Ungleichland - Wie aus Reichtum Macht wird

On September 16, 2022, in Teheran, the murder by police of the young Mahsa Amini, arrested for "wearing a headscarf contrary to the law", sparked off an unprecedented insurrection. Within hours, a spontaneous movement formed around the rallying cry: "Woman, life, freedom". For the first time, women, joined by men and students, took the initiative and removed their veils, the hated symbol of the Islamic Republic. The Iranian population, from all regions and social categories, rose up in protest. Social networks went wild. The diaspora (between 5–8 million Iranians) took up the cause, and the whole world discovered the scale of this mobilization: could the theocratic regime be overthrown this time?

From the moment we got engaged and set a wedding date, we began thinking about the reasons we chose one another. What was so special about this relationship that we decided to spend our lives together? Would our love be the same if we were born in another time or at another place? What is love exactly? Driven by those questions, we decided to embark on a one year journey around the world to research whether love, one of the highest values in our lives, is universal, or it is completely conditioned by the circumstances around us.

How did Nazi Germany, from limited natural resources, mass unemployment, little money and a damaged industry, manage to unfurl the cataclysm of World War Two and come to occupy a large part of the European continent? Based on recent historical works of and interviews with Adam Tooze, Richard Overy, Frank Bajohr and Marie-Bénédicte Vincent, and drawing on rare archival material.

Let's Not Live Like Slaves

Zeitgeist: Addendum premiered at the 5th Annual Artivist Film Festival. Director Peter Joseph stated: "The failure of our world to resolve the issues of war, poverty, and corruption, rests within a gross ignorance about what guides human behavior to begin with. It address the true source of the instability in our society, while offering the only fundamental, long-term solution."

FINDING THE MONEY follows economist Stephanie Kelton on a journey through Modern Money Theory or “MMT”. Kelton provocatively asserts the National Debt Clock that ticks ominously upwards in New York City is not actually a debt for us taxpayers at all, nor a burden for our grandchildren to pay back. Instead, Kelton describes the national debt as simply a historical record of the number of dollars created by the US federal government currently being held in pockets, as assets, by the rest of us. MMT bursts into the media with journalists asking, “Have we been thinking about how the government spends money, all wrong?” But top economists from across the political spectrum condemn the theory as “voodoo economics”, “crazy” and “a crackpot theory”. FINDING THE MONEY traces the conflict all the way back to the story we tell about money, injecting new hope and empowering countries around the world to tackle the biggest challenges of the 21st century: from climate change to inequality.

Fueled by a raging libido, Wild Turkey, and superhuman doses of drugs, Thompson was a true "free lance, " goring sacred cows with impunity, hilarity, and a steel-eyed conviction for writing wrongs. Focusing on the good doctor's heyday, 1965 to 1975, the film includes clips of never-before-seen (nor heard) home movies, audiotapes, and passages from unpublished manuscripts.

A documentary examining possible historical and modern conspiracies surrounding Christianity, the 9/11 terrorist attacks, and the Federal Reserve bank.

What would you do if your basic income was taken care of month after month? Would you stop working? Follow your passions? Take more risks? The four-figure sum that all four members of the Wardwell family receive each year from the Alaskan government’s crude oil profits goes towards a college fund for their children, something they would otherwise be unable to afford. Filmmaker Christian Tod, himself a fervent supporter of the idea, explores the model of an unconditional basic income and takes a look at trial systems already underway in the US, Canada and Namibia. Wandering the history of this utopia reminiscent of science fiction he eventually ends up in Switzerland, where the new system was voted on in 2016. In this multifaceted and highly entertaining documentary, Tod broaches life’s existential questions and fuels the debate on one of the most prevalent economic topics of our generation.

Jamie Johnson takes the exploration of wealth that he began in Born Rich one step further. The One Percent, refers to the tiny percentage of Americans who control nearly half the wealth of the U.S. Johnson's thesis is that this wealth in the hands of so few people is a danger to our very way of life.

Ruy Mauro Marini was a brazilian sociologist who developed the Marxist Dependancy Theory, to explain the development of latin american nations due their place in the global capitalism. This film, through multiple interviews, gives a short overview of his life and work.

An unsettling and eye-opening Wall Street horror story about Chinese companies, the American stock market, and the opportunistic greed behind the biggest heist you've never heard of.

Overdraft is an award-winning film featuring leading thinkers and policymakers from across the aisle exploring major topics such as entitlement programs, defense spending, tax reform and the choices that America’s debt forces on individuals and businesses. Independently produced, Overdraft was launched in August 2012, and made available for broadcast on public television for two years through the National Educational Telecommunications Association (NETA).

The End of Poverty? asks if the true causes of poverty today stem from a deliberate orchestration since colonial times which has evolved into our modern system whereby wealthy nations exploit the poor. People living and fighting against poverty answer condemning colonialism and its consequences; land grab, exploitation of natural resources, debt, free markets, demand for corporate profits and the evolution of an economic system in in which 25% of the world's population consumes 85% of its wealth. Featuring Nobel Prize winner Amartya Sen and Joseph Stiglitz, authors/activist Susan George, Eric Toussaint, Bolivian Vice President Alvaro Garcia Linera and more.

A documentary on children of the insanely rich. Directed by one of their own, Johnson & Johnson heir, Jamie Johnson.

Ferdinand de Lesseps, known as “The Great Frenchman”, will embark in the greatest adventure of his life: To unite the Pacific and Atlantic oceans through a Canal in the Isthmus of Panama – without knowing that this will cost him his reputation, thousands of innocent lives and the biggest financial scandal of all time, up to that point: the famous “Scandal of Panama”. Today, the French capital is known as “Paname”.

Mobile homes have long been an affordable option for people who struggle with the cost of other housing in the United States. But now the economy of mobile home parks is under threat as private equity firms are buying up properties and looking to squeeze more money out of mobile home owners. Filmmaker Sara Terry uses this backdrop to explore urgent class issues that resonate across America, and especially in the high-priced rental market of New York City.

Through interviews filmed over four years, Noam Chomsky unpacks the principles that have brought us to the crossroads of historically unprecedented inequality – tracing a half-century of policies designed to favor the most wealthy at the expense of the majority – while also looking back on his own life of activism and political participation. He provides penetrating insight into what may well be the lasting legacy of our time – the death of the middle class, and swan song of functioning democracy.

This film made by a Palestinian-Israeli collective shows the destruction of the occupied West Bank's Masafer Yatta by Israeli soldiers and the alliance which develops between the Palestinian activist Basel and Israeli journalist Yuval.

With the epic dimensions of a Shakespearean tragedy, The Queen of Versailles follows billionaires Jackie and David’s rags-to-riches story to uncover the innate virtues and flaws of their American dream. We open on the triumphant construction of the biggest house in America, a sprawling, 90,000-square-foot mansion inspired by Versailles. Since a booming time-share business built on the real-estate bubble is financing it, the economic crisis brings progress to a halt and seals the fate of its owners. We witness the impact of this turn of fortune over the next two years in a riveting film fraught with delusion, denial, and self-effacing humor.