We Could Be Parents

Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.

Animated adaptation of the Edgar Allen Poe 1839 short story The Fall of the House of Usher, a work of Gothic fiction that includes themes of madness, family, isolation, and metaphysical identities.

Paul lands in a Mediterranean seaside resort. He is enjoying a few moments by the sea, when his gaze is captured by the arrival of a muscular man with a tanned complexion. This stranger becomes his obsession, fueling a destabilizing desire.

Waves

Lourdes, a university student, is grateful to Bernard, the town drunk, when he comes to her aid in an uncomfortable situation. But when she offers to buy him a hot meal, she ends up getting involved in far more than she bargained for.

Owen, after a sleepless night from his Mothers funeral the day before, decides to avoid his father and visit her grave. Through a misunderstanding he meets Maura, who's visiting her recently deceased Father's grave. Together they try to find a way to connect with the loved ones they've lost.

On his deathbed, His Majesty Alfredo, King without a crown, is taken back to distant youth memories from the time when he dreamt of becoming a fireman. His encounter with instructor Afonso from the fire brigade, opens a new chapter in the life of the two young men devoted to love and desire, and the will to change the status quo.

Edward G. Robinson talks to the audience about the history of gangster films and introduces his latest vehicle.

Dong-chan dreams of selling clothes in Shanghai after saving up enough money by working in a warehouse in Dongdaemun. Ji-pyung met a Chinese woman named Mei Mei while working and introduced her to his brother. On the day after Mei Mei went to Shanghai, Ji-pyung was called by his boss. He was confronted about helping Chinese people imitate clothing patterns. In order to save his brother, Dong-chan used all his savings and found his boss who was in a karaoke bar.

A man returns home from years on the run to find his wife having died of cancer and his son getting a divorce after his grandson's birth. The once mighty gangster ends up living in a nursing home where he finds the warmth and love of a younger woman. As he tries to break the news of his May-December romance to his son, he finds out that his son is now living with a man claiming to be a "close friend." Three generations of Wu, the grandfather who hates to lose face, the father who thinks love trumps all, and the rebellious grandson, collided as they dealt with love, friendship, and family.

After his star actress, Indre, murders her mother, rich-kid filmmaker Romas plans her escape from Lithuania. His Mexican boyfriend Carlos helps them reluctantly. On the road, Romas begins shooting an improvised experimental film. As events take an unexpected turn, their secrets, memories and emotions make this journey wilder than any film Romas could have imagined.

In a vibrant city pulsating with rhythm and movement, an elderly man and his young-at-heart wife rekindle their youthful passion for life and each other on one magical night.

Love Me Anyway is a sun soaked drama about a filmmaker falling for a dreamy surfer, a man trying to save his marriage and a young wife exploring the greener grass of an extramarital affair with another woman.

A car crash victim suddenly finds himself turned on by car accidents and becomes involved with an underground sub-culture of like-minded souls.

In the beginning of the 19th century, Johannes Elias Alder is born in a small village in the Austrian mountains. While growing up he is considered strange by the other villagers and discovers his love of music, especially rebuilding and playing the organ at the village church. After experiencing an "acoustic wonder", his eye color changes and he can hear even the most subtle sounds.

It is the story of resilience of a mother and her son, each living with a chronic degenerative disease, and how they reconcile with each other when they accept that their disease has united and transformed them forever.

Based on the true story of would-be Brooklyn bank robbers John Wojtowicz and Salvatore Naturile. Sonny and Sal attempt a bank heist which quickly turns sour and escalates into a hostage situation and stand-off with the police. As Sonny's motives for the robbery are slowly revealed and things become more complicated, the heist turns into a media circus.

A woman’s lover and her ex-boyfriend take justice into their own hands after she becomes the victim of a rapist. Because some acts can’t be undone. Because man is an animal. Because the desire for vengeance is a natural impulse. Because most crimes remain unpunished.

A young woman was buried alive with the intention of killing, but she survived by chance. hears the cries of her little girl and fights to stay alive for her daughter. But this incident will enlighten a new worldview for her.

Invited by the conductor Premil Petrovic to stage Arnold Schoenberg’s Pierrot Lunaire, a musical theater work from 1912 based on the poems of Albert Giraud, LaBruce transposed a strange and tragic episode of true crime onto the composition. Complementing the original atonal score is a narrative about a trans man who is outed by his girlfriend’s father and forbidden from seeing the young woman again. Crestfallen, the protagonist decides to prove the fact of his manhood by castrating a taxi driver and then revealing his newly transplanted member to the two of them. This story, which for LaBruce “serves as a kind of allegory for all gender radicals and outcasts driven to extremes by the disapproval and hostility of the dominant order,” is rendered in a visual style that nods to the era of Schoenberg’s melodrama. LaBruce cheekily appropriates the formal vocabulary of silent cinema with black-and-white photography, irises, and intertitles like “A cock, a cock, my kingdom for a cock!”