylish recreation of the era have become defining images of Weimar Berlin. In this documentary, actor Alan Cumming explores the truths behind the fiction. He meets many of those closely involved with the original film, including Liza Minnelli, and talks to cabaret artists, among them acclaimed performer Ute Lemper. Alan explores the origins of the Cabaret story in the writings of Christopher Isherwood and uncovers the story of the real life Sally Bowles, a woman very different from her fictional counterpart. He talks to the composer of Cabaret about the inspiration for the film's most famous songs and discovers the stories of the original composers and performers, among them Marlene Dietrich. Finally, Alan reveals the tragic fate of many of the cabaret artists at the hands of the Nazis.

What is it about Speedos? Well here Australian director Tim Hunter is on a mission to find the answer to the question of why so many gay men can't seem to get enough of hunks in tight fitting trunks? Although somehow I think the answer can be found in the question! Anyway in a bid to discover the truth, Hunter has carried out a series of interviews with men who have more than a passing interest in this briefest of garment, including that of Speedo designer Peter Travis, who here relates his part in the history of 'the male equivalent of the Wonder Bra.'

In 1982, soon after the first Gay Games, 'West Hollywood Swim Club,' as it was known then, registered as the first openly gay masters swim and water polo club. This feature documentary film follows their battle for acceptance: from their humble beginnings, to how these men and women have become a renowned force fighting injustice in the world of competitive sports.

A look into the lives of teenage male prostitutes working the area known as the "Electricity Garden" in Tel Aviv.

Portrait of the last year of the life of famous New York drag queen Consuela Cosmetic.

Soft boys by day, kings by night. The film follows a group of young Bulgarian Roma who come to Vienna looking for freedom and a quick buck. They sell their bodies as if that's all they had. What comforts them, so far from home, is the feeling of being together. But the nights are long and unpredictable.

Through the voices of Americans from all walks of life, The Out List explores the identities of the lesbian, gay, bisexual, and transgender community in America. In this series of intimate interviews, a diverse group of LGBTQ personalities bring color and depth to their experiences of gender and sexuality. With wit and wisdom, this set of trailblazing individuals weaves universal themes of love, loss, trial, and triumph into the determined struggle for full equality.

In 1972, John Wojtowicz attempted to rob a Brooklyn bank to pay for his lover’s sex-change operation. The story was the basis for the film Dog Day Afternoon. The Dog captures John, who shares his story for the first time in his own unique, offensive, hilarious and heartbreaking way. We gain a historic perspective on New York's gay liberation movement, in which Wojtowicz played an active role. In later footage, he remains a subversive force, backed by the unconditional love of his mother Terry, whose wit and charm infuse the film. How and why the bank robbery took place is recounted in gripping detail by Wojtowicz and various eyewitnesses.

Following up on his 2007 documentary, The Most Hated Family in America, Louis Theroux returns to Topeka, Kansas, for a week-long visit with the Westboro Baptist Church. He again joins the Phelps family on their controversial pickets where they try to antagonise communities with offensive slogans and anti-gay placards. But four years on from Louis's last visit, there are signs of disarray in the Phelps clan. A series of defections of family members has shaken up the church.

A short observational account of one Saturday night in the mundane life of Stuart. He gets drunk, goes out to clubs,, searches for love and falls asleep unfulfilled on the floor of the club.

How drag queens sharing tips and tricks in dressing rooms shaped the face of today’s mainstream makeup industry.

Los Angeles in the year 2005: 19-year-old lads move through an apartment that has been equipped with webcams and looks like some sort of futuristic internet doll's house. Not-quite-so-young men fulfil their sexual dreams as protagonists in bareback productions. And, at private sex parties, almost every second guy has either taken part in a porn film or wants to. In 1997, I followed on camera the fortunes of a group of men who had chosen to wok - either artistically or commercially - with their bodies. This footage later become part of my 1998 documentary, SEX/LIFE IN L.A.. I'm still in touch with some of the men in that film, these include: lone battler Kevin Kramer, mature shooting star Cole Tucker, American boy-next-door Matt Bradshaw and friends of the occasional model John Garwood, who died of an overdose in 1998. Some of these men have successful careers behind them, others have left the sex industry altogether.

In this essay film, the narrator describes how his fixation on a gay pornographic model from a phone sex advertisement leads to a new project, an elegy for a complex, troubled man named Alain Lebeau.

Saar is an HIV positive gay man living in London, where he found refuge from the religious kibbutz where he grew up in Israel. Ever since he was diagnosed with HIV, Saar has craved his family's love, while they struggle with fears and prejudices.

Church & State is the improbable story of a brash, inexperienced gay activist and a tiny Salt Lake City law firm that joined forces to topple Utah’s gay marriage ban. The film’s ride on the bumpy road to equality in Utah offers a glimpse at the Mormon church’s influence in state politics and the squabbles inside the gay community that nearly derailed a chance to make history. Church & State is a story of triumph, setback and a little-known lawsuit that should have failed, but instead paved the way for a U.S. Supreme Court decision that legalized gay unions nationwide.

Every weekend, the gay male choir G-Voice rehearses in Seoul. The choir, being a kind of antidote to homophobic Korean society, makes the everyday lives of gay men its theme in an intelligent and humorous way. For their tenth anniversary, the members are planning to give their first big concert with ambitious arrangements, creative choreographies and many new pieces. Besides preparing for their big day, G-Voice are also politically active, singing for equality and against discrimination.

This provocative documentary uncovers a lost chapter in Canadian military history: how the Armed Forces dealt with homosexual behaviour among soldiers, during and after World War II. More than 60 years later, a group of five veterans, barely adults when they enlisted, break the silence to talk about how homosexual behaviour "was even more unmentionable than cancer." Yet amidst the brutality of war, instances of sexual awakening among soldiers and officers were occuring. Initially, the Army overlooked it, but as the war advanced, they began to crack down: military tribunals, threats of imprisonment, discharge and public exposure. After the war, officers accused of homosexuality were discharged. Back home in Canada, reputations and careers were ruined. For the young men who had served their country with valour, this final chapter was often too much to bear. Based on the book Courting Homosexuals in the Military by Paul Jackson.

Caught between two genders, the artist Eli Leven and Ester Martin Bergsmark touch and caress each other, while they bath together in clouds of steam. A persuasive voice-off describes the often hard and painful growing process, which led them to choose to be neither males nor females. But something else entirely. While memories of adolescences scarred by homophobia and discrimination are presented, the audience is also captivated by poetic evocations of bodies, of snowy woods, water, nature, and snails: the symbol of androgyny. This movie moves the audience profoundly. It is a hymn to sexual fluidity, which reveals the search for the true self, rendered through the use of contrasting, vivid, and often acid bright photography. Intended as a television portrait of the transgender artist Eli Leven, it is a psychedelic docu-fiction, a hybrid movie inspired by Derek Jarman's Sebastian.