Madonnas

A mother and her two daughters cross the banks of the North in search of a beach where the elder daughter left her best memories.

Within the concrete confines of a life sentence, one man rediscovers his capacity for love.

Based on true events about the foot soldiers of the early feminist movement, women who were forced underground to pursue a dangerous game of cat and mouse with an increasingly brutal State.

“Sooner or later, I’ll return to where my other self is.” The everyday experiences of a Senegalese student in West Berlin are marked by a sense of uneasiness in Europe and his family’s expectations in the form of a constant stream of letters.

Scattered children and youngsters hang around in a deserted industrial estate where there isn't much to do — apart from longing for love.

Dina (Maria Santiago) is a teenager brought up by her grandmother, employed as a housekeeper for a fairly well-off family. Since Dina only has her grandmother, she spends her time fantasizing about her life and reading comic-book love stories -- activities that do nothing to improve her dim perspective of reality. Due to these handicaps and her own inexperience, she gets involved with Django (Luis Lucas), a shady character who decides to use her as bait to attract men and then rob them. One day when both are in a taxi with robbery in mind, the driver gets suspicious so Django shoots him, and so does Dina. She escapes and runs away -- though it seems like she has learned too little too late. This story unfolds against a time of upheaval in Portugal (mid-1970s) when the military government is formulating a constitution and social changes are happening everywhere.

Nina, Ailén and Fernando are an actress, a producer and a director who want to shoot and independent feature film in Argentina.

A young couple, Kaia and Andrew, are renovating Kaia's secluded family estate. Their lives are violently disrupted upon the unexpected arrival of Kaia's sister, Christine, and her fiancé, Ira.

Estranged from her family, Franny returns home when an accident leaves her brother comatose. Retracing his life as an aspiring musician, she tracks down his favorite musician, James Forester. Against the backdrop of Brooklyn’s music scene, Franny and James develop an unexpected relationship and face the realities of their lives.

'The subject of this film is the conversation between a man and a woman. A couple, maybe lovers, maybe married, it doesn't matter. (...) During this conversation, we do not see but the city of Rome. I wanted to transmit that what Rome provokes in me, the feeling of an intrinsic matter, indissoluble, in difference with Paris, made of small parks and open spaces, crossed by the sky and the wind. Hand in hand with the film, the difficulty of the two lovers assumes a clearer, more explicit form. But as much as, in my opinion, it is impossible to describe and film Rome, the difficulty in the love of a couple can never be totally understood.' - Marguerite Duras, Venice film festival catalogue, 1982.

Sixteen-year-old Billie’s reluctant path to independence is accelerated when her mother reveals plans for gender transition, and their time together becomes limited to Tuesdays. This emotionally charged story of desire, responsibility, and transformation was filmed over the course of a year—once a week, every week, only on Tuesdays.

For thirty-five girls, the Selection is the chance of a lifetime. The opportunity to escape a rigid caste system, live in a palace, and compete for the heart of gorgeous Prince Maxon. But for America Singer, being Selected is a nightmare. It means turning her back on her secret love with Aspen, who is a caste below her, and competing for a crown she doesn’t want. Then America meets Prince Maxon—and realizes that the life she’s always dreamed of may not compare to a future she never imagined.

Joe Lieberman is attracted to Shaleen. They begin a professional relationship, which continues even after Joe develops a romantic interest in a woman named Kate, who is married.

Fall of Ming

In the absence of their parents, Johnny and Jennifer are being brought up by their sister Tanya, an overdressed transvestite. Both kids mess up their pursuit of romance, and both look for ways to break away from the family home and become independent.

A Jury of Her Peers is a 1980 short film directed by Sally Heckel, adapted from the story by Susan Glaspell. A farm woman is accused of murdering her husband in early 1900's Midwest America. The film was nominated for an Oscar for Best Live Action Short Film.

Couples and Robbers is a 1981 English language comedy/crime film written and directed by Clare Peploe, starring Frances Low, Rik Mayall and Peter Eyre. Two couples -- one with all the riches that dreams are made of, the other with only dreams and schemes -- are brought together by the plotting of the poorer couple. A pair of newlyweds wander through the city streets, bickering about their poverty, until they are distracted by the opulent home of a lawyer. Impulsively, the couple makes off with the lawyer's vehicle for one night of extravagant indulgence. The film was nominated for an Oscar for Best Live Action Short Film.

Set in an open prison, where a former trade union activist subjects his more passive cell mate to an incessant barrage of union mumbo-jumbo.

A young Oklahoma artist, struggling with a recent death, finds escape in a reckless affair with her brother's girlfriend.

Telmo is a retired theater director that realizes he doesn't remember the time he spent kept in jail during the military dictatorship in Brazil. He decides to stage a play and, with threads of memory, he improvises the lines with his young cast. Telmo dives into his own history and ends up revealing for himself what, being so painful, he'd rather forget.